The Documentary Film Reader
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Author | : Jonathan Kahana |
Publisher | : Oxford University Press |
Total Pages | : 1057 |
Release | : 2016-01-21 |
Genre | : Art |
ISBN | : 0190459328 |
Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian.
Author | : Kay Dickinson |
Publisher | : Psychology Press |
Total Pages | : 216 |
Release | : 2003 |
Genre | : History |
ISBN | : 9780415281591 |
This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.
Author | : Wheeler W. Dixon |
Publisher | : Psychology Press |
Total Pages | : 372 |
Release | : 2002 |
Genre | : Experimental films |
ISBN | : 9780415277877 |
Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.
Author | : Laura Rascaroli |
Publisher | : Oxford University Press |
Total Pages | : 225 |
Release | : 2017-05-05 |
Genre | : Performing Arts |
ISBN | : 0190656395 |
This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate. Against the backdrop of Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay film can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps.
Author | : Stephen Most |
Publisher | : Berghahn Books |
Total Pages | : 288 |
Release | : 2017-06 |
Genre | : Literary Collections |
ISBN | : 1785335766 |
Since the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In Stories Make the World, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author’s decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.
Author | : Sean Redmond |
Publisher | : Wallflower Press |
Total Pages | : 374 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9781903364871 |
This reader brings together a great number of what are regarded to be the 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. It includes key essays by writers such as J.P. Telotte, Susan Sontag and Peter Biskind.
Author | : John Golden |
Publisher | : National Council of Teachers of English (Ncte) |
Total Pages | : 316 |
Release | : 2006 |
Genre | : Education |
ISBN | : |
By tapping into students' natural attraction to film, teachers can help students understand key concepts such as theme, tone, and point of view as well as practice and improve their persuasive, narrative, and expository writing abilities. Studying documentaries helps students learn how nonfiction texts are constructed and how these texts may shape the viewer's/reader's opinion. The book includes classroom-tested activities, ready-to-copy handouts, and extensive lists of resources, such as a glossary of film terminology, an index of documentaries by category, and an annotated list of additional resources. More than thirty films are discussed, giving teachers the tools needed to effectively teach nonfiction texts using popular documentaries.
Author | : Brian Winston |
Publisher | : Bloomsbury Publishing |
Total Pages | : 847 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838718745 |
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
Author | : Paul Kriwaczek |
Publisher | : CRC Press |
Total Pages | : 270 |
Release | : 1997-10-08 |
Genre | : Performing Arts |
ISBN | : 1136044892 |
Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone. Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone. Documentary for the small screen is both for those who are new to documentary film-making but want to know how to create productions of a professional standard, as well as for those already working in the medium who wish to improve their skills by taking a closer look at the way they carry out their tasks. It is written in a logical, straightforward way, the first half taking the reader through an analysis of what documentary actually is, to constructing it through developing the story and assembling the appropriate building-blocks. In the second part, the pre-production stages of preparing proposals, costings and outlines, and researching the subject are all carefully examined, as are production planning and the shoot, followed by the post-production stages involved in editing and reviewing the completed film. Paul Kriwaczek is an award winning documentary maker who has a wealth of experience to pass on, having worked for many years at BBC Television where he wrote, directed and produced documentary, drama, music and science programmes.
Author | : John Orr |
Publisher | : NYU Press |
Total Pages | : 468 |
Release | : 2001-03 |
Genre | : Performing Arts |
ISBN | : 9780814762028 |
Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.