The Denver Artists Guild
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Author | : Stan Cuba |
Publisher | : University Press of Colorado |
Total Pages | : 261 |
Release | : 2015-05-15 |
Genre | : History |
ISBN | : 0942576594 |
In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of the guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba. In honor of the book’s release, the Byers-Evans House Gallery will showcase a collection of founding guild members’ works starting June 26, 2015. The exhibit, also titled The Denver Artists Guild: Its Founding Members, contains paintings from artists such as the famed Paschal Quackenbush, Louise Ronnebeck, Albert Byron Olson, Elisabeth Spalding, Waldo Love and Vance Kirkland. The show will be on display through September 26, 2015.
Author | : Denver Artists Guild |
Publisher | : |
Total Pages | : 1 |
Release | : 1941 |
Genre | : Painting |
ISBN | : |
Author | : Deborah A. Wadsworth |
Publisher | : |
Total Pages | : 12 |
Release | : 2009 |
Genre | : Artists |
ISBN | : |
Author | : Stan Cuba |
Publisher | : University Press of Colorado |
Total Pages | : 261 |
Release | : 2015-05-06 |
Genre | : History |
ISBN | : 145719595X |
In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba.
Author | : |
Publisher | : |
Total Pages | : 528 |
Release | : 1934 |
Genre | : Art |
ISBN | : |
Author | : Iain McCaig |
Publisher | : Simon and Schuster |
Total Pages | : 256 |
Release | : 2021-11-16 |
Genre | : Art |
ISBN | : 1647224926 |
A stunning collection from renowned artist Iain McCaig, now expanded with sixteen pages of bonus content from this expert craftsman and storyteller. "What is Shadowline? It is the place where things meet: light and shadows, hope and despair, good and evil. It is, to me, the most interesting place to hunt for stories." So begins this stunningly realized and beautifully rendered retrospective showcasing work from master storyteller and artist Iain McCaig. McCaig is best known for his work as a principal designer on the three Star Wars prequels, including the iconic characters Queen Amidala and Darth Maul, as well as his work on many major motion pictures, television, and video games. His touch can be seen in such acclaimed films as Terminator 2, Hook, Francis Ford Coppola's Dracula, Interview with a Vampire, and Harry Potter and the Goblet of Fire. Shadowline presents a stunning portfolio of more than two decades of McCaig's masterful concept designs and storyboards, cover art and illustrations, as well as his private sketchbooks and personal paintings, all woven together within the confines of an engrossing, otherworldly journey to his creative realm: Shadowline. . ICONIC CHARACTERS: Discover visionary designs for Queen Amidala, Darth Maul, and other beloved characters across film and pop culture PRIVATE SKETCHBOOKS: More than a retrospective of McCaig’s film work, Shadowline contains dozens of images from the artist’s personal archive CREATIVE PROCESS: At the heart of Shadowline is a supernatural story that gives readers insight into the artist’s creative process LEARN TO DRAW: Features instruction in how to draw and make art REVISED AND EXPANDED: Includes bonus content featuring pieces from McCaig’s work on Guardians of the Galaxy, The Avengers, and more.
Author | : Jere True |
Publisher | : Museum of the Rockies |
Total Pages | : 524 |
Release | : 2009 |
Genre | : Artists |
ISBN | : |
This first difinitive biography of the Colorado artist is lavishly illustrated with images of his murals (both extant and destroyed), along with his major easel paintings, sketches, and cartoons. "His groundbreaking murals of Western Vistas...served as giant documentaries about a disappearing way of life."--Ray Rinaldi, Denver Post
Author | : |
Publisher | : |
Total Pages | : 812 |
Release | : 1927 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 720 |
Release | : 1924 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 246 |
Release | : 2015 |
Genre | : Colorado |
ISBN | : |