The Culture of Money

The Culture of Money
Author: Salter
Publisher:
Total Pages: 324
Release: 2020-11
Genre:
ISBN: 9781953307118

The Culture of Money aims to build a Black wealth movement through the adoption of three community-shared values: know more, own more, and pass down more.

The Money Culture

The Money Culture
Author: Michael Lewis
Publisher: W. W. Norton & Company
Total Pages: 306
Release: 2011-02-14
Genre: Biography & Autobiography
ISBN: 0393066797

The classic warts-and-all portrait of the 1980s financial scene. The 1980s was the most outrageous and turbulent era in the financial market since the crash of '29, not only on Wall Street but around the world. Michael Lewis, as a trainee at Salomon Brothers in New York and as an investment banker and later financial journalist, was uniquely positioned to chronicle the ambition and folly that fueled the decade.

Money, Morals, & Manners

Money, Morals, & Manners
Author: Michèle Lamont
Publisher: University of Chicago Press
Total Pages: 352
Release: 2012-04-26
Genre: Social Science
ISBN: 0226922596

Drawing on remarkably frank, in-depth interviews with 160 successful men in the United States and France, Michèle Lamont provides a rare and revealing collective portrait of the upper-middle class—the managers, professionals, entrepreneurs, and experts at the center of power in society. Her book is a subtle, textured description of how these men define the values and attitudes they consider essential in separating themselves—and their class—from everyone else. Money, Morals, and Manners is an ambitious and sophisticated attempt to illuminate the nature of social class in modern society. For all those who downplay the importance of unequal social groups, it will be a revelation. "A powerful, cogent study that will provide an elevated basis for debates in the sociology of culture for years to come."—David Gartman, American Journal of Sociology "A major accomplishment! Combining cultural analysis and comparative approach with a splendid literary style, this book significantly broadens the understanding of stratification and inequality. . . . This book will provoke debate, inspire research, and serve as a model for many years to come."—R. Granfield, Choice "This is an exceptionally fine piece of work, a splendid example of the sociologist's craft."—Lewis Coser, Boston College

Money, Culture, Class

Money, Culture, Class
Author: Parul Bhandari
Publisher: Routledge
Total Pages: 166
Release: 2019-06-17
Genre: Social Science
ISBN: 1351121618

Based on ethnographic research, this book explores the ways in which elite women use and view money in order to construct identities – of class, status, and gender. Drawing on their everyday worlds, it tracks the intricate and contested meanings they attach to money. Focusing on weddings, travel, and spirituality, Parul Bhandari delineates the entitlements and privileges as well as the obsessions and vulnerabilities that underlie the construction of class, the shaping of elite cultures, and the curating of femininity. As such, this book offers an innovative account of the interplay between money, modernity, class, and gender.

If You Want To Be Rich, Don't Work For Money

If You Want To Be Rich, Don't Work For Money
Author: David O
Publisher:
Total Pages: 208
Release: 2020-06-10
Genre:
ISBN:

If a homeless person implements one new idea from this book every day, it is almost certain that the homeless person will not be homeless after 365 days. If you read this book for long enough, you will stop thinking about getting a job when you need more money. (P.S. This book contains a compilation of some of the author's best work online)

The Culture of Money

The Culture of Money
Author: De'Andre Salter
Publisher: Mynd Matters Publishing
Total Pages: 324
Release: 2020-11
Genre: Business & Economics
ISBN: 1953307124

The Culture of Money aims to build a Black wealth movement through the adoption of three community-shared values: know more, own more, and pass down more.

The Culture of Money

The Culture of Money
Author: Esther Schomacher
Publisher: Taylor & Francis
Total Pages: 261
Release: 2024-11-29
Genre: Business & Economics
ISBN: 1040261485

It is widely known that – at least in current societies - culture depends on money. Less attention has been given to the contrary fact: money also depends on culture. In its very foundation - negotiations, values, exchanges, debts and obligations, contracts and laws – money's functioning is tied to cultural practices, institutions, identities, and meanings. This interdisciplinary anthology scrutinizes the two-way connection between culture and money, and its implications for economic theory. In this book a wide range of established experts and newcomers from a range of disciplines investigate current economic issues from the perspective of their social and cultural embeddedness, their cultural and literary negotiations and their history. In doing so, they highlight what mainstream economics has missed, or wilfully ignored: they analyze the cultural genealogy of economic notions and concepts that have been thought of as abstract, ‘scientific’ economic terms – such as the concept of “value”; they point toward social aspects of economic action hitherto unnoticed by economics, (including power, the relevance of institutions and the role of misfortune and failure). The book also explores the looming question about what happens when the cultural foundation of money is replaced by machinic algorithms. The volume provides a valuable contribution to cultural studies’ current ‘re-discovery’ of economic topics while taking a purposefully critical stance on this notion, as it puts particular emphasis on not just the theoretical significance but also the acute relevance of its findings. The book therefore addresses academic audiences across a wide field of disciplines, such as the social sciences, literary and cultural studies, economics and history.

Culture and Money in the Nineteenth Century

Culture and Money in the Nineteenth Century
Author: Daniel Bivona
Publisher: Ohio University Press
Total Pages: 314
Release: 2016-05-03
Genre: Literary Criticism
ISBN: 0821445472

Since the 1980s, scholars have made the case for examining nineteenth-century culture—particularly literary output—through the lens of economics. In Culture and Money in the Nineteenth Century: Abstracting Economics, two luminaries in the field of Victorian studies, Daniel Bivona and Marlene Tromp, have collected contributions from leading thinkers that push New Economic Criticism in new and exciting directions. Spanning the Americas, India, England, and Scotland, this volume adopts an inclusive, global view of the cultural effects of economics and exchange. Contributors use the concept of abstraction to show how economic thought and concerns around money permeated all aspects of nineteenth-century culture, from the language of wills to arguments around the social purpose of art. The characteristics of investment and speculation; the fraught symbolic and practical meanings of paper money to the Victorians; the shifting value of goods, services, and ideas; the evolving legal conceptualizations of artistic ownership—all of these, contributors argue, are essential to understanding nineteenth-century culture in Britain and beyond. Contributors: Daniel Bivona, Suzanne Daly, Jennifer Hayward, Aeron Hunt, Roy Kreitner, Kathryn Pratt Russell, Cordelia Smith, and Marlene Tromp.

The Capitalist Schema

The Capitalist Schema
Author: Christian Lotz
Publisher: Lexington Books
Total Pages: 193
Release: 2014-09-09
Genre: Philosophy
ISBN: 0739182471

Christian Lotz argues that Immanuel Kant’s idea of a mental schematism, which gives the human mind access to a stable reality, can be interpreted as a social concept, which, using Karl Marx, the author identifies as money. Money and its “fluid” form, capital, constitute sociality in capitalism and make access to social reality possible. Money, in other words, makes life in capitalism meaningful and frames all social relations. Following Marx, Lotz argues that money is the true Universal of modern life and that, as such, we are increasingly subjected to its control. As money and capital are closely linked to time, Lotz argues that in capitalism money also constitutes past and future “social horizons” by turning both into “monetized” horizons. Everything becomes faster, global, and more abstract. Our lives, as a consequence, become more mobile, “fluid,” unstable, and precarious. Lotz presents analyses of credit, debt, and finance as examples of how money determines the meaning of future and past, imagination, and memory, and that this results in individuals becoming increasingly integrated into and dependent upon the capitalist world. This integration and dependence increases with the event of electronics industries and brain-science industries that channel all human desires towards profits, growth, and money. In this way, the book offers a critical extension of Theodor Adorno’s analysis of exchange and the culture industry as the basis of modern societies. Lotz argues—paradoxically with and against Adorno—that we should return to the basic insights of Marx’s philosophy, given that the principle of exchange is only possible on the basis of more fundamental social and economic categories, such as money.

Religion, Art, and Money

Religion, Art, and Money
Author: Peter W. Williams
Publisher: UNC Press Books
Total Pages: 294
Release: 2016-02-24
Genre: Religion
ISBN: 1469626985

This cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors. Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux. Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society.