The Diary and Letters of Madame D'Arblay (Frances Burney): 1778-1787
Author | : Fanny Burney |
Publisher | : |
Total Pages | : 482 |
Release | : 1890 |
Genre | : Authors, English |
ISBN | : |
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Author | : Fanny Burney |
Publisher | : |
Total Pages | : 482 |
Release | : 1890 |
Genre | : Authors, English |
ISBN | : |
Author | : Anonymous |
Publisher | : |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : Biography & Autobiography |
ISBN | : 9781021726124 |
Author | : Fanny Burney |
Publisher | : |
Total Pages | : 460 |
Release | : 1892 |
Genre | : Authors, English |
ISBN | : |
Author | : Fanny Burney |
Publisher | : Read Books Ltd |
Total Pages | : 913 |
Release | : 2023-04-18 |
Genre | : Literary Collections |
ISBN | : 1528798759 |
From the much-celebrated author of the satirical novel Evelina (1778), this volume is the collected journals and private correspondence of Fanny Burney, Queen Charlotte’s Keeper of the Robes. First published posthumously in seven volumes between 1842–1846, this work is comprised of epistolary correspondence and diary excerpts written by Fanny Burney and edited by her niece, Mrs. Barrett. Fanny Burney, also known by her nom de plume, Madame D’Arblay, accepted the post of Keeper of the Robes for the queen consort of King George III in 1786, going on to develop a close friendship with Queen Charlotte and her daughters. Discover this classic illustration of Georgian society, now in a new edition. Read & Co. History is proudly republishing this volume featuring a biography of the author by Francis Watt and an excerpt from A History of English Literature (1902).
Author | : Sarah Grant |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2018-09-03 |
Genre | : Art |
ISBN | : 135106181X |
This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette’s inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess’s many portrait commissions and the rich character of her private collections, which included works by some of the period’s leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.