The Dickens Circle
Author | : James William Thomas Ley |
Publisher | : |
Total Pages | : 526 |
Release | : 1919 |
Genre | : English literature |
ISBN | : |
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Author | : James William Thomas Ley |
Publisher | : |
Total Pages | : 526 |
Release | : 1919 |
Genre | : English literature |
ISBN | : |
Author | : Jane R. Cohen |
Publisher | : Ohio State University Press |
Total Pages | : 330 |
Release | : 1980 |
Genre | : Illustration of books |
ISBN | : 0814202845 |
Author | : Sir William Robertson Nicoll |
Publisher | : |
Total Pages | : 268 |
Release | : 1923 |
Genre | : Authors, English |
ISBN | : |
Author | : Lillian Nayder |
Publisher | : Cornell University Press |
Total Pages | : 377 |
Release | : 2012-02-15 |
Genre | : Biography & Autobiography |
ISBN | : 0801465060 |
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.
Author | : Lucinda Hawksley |
Publisher | : National Portrait Gallery |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Biography & Autobiography |
ISBN | : 9781855145962 |
Historian and writer Lucinda Hawksley explores the life of her great-great-great-grandfather, Charles Dickens - one of the first people to whom the term 'celebrity' in its modern sense was applied, and whose extensive circle of friends and associates embraced many of the most eminent and influential figures of the Victorian age ... Through sheer force of will he propelled himself out of a rather depressing existence into the circle of intelligent, radical, questioning friends who feature in this book. Guests at his parties could expect to meet actors, artists, radical politicians, prison reformers, philanthropists and musicians, as well as writers ... llustrated with images from the Collection of the National Portrait Gallery, this book explores the man behind the novels and the lives of those around him.
Author | : Laurence W. Mazzeno |
Publisher | : Camden House |
Total Pages | : 330 |
Release | : 2008 |
Genre | : History |
ISBN | : 9781571133175 |
Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, he was resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theorists who fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. This book traces Dickens's reputation from the earliest reviews through the work of early 21st-century commentators, showing how judgments of Dickens changed with new standards for evaluating fiction. Mazzeno balances attention to prominent critics from the late 19th century through the first three quarters of the 20th with an emphasis on the past three decades, during which literary theory has opened up new ways of reading Dickens. What becomes clear is that, in attempting to provide fresh insight into Dickens's writings, critics often reveal as much about the predilections of their own age as they do about the novelist. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.