The Culture Industry Revisited

The Culture Industry Revisited
Author: Deborah Cook
Publisher: Rowman & Littlefield
Total Pages: 210
Release: 1996
Genre: History
ISBN: 9780847681556

Adorno viewed mass culture as commodified - produced to be sold on the market and without aesthetic value. Here, Deborah Cook critically examines this view and argues that even in Adorno's "pessimistic" theory, mass culture can be understood as potentially liberating.

The Culture Industry Revisited

The Culture Industry Revisited
Author: Deborah Cook
Publisher: Rowman & Littlefield Publishers
Total Pages: 205
Release: 1996-05-01
Genre: Social Science
ISBN: 0742576086

As the culture wars continue to dominate newspaper headlines and conference panels, much of the debate revolves around the value of and values in popular culture. Many opponents of popular culture have cited Theodor W. Adorno, one of the leading figures of the Frankfurt School of critical theorists. Adorno is understood to have viewed mass culture as completely commodified—that is, produced only to be sold on the market and without aesthetic value. In this compelling book, Deborah Cook critically examines this view and argues persuasively that even Adorno's 'pessimistic' theory leaves room for resistance to the culture industry. Beginning with an exploration of the theoretical background for Adorno's work, Cook then examines Adorno's conception and criticism of mass culture and its consumption, and his views about art and its relation to mass culture. The first book-length treatment in English of Adorno's work on popular culture, The Culture Industry Revisited provides new readers of Adorno with an understanding of his theory and an overview of his more important critics. Those more familiar with Adorno will find important discussion of some of the more controversial ideas in his work. The book will be of interest to scholars and upper-level students of philosophy, sociology, literature, communications, and cultural studies.

The Culture Industry

The Culture Industry
Author: Theodor W Adorno
Publisher: Routledge
Total Pages: 228
Release: 2020-07-24
Genre: Social Science
ISBN: 1000158721

The creation of the Frankfurt School of critical theory in the 1920s saw the birth of some of the most exciting and challenging writings of the twentieth century. It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalleled insights into Adorno's thoughts on culture. He argued that the culture industry commodified and standardized all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused of everything from overreaction to deranged hysteria by his many detractors. In today's world, where even the least cynical of consumers is aware of the influence of the media, Adorno's work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture.

Feminist Interpretations of Theodor Adorno

Feminist Interpretations of Theodor Adorno
Author: Renée Heberle
Publisher: Penn State Press
Total Pages: 382
Release: 2006
Genre: Social Science
ISBN: 9780271028798

Addresses several questions, ranging from dilemmas in feminist aesthetic theory to the politics of suffering and democratic theory. This volume introduces feminists to Adorno's work and Adorno scholars to modes of feminist critique. It is useful for senior undergraduate and graduate courses in contemporary political, social, and cultural theory.

The Fleeting Promise of Art

The Fleeting Promise of Art
Author: Peter Uwe Hohendahl
Publisher: Cornell University Press
Total Pages: 151
Release: 2013-11-15
Genre: Literary Criticism
ISBN: 0801469279

A discussion of Theodor Adorno’s Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980s. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno’s other writings on aesthetics in light of the unexpected return of the aesthetic to today’s cultural debates. Is Adorno’s aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno’s concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today’s debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism. Adorno’s insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno’s engagement with literary works, Hohendahl shows how radically transformative Adorno’s ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno.

Culture Industry Today

Culture Industry Today
Author: Fabio A. Durão
Publisher: Cambridge Scholars Publishing
Total Pages: 190
Release: 2020-05-22
Genre: Social Science
ISBN: 1527553396

The concept of culture industry leads a double life. On the one hand, it appears as transparent, being used widely and freely in reference to a branch of business; on the other, it is a notion belonging to a critical tradition that wants to preserve the tension resulting from the juxtaposition of these two words. Culture Industry Today is a contribution to the latter trend, which takes into account the current prevalence of the former. By offering interpretations of the term in relation to philosophy, media, television, the Third World, the psyche and the culture of consumption, the book aims at showing the continued relevance of an expression whose muteness is the corroboration of its darkest content.

Adorno on Popular Culture

Adorno on Popular Culture
Author: Robert Winston Witkin
Publisher: Psychology Press
Total Pages: 212
Release: 2003
Genre: Philosophy
ISBN: 9780415268257

Unpacks Adorno's critique of popular culture in an engagingly, looking at the development of theories of authority, commodification and negative dialectics. Goes on to consider Adorno's writing on specific aspects of popular culture.

Global Culture Industry

Global Culture Industry
Author: Scott Lash
Publisher: Polity
Total Pages: 256
Release: 2007-04-23
Genre: Political Science
ISBN:

In the first half of the twentieth century, Theodor Adorno wrote about the 'culture industry'. For Adorno, culture too along with the products of factory labour was increasingly becoming a commodity. Now, in what they call the 'global culture industry', Scott Lash and Celia Lury argue that Adorno's worst nightmares have come true. Their new book tells the compelling story of how material objects such as watches and sportswear have become powerful cultural symbols, and how the production of symbols, in the form of globally recognized brands, has now become a central goal of capitalism. Global Culture Industry provides an empirically and theoretically rich examination of the ways in which these objects - from Nike shoes to Toy Story, from global football to conceptual art - metamorphose and move across national borders. This book is set to become a dialectic of enlightenment for the age of globalization. It will be essential reading for students and scholars across the social sciences.

EBOOK: Critical Theories of Mass Media: Then and Now

EBOOK: Critical Theories of Mass Media: Then and Now
Author: Paul Taylor
Publisher: McGraw-Hill Education (UK)
Total Pages: 263
Release: 2007-12-16
Genre: Social Science
ISBN: 033523528X

"This is a welcome critical corrective to complacent mainstream accounts of the media's cultural impact". Prof. Slavoj Zizek, International Director of the Birkbeck Institute for the Humanities at Birkbeck, University of London "A powerful and highly engaging re-assessment of past critical thinkers (including those not normally thought of as critical) in the light of today's mediascape". Jorge Reina Schement, Distinguished Professor of Communications, Penn State University With the exception of occasional moral panics about the coarsening of public discourse, and the impact of advertising and television violence upon children, mass media tend to be viewed as a largely neutral or benign part of contemporary life. Even when criticisms are voiced, the media chooses how and when to discuss its own inadequacies. More radical external critiques are often excluded and media theorists are frequently more optimistic than realistic about the negative aspects of mass culture. This book reassesses this situation in the light of both early and contemporary critical scholarship and explores the intimate relationship between the mass media and the dis-empowering nature of commodity culture. The authors cast a fresh perspective on contemporary mass culture by comparing past and present critiques. They: Outline the key criticisms of mass culture from past critical thinkers Reassess past critical thought in the changed circumstances of today Evaluate the significance of new critical thinkers for today's mass culture The book begins by introducing the critical insights from major theorists from the past - Walter Benjamin, Siegfried Kracauer, Theodor Adorno, Marshall McLuhan and Guy Debord. Paul Taylor and Jan Harris then apply these insights to recent provocative writers such as Jean Baudrillard and Slavoj Žižek, and discuss the links between such otherwise apparently unrelated contemporary events as the Iraqi Abu Ghraib controversy and the rise of reality television. Critical Theories of Mass Media is a key text for students of cultural studies, communications and media studies, and sociology.

Adorno, Foucault and the Critique of the West

Adorno, Foucault and the Critique of the West
Author: Deborah Cook
Publisher: Verso Books
Total Pages: 193
Release: 2018-11-27
Genre: Philosophy
ISBN: 178873081X

The alliance of critical theory between Frankfurt and Paris Adorno, Foucault and the Critique of the West argues that critical theory continues to offer valuable resources for critique and contestation during this turbulent period. To assess these resources, it examines the work of two of the twentieth century's more prominent social theorists: Theodor W. Adorno and Michel Foucault. Although Adorno was situated squarely in the Marxist tradition that Foucault would occasionally challenge, Deborah Cook demonstrates that their critiques of our current predicament are complementary in important respects. Among other things, these critiques converge in their focus on the historical conditions-economic in Adorno and political in Foucault-that gave rise to the racist and authoritarian tendencies that continue to blight the West. Cook also shows that, when Adorno and Foucault plumb the economic and political forces that have shaped our identities, they offer remarkably similar answers to the perennial question: What is to be done?