The Dance Of Death In The Middle Ages
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Author | : Elina Gertsman |
Publisher | : Brepols Publishers |
Total Pages | : 384 |
Release | : 2010 |
Genre | : Art |
ISBN | : |
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
Author | : Hans Holbein |
Publisher | : |
Total Pages | : 132 |
Release | : 1892 |
Genre | : |
ISBN | : |
Author | : Andrea Kiss |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2019-11-26 |
Genre | : History |
ISBN | : 0429956835 |
This volume investigates environmental and political crises that occurred in Europe during the late Middle Ages and the early Modern Period, and considers their effects on people’s lives. At this time, the fragile human existence was imagined as a ‘Dance of Death’, where anyone, regardless of social status or age, could perish unexpectedly. This book covers events ranging from cooling temperatures and the onset of the Little Ice Age, to the frequent occurrence of epidemic disease, pest infestations, food shortages and famines. Covering the mid-fourteenth to mid-seventeenth centuries, this collection of essays considers a range of countries between Iceland (to the north), Italy (to the south), France (to the west) and the westernmost parts of Russia (to the east). This wide-reaching volume considers how deeply climate variability and changes affected and changed society in the late medieval to early modern period, and asks what factors, other than climate, interfered in the development of environmental stress and socio-economic crises. This book will be of great interest to students and scholars of Environmental and Climate History, Environmental Humanities, Medieval and Early Modern History and Historical Geography, as well as Climate Change and Environmental Sciences.
Author | : Paul Binski |
Publisher | : Cornell University Press |
Total Pages | : 244 |
Release | : 1996 |
Genre | : Art |
ISBN | : 9780801433153 |
In this richly illustrated volume, Paul Binski provides an absorbing account of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century. He draws on textual, archaeological, and art historical sources to examine pagan and Christian attitudes toward the dead, the aesthetics of death and the body, burial ritual, and mortuary practice. Illustrated throughout with fascinating and sometimes disturbing images, Binski's account weaves together close readings of a variety of medieval thinkers. He discusses the impact of the Black Death on late medieval art and examines the development of the medieval tomb, showing the changing attitudes toward the commemoration of the dead between late antiquity and the late Middle Ages. In one chapter, Binski analyzes macabre themes in art and literature, including the Dance of Death, which reflect the medieval obsession with notions of humility, penitence, and the dangers of bodily corruption. In another, he studies the progress of the soul after death through the powerful descriptions of Heaven, Hell, and Purgatory in Dante and other writers and through portrayals of the Last Judgment and the Apocalypse in sculpture and large-scale painting.
Author | : Joelle Rollo-Koster |
Publisher | : Taylor & Francis |
Total Pages | : 257 |
Release | : 2016-10-04 |
Genre | : History |
ISBN | : 1315466848 |
Death in Medieval Europe: Death Scripted and Death Choreographed explores new cultural research into death and funeral practices in medieval Europe and demonstrates the important relationship between death and the world of the living in the middle ages. This volume explores overarching topics such as burials, commemorations, revenants, mourning practices and funerals, capital punishment, suspiscious death and death registrations using case studies from across Europe including England, Iceland and Spain. Drawing together and building upon the latest scholarship, this book is essential reading for all students and academics of death in the medieval period.
Author | : Stefanie Knöll |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 450 |
Release | : 2015-06-18 |
Genre | : Art |
ISBN | : 1443879223 |
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
Author | : Austin Dobson |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781016341868 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Ashby Kinch |
Publisher | : BRILL |
Total Pages | : 319 |
Release | : 2013-02-01 |
Genre | : History |
ISBN | : 9004243690 |
Here, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material.
Author | : Hans Holbein |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 62 |
Release | : 2016-09-22 |
Genre | : |
ISBN | : 9781539025757 |
The Dance of Death Danse Macabre Hans Holbein With an introductory note by Austin Dobson Dance of Death, also called Danse Macabre, is an artistic genre of late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all. The Danse Macabre consists of the dead or personified Death summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. They were produced as mementos mori, to remind people of the fragility of their lives and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural in the Saints Innocents Cemetery in Paris dating from 1424 to 1425.
Author | : Seeta Chaganti |
Publisher | : University of Chicago Press |
Total Pages | : 318 |
Release | : 2018-05-30 |
Genre | : History |
ISBN | : 022654818X |
For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body’s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time. Strange Footing deploys the motion of dance to change how we read medieval poetry, generating a new theory of poetic form for medieval studies and beyond.