Rhetoric of Digressions

Rhetoric of Digressions
Author: Peter S. Perry
Publisher: Wipf and Stock Publishers
Total Pages: 309
Release: 2014-09-25
Genre: Religion
ISBN: 1498200567

Revelation 7:1-17 occurs between the opening of the sixth and seventh seal and Rev 10:1-11:13 between the sixth and seventh trumpet blasts. Interpreters often explain these passages as "interludes," "parentheses," or "expansions," but not in terms of ancient communication. Peter S. Perry analyzes these interruptions in the seals and trumpets in light of digressions in ancient rhetorical theory and practice. Digressions are described by Hermagoras, Cicero, and Quintilian and widely used, including in Josephus' works, Jubilees, Sibylline Oracles I/II, Zechariah, and Exodus. As with other ancient digressions, Rev 7:1-17 and 10:1-11:13 are unessential to the logical flow but essential to the book's impact. These passages excite the emotions, shape character, and give insight into John's rhetorical strategy and goals.

Melville’s Philosophies

Melville’s Philosophies
Author: Branka Arsic
Publisher: Bloomsbury Publishing USA
Total Pages: 425
Release: 2017-05-18
Genre: Literary Criticism
ISBN: 150132103X

Melville's Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. To the contrary, they try to hear the philosophical arguments themselves-often very strange and quite radical-that Melville never stopped articulating and reformulating. What emerges is a Melville who is materialistically oriented in a radical way, a Melville who thinks about life forms not just in the context of contemporary sciences but also ontologically. Melville's Philosophies recovers a Melville who is a thinker of great caliber, which means obliquely but dramatically reversing the way the critical tradition has characterized his ideas. Finally, as a result of the readings collected here, Melville emerges as a very relevant thinker for contemporary philosophical concerns, such as the materialist turn, climate change, and post-humanism.

Approaches to Teaching Hugo's Les Misérables

Approaches to Teaching Hugo's Les Misérables
Author: Michal P. Ginsbug
Publisher: Modern Language Association
Total Pages: 225
Release: 2018-08-01
Genre: Language Arts & Disciplines
ISBN: 160329337X

The greatest work of one of France's greatest writers, Victor Hugo's Les Misérables has captivated readers for a century and a half with its memorable characters, its indictment of injustice, its concern for those suffering in misery, and its unapologetic embrace of revolutionary ideals. The novel's length, multiple narratives, and encyclopedic digressiveness make it a pleasure to read but a challenge to teach, and this volume is designed to address the needs of instructors in a variety of courses that include the novel in excerpts or as a whole. Part 1 of the volume, "Materials," provides guidance on editions in French and in English translation, biographies, criticism, and maps. Part 2, "Approaches," contains essays that discuss the novel's conceptions of misère, sexuality, and the politics of the time and that demonstrate techniques for teaching context including the book's literary market, its adaptations, its place in popular culture, and its relation to other novels of its time.

Structural Novelty and Tradition in the Early Romantic Piano Concerto

Structural Novelty and Tradition in the Early Romantic Piano Concerto
Author: Stephan D. Lindeman
Publisher: Pendragon Press
Total Pages: 368
Release: 1999
Genre: Juvenile Nonfiction
ISBN: 9781576470008

Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR