The Development of the Arabic Scripts
Author | : Beatrice Gruendler |
Publisher | : BRILL |
Total Pages | : 181 |
Release | : 2019-01-28 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004385851 |
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Author | : Beatrice Gruendler |
Publisher | : BRILL |
Total Pages | : 181 |
Release | : 2019-01-28 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004385851 |
Author | : Beatrice Gruendler |
Publisher | : Harvard University Press |
Total Pages | : 273 |
Release | : 2020-10-13 |
Genre | : Literary Criticism |
ISBN | : 0674250265 |
The little-known story of the sophisticated and vibrant Arabic book culture that flourished during the Middle Ages. During the thirteenth century, Europe’s largest library owned fewer than 2,000 volumes. Libraries in the Arab world at the time had exponentially larger collections. Five libraries in Baghdad alone held between 200,000 and 1,000,000 books each, including multiple copies of standard works so that their many patrons could enjoy simultaneous access. How did the Arabic codex become so popular during the Middle Ages, even as the well-established form languished in Europe? Beatrice Gruendler’s The Rise of the Arabic Book answers this question through in-depth stories of bookmakers and book collectors, stationers and librarians, scholars and poets of the ninth century. The history of the book has been written with an outsize focus on Europe. The role books played in shaping the great literary cultures of the world beyond the West has been less known—until now. An internationally renowned expert in classical Arabic literature, Gruendler corrects this oversight and takes us into the rich literary milieu of early Arabic letters.
Author | : Jane Wightwick |
Publisher | : |
Total Pages | : 134 |
Release | : 2005-07-05 |
Genre | : Foreign Language Study |
ISBN | : |
Provides an easy-to-understand, practical guide to Arabic script. Explains the basic letter shapes, the combinations of letters, and different writing methods.--From publisher's description.
Author | : Gabriele Mandel |
Publisher | : |
Total Pages | : 188 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
"An ideal book for linguists, graphic designers, and collectors of Islamic art, Arabic Script is also a handy reference for travelers who wish to become familiar with the rudiments of the alphabet."--BOOK JACKET.
Author | : Dmitry Bondarev |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 395 |
Release | : 2019-04-15 |
Genre | : Literary Criticism |
ISBN | : 3110635089 |
Manuscript cultures based on Arabic script feature various tendencies in standardisation of orthography, script types and layout. Unlike previous studies, this book steps outside disciplinary and regional boundaries and provides a typological cross-cultural comparison of standardisation processes in twelve Arabic-influenced writing traditions where different cultures, languages and scripts interact. A wide range of case studies give insights into the factors behind uniformity and variation in Judeo-Arabic in Hebrew script, South Palestinian Christian Arabic, New Persian, Aljamiado of the Spanish Moriscos, Ottoman Turkish, a single multilingual Ottoman manuscript, Sino-Arabic in northwest China, Malay Jawi in the Moluccas, Kanuri and Hausa in Nigeria, Kabyle in Algeria, and Ethiopian Fidäl script as used to transliterate Arabic. One of the findings of this volume is that different domains of manuscript cultures have distinct paths of standardisation, so that orthography tends to develop its own standardisation principles irrespective of norms applied to layout and script types. This book will appeal to readers interested in manuscript studies, sociolinguistics, literacy studies, and history of writing.
Author | : J. R. Osborn |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : Arabic language |
ISBN | : 9780674978577 |
Arabic script is one of the world's most widely used writing systems, for Arabic and non-Arabic languages alike. J.R. Osborn traces its evolution from the earliest inscriptions to digital fonts, from calligraphy to print and beyond. Students of communication, contemporary practitioners, and historians will find this narrative enlightening.
Author | : S. M. V. Mousavi Jazayeri |
Publisher | : Blautopf Publishing |
Total Pages | : 298 |
Release | : 2017-01-25 |
Genre | : Art |
ISBN | : 099817274X |
A comprehensive textbook of the early Arabic Kufic script, written as a complete reference book for calligraphers, designers, and students of art history and the history of Arabic language and scripts. This beautiful and powerful script was derived from the earlier Hijazi Mashq style of Mecca and Medina, which was invented by early Muslim scribes to record the Quran. Today, the many historical manuscripts displayed in numerous museums around the world can attest to development and evolution of this remarkable and versatile script. Authored by master calligrapher, Mousavi Jazayeri, this book is the only book written in English that is solely dedicated to the study, learning and revival of the fascinating script behind the first mature Arabic calligraphic style, which was the official script of the Islamic Near East for centuries, before being replaced by the modern Naskh style. In this handbook, Mousavi Jazayeri who had discovered the lost art of cutting the qalam (pen) for early Kufic more than twenty years ago, explains with detailed, clear illustrations how to write early Kufic using a calligraphic pen and even a regular pen. He guides students patiently through the process involved in creating amazing, modern monograms. With clear, ample examples taken from the old Quranic manuscripts, art history students, font designers, and scholars of the history of the Arabic language and scripts can use this reference book to learn the key aspects of the early Kufic script as a writing system. Mr. Mousavi Jazayeri is joined by two co-authors, Perette E. Michelli, a multi-disciplinary historian of medieval and later art, and Saad D. Abulhab, a known Arabic type designer and independent scholar of the history of Arabic language and scripts. The two co-authors are members of the first international group dedicated to the study and revival of the early Kufic script, Kuficpedia, which was formed a few years ago around the historical achievements of Mr. Mousavi.
Author | : Saad D. Abulhab |
Publisher | : Blautopf Publishing |
Total Pages | : 253 |
Release | : 2011 |
Genre | : Education |
ISBN | : 1466391464 |
This book is a comprehensive reference on the history of Arabic Language and script, which goes beyond the sole discussion of technical matters. It studies objectively the evidence presented by modern-day western archeological discoveries together with the evidence presented by the indispensable scholarly work and research of the past Islamic Arab civilization era. The book scrutinizes modern western theories about the history of the Arabs and Arabic language and script in connection with the roles played by Western Near East scholarship, religion and colonial history in the formation of current belief system vs. Arab history and language, which is an essential step to study this correlated and complex topic objectively. In his book, the author explores the relevant facts of history and geography as crucial defining factors in the study of history of Arabic language and script. He offers a brief balanced account on the important topic of Muhammad leadership and Islam in the formation of Arabia, and investigates the Quran as a key evidence and reference of the Arabic language and script. As a research tool, this book presents in-depth tracings and readings of the most relevant inscriptions and the findings accumulated by the author over one and a half year of research. Particularly, it presents new comprehensive readings of the important Umm al-Jimal and al-Namarah Nabataean Arabic inscriptions. The al-Namarah stone which was discovered by French archeologist Dussaud in 1901 (displayed today on a wall in the Louvre Museum of Paris) was assumed for more than a century to be the tombstone of the prominent pre-Islamic Arab king, Umru' al-Qays bin 'Amru. After re-tracing and re-reading its complex inscription, the author concluded it was actually about a previously unknown personality named 'Akdi, possibly a high ranking Arab soldier in the Roman army or an Arab tribal leader, not the burial stone of King Umru' al-Qays or even about him. Similarly, the author proves beyond doubt that the important Umm al-Jimal Nabataean Arabic inscription was not the burial stone of Faihru bin Sali, but Faru' bin Sali. The two inscriptions are among only four Nabataean inscriptions believed by Western scholars to be written in the old Arabic language. These are referenced heavily today as evidence linking the Arabic script to the Nabataean Aramaic script. Utilizing classic Arabic and grammar tools and challenging their accuracy at times, the author findings in this book could potentially amend several historical and linguistic facts as told today by history textbooks. In his book, the author, a known Arabic type designer, studies with an investigative expert eye the early shapes of the pre-Islamic Arabic script and compares them to those of Musnad Arabic and late Nabataean Aramaic inscriptions, in addition to those of the early Islamic Arabic manuscripts and papyri. He concludes that the early Arabic script was not an evolved Nabataean script, but likely an independently derived script of the old Musnad Arabic script, with clear Nabataean influence. Although this book is conceived as a reference tool for scholars and researchers, other readers may find its topics and captivating arguments valid enough to debate and to study further. All chapters can be read independently. There are more than 40 figures and illustrations to aid the reader throughout the book. The first two chapters are intended as introductory essays regarding the history of Arabia (people and language) and the role of Western scholarship. To facilitate the selective and independent reading of the last three chapters, which presents the author research findings and conclusions, the book included (in addition to the chapter-specific references already offered throughout the whole book) chapter-specific introductions and conclusions.
Author | : Alexander Bevilacqua |
Publisher | : Harvard University Press |
Total Pages | : 385 |
Release | : 2018-02-23 |
Genre | : History |
ISBN | : 0674985672 |
Winner of the Herbert Baxter Adams Prize A Longman–History Today Book Prize Finalist A Sheik Zayed Book Award Finalist Winner of the Thomas J. Wilson Memorial Prize A Times Literary Supplement Book of the Year “Deeply thoughtful...A delight.”—The Economist “[A] tour de force...Bevilacqua’s extraordinary book provides the first true glimpse into this story...He, like the tradition he describes, is a rarity.” —New Republic In the seventeenth and eighteenth centuries, a pioneering community of Western scholars laid the groundwork for the modern understanding of Islamic civilization. They produced the first accurate translation of the Qur’an, mapped Islamic arts and sciences, and wrote Muslim history using Arabic sources. The Republic of Arabic Letters is the first account of this riveting lost period of cultural exchange, revealing the profound influence of Catholic and Protestant intellectuals on the Enlightenment understanding of Islam. “A closely researched and engrossing study of...those scholars who, having learned Arabic, used their mastery of that difficult language to interpret the Quran, study the career of Muhammad...and introduce Europeans to the masterpieces of Arabic literature.” —Robert Irwin, Wall Street Journal “Fascinating, eloquent, and learned, The Republic of Arabic Letters reveals a world later lost, in which European scholars studied Islam with a sense of affinity and respect...A powerful reminder of the ability of scholarship to transcend cultural divides, and the capacity of human minds to accept differences without denouncing them.” —Maya Jasanoff “What makes his study so groundbreaking, and such a joy to read, is the connection he makes between intellectual history and the material history of books.” —Financial Times
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 354 |
Release | : 2012 |
Genre | : Art |
ISBN | : 1588394573 |
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.