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| Author | : Ulric Neisser |
| Publisher | : Cambridge University Press |
| Total Pages | : 302 |
| Release | : 1997-08-13 |
| Genre | : Psychology |
| ISBN | : 9780521482035 |
This book explores the 'self-concept', its cultural, psychopathological and philosophical implications.
| Author | : Caroline Andrew |
| Publisher | : University of Ottawa Press |
| Total Pages | : 304 |
| Release | : 2005-03-30 |
| Genre | : Political Science |
| ISBN | : 0776618636 |
Many scholars, practitioners, and policy-makers in the cultural sector argue that Canadian cultural policy is at a crossroads: that the environment for cultural policy-making has evolved substantially and that traditional rationales for state intervention no longer apply. The concept of cultural citizenship is a relative newcomer to the cultural policy landscape, and offers a potentially compelling alternative rationale for government intervention in the cultural sector. Likewise, the articulation and use of cultural indicators and of governance concepts are also new arrivals, emerging as potentially powerful tools for policy and program development. Accounting for Culture is a unique collection of essays from leading Canadian and international scholars that critically examines cultural citizenship, cultural indicators, and governance in the context of evolving cultural practices and cultural policy-making. It will be of great interest to scholars of cultural policy, communications, cultural studies, and public administration alike.
| Author | : Leila Jancovich |
| Publisher | : Springer Nature |
| Total Pages | : 172 |
| Release | : 2023 |
| Genre | : Arts |
| ISBN | : 3031161165 |
This open access book examines how and why the UK's approach towards increasing cultural participation has largely failed to address inequality and inequity in the subsidised cultural sector despite long-standing international policy discourse on this issue. It further examines why meaningful change in cultural policy has not been more forthcoming in the face of this apparent failure. This work examines how a culture of mistrust, blame, and fear between policymakers, practitioners, and participants has resulted in a policy environment that engenders overstated aims, accepts mediocre quality evaluations, encourages narratives of success, and lacks meaningful critical reflection. It shows through extensive field work with cultural professionals and participants how the absence of criticality, transparency, and honesty limits the potential for policy learning, which the authors argue is a precondition to any radical policy change and is necessary for developing a greater understanding of the social construction of policy problems. The book presents a new framework that encourages more open and honest conversations about failure in the cultural sector to support learning strategies that can help avoid these failures in the future.
| Author | : Ann Rigney |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 272 |
| Release | : 1993 |
| Genre | : Literary Criticism |
| ISBN | : 9027222193 |
Culture is studied in this collection, not merely as a set of products, but in terms of the involvement of individuals and groups in the making and using of such products. A wide range of activities, from the reading and writing of poetry to watching soccer on television, is surveyed by an international group of scholars from diverse disciplines: cultural history, literary studies, sociology. Topics include the social distribution of cultural activities, populism and elitism in modern aesthetics, the nature of cultural competence and the channels through which it is acquired, the impact of electronic media on traditional modes of culturalinvolvement, the role of public institutions such as churches, schools, and libraries in stimulating participation, and the relationship between cultural participation and socialization.
| Author | : Birgit Eriksson |
| Publisher | : Routledge |
| Total Pages | : 295 |
| Release | : 2019-09-05 |
| Genre | : Social Science |
| ISBN | : 1000707938 |
This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions. Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings. This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.
| Author | : Joe Karaganis |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2007 |
| Genre | : Computers |
| ISBN | : |
Media Studies.
| Author | : Annamari Laaksonen |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2010 |
| Genre | : Business & Economics |
| ISBN | : |
The enjoyment and fulfilment of the right to participate in culture requires an enabling environment and a legal framework that offers a solid basis for the protection of rights related to cultural actions. A society that demonstrates an interest in nurturing cultural and spiritual needs in conditions of liberty has a greater chance of developing a sense of social responsibility among its members. This study is a general overview of existing legal and policy frameworks in Europe, covering access to and participation in cultural life, cultural provision and cultural rights. It aims at facilitating an environment that enables the development of access and participation in this area. The study also pays due tribute to local civil society organisations and cultural associations, in recognition of the important role they play in making access to culture possible.
| Author | : Beatriz Barreiro Carril |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 291 |
| Release | : 2023-02-23 |
| Genre | : Law |
| ISBN | : 1509961461 |
This book queries, through the prism of the Convention for the Protection and the Promotion of the Diversity of Cultural Expressions (the Convention), the ways in which the processes and substance of international law-making have shifted in response to new technologies and new actors. The essays, written by recognised experts in the field, engage deeply with the practice under the Convention. The 4 parts examine: the rise of new actors and their impact on the Convention's law-making and implementation; the specific implementation of Article 21; the role of cultural communities in promoting diversity of cultural expressions; and the effectiveness and coherence of the Convention. Scholars and practitioners in the field of international law of culture and international cultural cooperation will welcome this fascinating new book.
| Author | : Nina Simon |
| Publisher | : Museum 2.0 |
| Total Pages | : 391 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 0615346502 |
Visitor participation is a hot topic in the contemporary world of museums, art galleries, science centers, libraries and cultural organizations. How can your institution do it and do it well? The Participatory Museum is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. Museum consultant and exhibit designer Nina Simon weaves together innovative design techniques and case studies to make a powerful case for participatory practice. "Nina Simon's new book is essential for museum directors interested in experimenting with audience participation on the one hand and cautious about upending the tradition museum model on the other. In concentrating on the practical, this book makes implementation possible in most museums. More importantly, in describing the philosophy and rationale behind participatory activity, it makes clear that action does not always require new technology or machinery. Museums need to change, are changing, and will change further in the future. This book is a helpful and thoughtful road map for speeding such transformation." -Elaine Heumann Gurian, international museum consultant and author of Civilizing the Museum "This book is an extraordinary resource. Nina has assembled the collective wisdom of the field, and has given it her own brilliant spin. She shows us all how to walk the talk. Her book will make you want to go right out and start experimenting with participatory projects." -Kathleen McLean, participatory museum designer and author of Planning for People in Museum Exhibitions "I predict that in the future this book will be a classic work of museology." --Elizabeth Merritt, founding director of the Center for the Future of Museums
