The Devotional Poetry Of Svami Haridas
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Author | : Lucy L. Rosenstein |
Publisher | : BRILL |
Total Pages | : 438 |
Release | : 2023-07-03 |
Genre | : History |
ISBN | : 9004646655 |
The 16th-century North Indian religious devotee, poet and musician, Svāmī Haridās, composed lyrics in Braj Bhāṣā, dedicated to the divine couple Rādhā and Kṛṣṇa. One hundred twenty-eight of them were later compiled in two anthologies: the didactic Aṣṭādaś siddhānta and the rapturous Kelimāl, and became the theological basis of the Haridāsī sampradāya, a sect which still flourishes in Vrindaban, U.P. Neither of these important works has hitherto been edited, properly translated or studied academically. The focus of this book is the text of Haridās’s poetry: its transmission, edition and interpretation. Sixteen 18th-19th century manuscripts are collated for the edition and classified with the help of computer programmes originally employed in taxonomy. The apparatus criticus is followed by an annotated English translation in which readings are assessed and points of linguistic interest discussed. The language of Haridās’s text is thoroughly examined, and a comprehensive etymological glossary is included to enhance our knowledge of Braj. Going beyond textual criticism, the book sets Haridās’s verses in a broader context. The introductory chapter discusses the theological views of the Haridāsī tradition against the background of bhakti, analyses the sources of information about Haridās, and attempts to reconstruct his life. Since Haridās’s lyrics were composed to be sung some of their musical features are analysed. The text of the Kelimāl is also examined through the sectarian concerns of its main commentaries. This study will be an important source of information to all scholars of Braj language and Kṛṣṇa devotionalism.
Author | : Amaresh Datta |
Publisher | : Sahitya Akademi |
Total Pages | : 936 |
Release | : 1988 |
Genre | : Indic literature |
ISBN | : 9788126011940 |
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
Author | : A. W. Entwistle |
Publisher | : Groningen Oriental Studies |
Total Pages | : 580 |
Release | : 1987 |
Genre | : History |
ISBN | : |
This book presents a comprehensive study of the region where Krishna is believed to have spent his early years. Readers will find a survey of the development of the Krishna cult, with reference to the extensive Sanskrit literature, as well as numerous studies written about relevant mythology, theology, archaeology and political history.
Author | : Naina Asija |
Publisher | : Blue Rose Publishers |
Total Pages | : 104 |
Release | : 2024-02-05 |
Genre | : Fiction |
ISBN | : |
'The Stories of Braj' is a collection of short stories from the life of Lord Krishn during the tenure he spent in the land of Braj. These stories are written from the perspective of devotees, who have taken the form of either a cow, a flower, a rock or an observer to the Krishn's Leela in real-time. One will have a glimpse of deep love and adulation, which these devotees have for their Lord Krishn.
Author | : |
Publisher | : |
Total Pages | : 212 |
Release | : 2002 |
Genre | : Hindi language |
ISBN | : |
Author | : Guy L. Beck |
Publisher | : Univ of South Carolina Press |
Total Pages | : 477 |
Release | : 2012-12-12 |
Genre | : Religion |
ISBN | : 1611171083 |
Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck's earlier work, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship. Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms "sonic liturgy," a structure of religious worship and experience that incorporates sound and music on many levels. In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music. As he maps the evolution of sonic liturgy in Hindu culture, Beck shows how, parallel to the development of religious ritual from ancient times to the present, there is a less understood progression of musical form, beginning with Vedic chants of two to three notes to complicated genres of devotional temple music employing ragas with up to a dozen notes. Sonic liturgy in its maturity is manifest as a complex interactive worship experience of the Vaishnava sects, presented here in Beck's final chapters.
Author | : Malik Mohamed |
Publisher | : Taylor & Francis |
Total Pages | : 398 |
Release | : 2023-12-01 |
Genre | : Social Science |
ISBN | : 1003830951 |
In The Foundations of the Composite Culture in India, the focus of the author is the process of establishment of Hindu-Muslim unity as a result of historical, social and cultural factors over a period of ten centuries. Traversing this era, he reveals how the Muslim rulers contributed to such harmony and how the two cultures exchanged and accepted each other's tenets to enrich and formulate a composite Indian culture. To explore the foundations on which the complex culture of India rests, the author examines the contribution of Sufism which inherently connotes syncretism and tolerance, as well as the simultaneous rise of the Bhakti movement in medieval India. This title is co-published with Aakar Books. Print editions not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
Author | : Guy L. Beck |
Publisher | : SUNY Press |
Total Pages | : 230 |
Release | : 2006-06-01 |
Genre | : Religion |
ISBN | : 9780791464168 |
Going beyond the standard depictions of Krishna in the epics, this book uses regional and vernacular sources to present a wide range of Krishna traditions.
Author | : Dale Hoiberg |
Publisher | : Popular Prakashan |
Total Pages | : 412 |
Release | : 2000 |
Genre | : India |
ISBN | : 9780852297605 |
Author | : Ritwik Sanyal |
Publisher | : Taylor & Francis |
Total Pages | : 422 |
Release | : 2023-02-16 |
Genre | : Music |
ISBN | : 1000845435 |
Dhrupad is believed to be the oldest style of classical vocal music performed today in North India. This detailed study of the genre considers the relationship between the oral tradition, its transmission from generation to generation, and its re-creation in performance. There is an overview of the historical development of the dhrupad tradition and its performance style from the sixteenth to the nineteenth centuries, and of the musical lineages that carried it forward into the twentieth century, followed by analyses of performance techniques, processes and styles. The authors examine the relationship between the structures provided by tradition and their realization by the performer to throw light on the nature of tradition and creativity in Indian music; and the book ends with an account of the ‘revival’ movement of the late twentieth century that re-established the genre in new contexts. Augmented with an analytical transcription of a complete dhrupad performance, this is the first book-length study of an Indian vocal genre to be co-authored by an Indian practitioner and a Western musicologist.