The Dispositif
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Author | : Valerie Larroche |
Publisher | : John Wiley & Sons |
Total Pages | : 244 |
Release | : 2019-04-30 |
Genre | : Language Arts & Disciplines |
ISBN | : 1786303094 |
The notion of the dispositif (dispositive) is particularly relevant for understanding phenomena where one can observe the reproducibility of distributed technical activities, operational or discursive, between human and non-human actors. This book reviews the concept of the dispositive through various disciplinary perspectives, analyzing in turn its technical, organizational and discursive dimensions. The relations of power and visibility enrich these discussions. Regarding information and communication sciences, three main uses of this concept are presented, on the one hand to illustrate the heuristic scope of issues integrating the dispositive and, on the other hand, to demonstrate its unifying aspect in this disciplinary field. The first use concerns the complexity of media content production; the second relates to activity traces using the concept of the “secondary information dispositive”; finally, the third involves the use of the dispositive in contexts of digital participation.
Author | : Helena Ostrowicka |
Publisher | : Routledge |
Total Pages | : 150 |
Release | : 2020-02-10 |
Genre | : Education |
ISBN | : 0429576471 |
The Dispositif of the University Reform presents a discourse analysis about transformations in higher education in Poland. Combining Foucauldian categories of discourse, dispositif and governmentality with contemporary changes in the area of science and higher education, it proposes an analysis of power in close connection with the development of knowledge. The book researches the tradition built on the works of Michel Foucault, one of the most prominent and inspiring researchers for the contemporary humanities. It introduces the Polish context to the international debate on higher education transformations and the reception of Foucauldian categories in social research. In addition, it presents the original concept of the dispositif of the reform as a heuristic model of describing and explaining the practice of regulating academic life and education policy. As a valuable contribution to the knowledge about the legitimization of educational policy and the practice formed by dominant discourses, the book will be of great interest for academics, researchers and post graduate students in the fields of sociology of education, sociology of knowledge, critical pedagogy, public policy, educational studies, and philosophy.
Author | : Leonard Lawlor |
Publisher | : Cambridge University Press |
Total Pages | : 1318 |
Release | : 2014-04-21 |
Genre | : Philosophy |
ISBN | : 1139867067 |
The Cambridge Foucault Lexicon is a reference tool that provides clear and incisive definitions and descriptions of all of Foucault's major terms and influences, including history, knowledge, language, philosophy and power. It also includes entries on philosophers about whom Foucault wrote and who influenced Foucault's thinking, such as Deleuze, Heidegger, Nietzsche and Canguilhem. The entries are written by scholars of Foucault from a variety of disciplines such as philosophy, gender studies, political science and history. Together, they shed light on concepts key to Foucault and to ongoing discussions of his work today.
Author | : Giorgio Agamben |
Publisher | : Stanford University Press |
Total Pages | : 76 |
Release | : 2009-05-01 |
Genre | : Philosophy |
ISBN | : 0804762309 |
What is an apparatus? was originally published in Italian in 2006 under the title: Che cos'è un dispositivo?; The friend was originally published in Italian in 2007 under the title: L'amico; and, What is the contemporary? was originally published in Italian in 2008 under the title: Che cos'è il contemporaneo
Author | : Roberto Esposito |
Publisher | : Polity |
Total Pages | : 184 |
Release | : 2012-07-16 |
Genre | : Philosophy |
ISBN | : 0745643973 |
Roberto Esposito is one of leading figures in a new generation of Italian philosophers. This book criticizes the notion of the person and develops an original account of the concept of the impersonal - what he calls the third person
Author | : Michel Foucault |
Publisher | : Vintage |
Total Pages | : 286 |
Release | : 1980-11-12 |
Genre | : Social Science |
ISBN | : 039473954X |
Michel Foucault has become famous for a series of books that have permanently altered our understanding of many institutions of Western society. He analyzed mental institutions in the remarkable Madness and Civilization; hospitals in The Birth of the Clinic; prisons in Discipline and Punish; and schools and families in The History of Sexuality. But the general reader as well as the specialist is apt to miss the consistent purposes that lay behind these difficult individual studies, thus losing sight of the broad social vision and political aims that unified them. Now, in this superb set of essays and interviews, Foucault has provided a much-needed guide to Foucault. These pieces, ranging over the entire spectrum of his concerns, enabled Foucault, in his most intimate and accessible voice, to interpret the conclusions of his research in each area and to demonstrate the contribution of each to the magnificent -- and terrifying -- portrait of society that he was patiently compiling. For, as Foucault shows, what he was always describing was the nature of power in society; not the conventional treatment of power that concentrates on powerful individuals and repressive institutions, but the much more pervasive and insidious mechanisms by which power "reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning processes and everyday lives" Foucault's investigations of prisons, schools, barracks, hospitals, factories, cities, lodgings, families, and other organized forms of social life are each a segment of one of the most astonishing intellectual enterprises of all time -- and, as this book proves, one which possesses profound implications for understanding the social control of our bodies and our minds.
Author | : Thomas Elsaesser |
Publisher | : Amsterdam University Press |
Total Pages | : 415 |
Release | : 2019-02-05 |
Genre | : Art |
ISBN | : 9048529964 |
Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the 'death of cinema' debate, Film History as Media Archaeology presents a robust argument for the cinema's current status as a new epistemological object, of interest to philosophers, while also examining the presence of moving images in the museum and art spaces as a challenge for art history. The current study is the fruit of some twenty years of research and writing at the interface of film history, media theory and media archaeology by one of the acknowledged pioneers of the 'new film history' and 'media archaeology'. It joins the efforts of other media scholars to locate cinema's historical emergence and subsequent transformations within the broader field of media change and interaction, as we experience them today.
Author | : Andreas Reckwitz |
Publisher | : John Wiley & Sons |
Total Pages | : 300 |
Release | : 2017-05-30 |
Genre | : Social Science |
ISBN | : 0745697070 |
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.
Author | : Timothy J. Armstrong |
Publisher | : |
Total Pages | : 374 |
Release | : 1992 |
Genre | : Philosophy |
ISBN | : |
This collection of essays on the philosophy of Foucault assesses his various work from a variety of perspectives: his place in the history of philosophy; his style and method of philosophical expression; his notions of political power; his ethical thought; and his attitude to psychoanalysis.
Author | : Timothy C. Campbell |
Publisher | : U of Minnesota Press |
Total Pages | : 205 |
Release | : 2011-10-28 |
Genre | : Philosophy |
ISBN | : 1452932786 |
How biopolitics can get beyond its obsession with death