The Culture Of Excess
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Author | : J. R. Slosar |
Publisher | : |
Total Pages | : 0 |
Release | : 2009-10-22 |
Genre | : |
ISBN | : 1440836116 |
In the wake of the 2008-2009 economic recession, this revealing work offers a psychological explanation of how we as a nation grapple with self-control and how we can develop a new and healthier generation. As J.R. Slosar shows in this urgent, sometimes startling volume, the nation's fast-and-loose approach to money was in fact a symptom of a more widespread pattern of excessive behavior. In The Culture of Excess: How America Lost Self-Control and Why We Need to Redefine Success, Slosar portrays an America where the drive to succeed and the fear of missing out manifested itself not only in self-entitled corporate fraud, but in everything from sharp rises in obesity and cosmetic medical procedures to equally troubling increases in eating disorders, panic attacks, and outbreaks of uncontrollable rage. The Culture of Excess is the first book to assess the impact of economic and social factors on the nation's psychological well-being. Narcissism, productive narcissism, psychopathy, rigidity and self destruction, perfectionism, the illusion of success, and identity achievement all come into play as Slosar diagnoses the psychological drivers behind this indulgent age, offering his prescription for helping Generation Me become Generation We. Numerous vignettes and case studies illustrate the major themes of the book Dozens of research citations at the end of each chapter An extensive bibliography referencing 75 professional journals and 48 books A comprehensive index
Author | : |
Publisher | : Routledge |
Total Pages | : 224 |
Release | : |
Genre | : |
ISBN | : 1134115407 |
Author | : Stephen Calloway |
Publisher | : Phaidon |
Total Pages | : 244 |
Release | : 2000-02-03 |
Genre | : Architecture |
ISBN | : |
An examination and celebration of the Baroque culture of excess.
Author | : Robert Paarlberg |
Publisher | : Oxford University Press |
Total Pages | : 261 |
Release | : 2015-03-02 |
Genre | : Political Science |
ISBN | : 0199922632 |
Compared to other wealthy countries, America stands out as a gluttonous over-consumer of both food and fuel. The United States boasts an obesity prevalence double the industrial world average, and per capita carbon emissions twice the average for Europe. Still worse, the policy steps taken by America in response to obesity and climate change have so far been the weakest in the industrial world. These aspects of America's exceptionalism are nothing to be proud of. Is it possible that America is hard-wired to consume too much food and fuel? Unfortunately, yes, says Robert Paarlberg in The United States of Excess. America's excess is driven in each case by its distinct endowment of material and demographic resources, its unusually weak national political institutions, and a unique political culture that celebrates both individual freedoms over social responsibility, and free markets over governmental authority. America's over-consumption is shown to be over-determined. Because of these powerful underlying circumstances, America's strongest policy response, both to climate change and obesity, will be adaptation rather than mitigation. As the damaging consequences of climate change become manifest, America will not impose adequate measures to reduce fossil fuel consumption, attempting instead to protect itself from storms and sea-level rise through costly infrastructure upgrades. In response to the damaging health consequences of obesity, America will opt for medical interventions and physical accommodations, rather than the policy measures that would be needed to induce better diets or more exercise. These adaptation responses will generate serious equity problems, both at home and abroad. Responding to obesity with medical interventions will fall short for those in America most prone to obesity - racial minorities and the poor - since these groups have never enjoyed adequate access to quality health care. Responding to climate change by building more resilient infrastructures at home, while allowing atmospheric concentrations of CO2 to continue their increase, will impose greater climate disruption on poor tropical countries, which are far less capable of self-protection. Awareness of these inequities must be the starting point toward altering America's current path.
Author | : Jonah Siegel |
Publisher | : Princeton University Press |
Total Pages | : 384 |
Release | : 2000-08-20 |
Genre | : Art |
ISBN | : 9780691049144 |
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Author | : Kwai-Cheung Lo |
Publisher | : State University of New York Press |
Total Pages | : 259 |
Release | : 2010-08-04 |
Genre | : Social Science |
ISBN | : 1438432100 |
Innovative analysis of the relationship of gender to East Asian economic development.
Author | : George Cotkin |
Publisher | : Oxford University Press |
Total Pages | : 446 |
Release | : 2016 |
Genre | : Art |
ISBN | : 0190218479 |
Feast of Excess is an engaging and accessible portrait of "The New Sensibility," as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures-John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few-George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment.
Author | : Charles Fleming |
Publisher | : Bloomsbury Pub Limited |
Total Pages | : 294 |
Release | : 1999 |
Genre | : Performing Arts |
ISBN | : 9780747542629 |
Using the life and career of Don Simpson as a point of departure, High Concept takes readers on a riveting journey inside the Hollywood of the 1980s and 90s. For over two decades Simpson was Hollywood's reigning bad boy, yet through the same period he and his partner, Jerry Bruckheimer were the most successful independent producers in the Hollywood history. The revelations in High Concept are astounding! Through intensive research Fleming has created a dramatic tale of the rise of the key players and how the Don Simpson way became the Hollywood way. Through an interwoven narrative of the decadence and greed, hypocrisy and hysteria, profligacy and moral emptiness of the key power brokers, Fleming returns to the core concept of excess and how it continues to drive Hollywood.
Author | : J.R. Slosar |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 236 |
Release | : 2009-10-22 |
Genre | : Self-Help |
ISBN | : 0313377693 |
In the wake of the 2008-2009 economic recession, this revealing work offers a psychological explanation of how we as a nation grapple with self-control and how we can develop a new and healthier generation. As J.R. Slosar shows in this urgent, sometimes startling volume, the nation's fast-and-loose approach to money was in fact a symptom of a more widespread pattern of excessive behavior. In The Culture of Excess: How America Lost Self-Control and Why We Need to Redefine Success, Slosar portrays an America where the drive to succeed and the fear of missing out manifested itself not only in self-entitled corporate fraud, but in everything from sharp rises in obesity and cosmetic medical procedures to equally troubling increases in eating disorders, panic attacks, and outbreaks of uncontrollable rage. The Culture of Excess is the first book to assess the impact of economic and social factors on the nation's psychological well-being. Narcissism, productive narcissism, psychopathy, rigidity and self destruction, perfectionism, the illusion of success, and identity achievement all come into play as Slosar diagnoses the psychological drivers behind this indulgent age, offering his prescription for helping "Generation Me" become "Generation We."
Author | : Steven Gaines |
Publisher | : Crown |
Total Pages | : 290 |
Release | : 2009-12-29 |
Genre | : History |
ISBN | : 0307346285 |
From the acclaimed bestselling author of Philistines at the Hedgerow comes a remarkably revealing profile of the Miami Beach no one knows–a tale of fabulous excess, thwarted power, and rekindled lives that will take its place among the decade’s best works of social portraiture. Created from a mix of swampland and dredged-up barrier reef, Miami Beach has always been one part drifter-mecca and one part fantasyland, simultaneously a catch basin for con men, fast-talk artists, and shameless self-promoters, and a Shangri-La for sun worshippers and hardcore hedonists. In Miami Beach it’s often said that "if you’re not indicted you’re not invited." But the city’s mad, fascinating complexity resists easy stereotyping. Fool’s Paradise is more than just a present-day profile of a dark Eden. Gaines journeys back into the city’s social and cultural history, unearthing stories of the resort’s past that are every bit as absorbing–and jaw-dropping–as those of its present. The book begins with a snapshot of the city’s current excess (this is, after all, a sun-washed hamlet that boasts, on a per capita basis, more bars–and breast implants–than any other place in America), then plunges into the Beach’s origins, chronicling the audacious rise of such hoteliers as the Fontainebleau’s Ben Novack and the Eden Roc’s Harry Mufson, the sharp-elbowed tactics of Al Capone and Frank Sinatra, and the Mac-10 shooting sprees of the Marielito and Colombian drug lords. From there, the narrative shifts to two wildly eccentric souls who gave their lives to preserving the city’s architectural dazzle and creating its color palette, introduces us to "the Most Powerful Man in Miami Beach," and arrives finally in the modern day, where we meet, among others, a kinky German playboy who once owned a quarter of South Beach and publicly flaunts his sexual escapades; a fabulously successful nightclub promoter whose addictive past seems to have given him a portal into the night world’s id; and a gaggle of young sexy models, dreamers, and schemers on a mission to achieve significance. Evoking the Beach’s surreal blend of flashy Vegas and old Hollywood glamour, as well as its manic desperation and reckless wealth, Gaines persuasively demonstrates that though the Beach is–in the words of its most famous drag queen–"an island of broken toys . . . a place where people get away with things they’d never get away with anyplace else," it casts an irresistible spell.