The Documentary Film Reader

The Documentary Film Reader
Author: Jonathan Kahana
Publisher: Oxford University Press
Total Pages: 1057
Release: 2016-01-21
Genre: Art
ISBN: 0190459328

Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian.

Movie Music, the Film Reader

Movie Music, the Film Reader
Author: Kay Dickinson
Publisher: Psychology Press
Total Pages: 216
Release: 2003
Genre: History
ISBN: 9780415281591

This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.

Experimental Cinema

Experimental Cinema
Author: Wheeler W. Dixon
Publisher: Psychology Press
Total Pages: 372
Release: 2002
Genre: Experimental films
ISBN: 9780415277877

Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.

How the Essay Film Thinks

How the Essay Film Thinks
Author: Laura Rascaroli
Publisher: Oxford University Press
Total Pages: 225
Release: 2017-05-05
Genre: Performing Arts
ISBN: 0190656395

This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate. Against the backdrop of Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay film can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps.

Stories Make the World

Stories Make the World
Author: Stephen Most
Publisher: Berghahn Books
Total Pages: 288
Release: 2017-06
Genre: Literary Collections
ISBN: 1785335766

Since the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In Stories Make the World, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author’s decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.

Liquid Metal

Liquid Metal
Author: Sean Redmond
Publisher: Wallflower Press
Total Pages: 374
Release: 2004
Genre: Performing Arts
ISBN: 9781903364871

This reader brings together a great number of what are regarded to be the 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. It includes key essays by writers such as J.P. Telotte, Susan Sontag and Peter Biskind.

Reading in the Reel World

Reading in the Reel World
Author: John Golden
Publisher: National Council of Teachers of English (Ncte)
Total Pages: 316
Release: 2006
Genre: Education
ISBN:

By tapping into students' natural attraction to film, teachers can help students understand key concepts such as theme, tone, and point of view as well as practice and improve their persuasive, narrative, and expository writing abilities. Studying documentaries helps students learn how nonfiction texts are constructed and how these texts may shape the viewer's/reader's opinion. The book includes classroom-tested activities, ready-to-copy handouts, and extensive lists of resources, such as a glossary of film terminology, an index of documentaries by category, and an annotated list of additional resources. More than thirty films are discussed, giving teachers the tools needed to effectively teach nonfiction texts using popular documentaries.

The Documentary Film Book

The Documentary Film Book
Author: Brian Winston
Publisher: Bloomsbury Publishing
Total Pages: 847
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838718745

Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

Documentary for the Small Screen

Documentary for the Small Screen
Author: Paul Kriwaczek
Publisher: CRC Press
Total Pages: 270
Release: 1997-10-08
Genre: Performing Arts
ISBN: 1136044892

Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone. Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone. Documentary for the small screen is both for those who are new to documentary film-making but want to know how to create productions of a professional standard, as well as for those already working in the medium who wish to improve their skills by taking a closer look at the way they carry out their tasks. It is written in a logical, straightforward way, the first half taking the reader through an analysis of what documentary actually is, to constructing it through developing the story and assembling the appropriate building-blocks. In the second part, the pre-production stages of preparing proposals, costings and outlines, and researching the subject are all carefully examined, as are production planning and the shoot, followed by the post-production stages involved in editing and reviewing the completed film. Paul Kriwaczek is an award winning documentary maker who has a wealth of experience to pass on, having worked for many years at BBC Television where he wrote, directed and produced documentary, drama, music and science programmes.

Post-war Cinema and Modernity

Post-war Cinema and Modernity
Author: John Orr
Publisher: NYU Press
Total Pages: 468
Release: 2001-03
Genre: Performing Arts
ISBN: 9780814762028

Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.