Cultural Work
Author | : Andrew Beck |
Publisher | : Psychology Press |
Total Pages | : 212 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : 9780415289528 |
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
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Author | : Andrew Beck |
Publisher | : Psychology Press |
Total Pages | : 212 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : 9780415289528 |
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Dylan Mulvin |
Publisher | : MIT Press |
Total Pages | : 289 |
Release | : 2021-08-17 |
Genre | : Technology & Engineering |
ISBN | : 0262361949 |
How those with the power to design technology, in the very moment of design, are allowed to imagine who is included--and who is excluded--in the future. Our world is built on an array of standards we are compelled to share. In Proxies, Dylan Mulvin examines how we arrive at those standards, asking, "To whom and to what do we delegate the power to stand in for the world?" Mulvin shows how those with the power to design technology, in the very moment of design, are allowed to imagine who is included--and who is excluded--in the future. For designers of technology, some bits of the world end up standing in for other bits, standards with which they build and calibrate. These "proxies" carry specific values, even as they disappear from view. Mulvin explores the ways technologies, standards, and infrastructures inescapably reflect the cultural milieus of their bureaucratic homes. Drawing on archival research, he investigates some of the basic building-blocks of our shared infrastructures. He tells the history of technology through the labor and communal practices of, among others, the people who clean kilograms to make the metric system run, the women who pose as test images, and the actors who embody disease and disability for medical students. Each case maps the ways standards and infrastructure rely on prototypical ideas of whiteness, able-bodiedness, and purity to control and contain the messiness of reality. Standards and infrastructures, Mulvin argues, shape and distort the possibilities of representation, the meaning of difference, and the levers of change and social justice.
Author | : M. Banks |
Publisher | : Springer |
Total Pages | : 236 |
Release | : 2007-11-09 |
Genre | : Social Science |
ISBN | : 0230288715 |
Through a wide-ranging study of labour in the cultural industries, this book critically evaluates how various sociological traditions - including critical theory, governmentality and liberal-democratic approaches - have sought to theorize the creative cultural worker, in art, music, media and design-based occupations.
Author | : Mark Banks |
Publisher | : Routledge |
Total Pages | : 222 |
Release | : 2014-04-11 |
Genre | : Social Science |
ISBN | : 1134083513 |
In recent years, cultural work has engaged the interest of scholars from a broad range of social science and humanities disciplines. The debate in this ‘turn to cultural work’ has largely been based around evaluating its advantages and disadvantages: its freedoms and its constraints, its informal but precarious nature, the inequalities within its global workforce, and the blurring of work–life boundaries leading to ‘self-exploitation’. While academic critics have persuasively challenged more optimistic accounts of ‘converged’ worlds of creative production, the critical debate on cultural work has itself leant heavily towards suggesting a profoundly new confluence of forces and effects. Theorizing Cultural Work instead views cultural work through a specifically historicized and temporal lens, to ask: what novelty can we actually attach to current conditions, and precisely what relation does cultural work have to social precedent? The contributors to this volume also explore current transformations and future(s) of work within the cultural and creative industries as they move into an uncertain future. This book challenges more affirmative and proselytising industry and academic perspectives, and the pervasive cult of novelty that surrounds them, to locate cultural work as an historically and geographically situated process. It will be of interest to students and scholars of sociology, cultural studies, human geography, urban studies and industrial relations, as well as management and business studies, cultural and economic policy and development, government and planning.
Author | : Janet Zandy |
Publisher | : Rutgers University Press |
Total Pages | : 258 |
Release | : 2004 |
Genre | : Business & Economics |
ISBN | : 9780813534350 |
In linking forms of cultural expression to labour, occupational injuries and deaths, this title centres what is usualyy decentred - the complex culture of working class people.
Author | : S. Luckman |
Publisher | : Springer |
Total Pages | : 296 |
Release | : 2012-10-10 |
Genre | : Sports & Recreation |
ISBN | : 1137283580 |
Drawing upon field work and interviews with cultural workers in the UK and Australia, this book examines the cultural work experiences of rural, regional and remotely located creative practitioners, and how this sits within local economies and communities.
Author | : Douglas A. Harper |
Publisher | : Rowman & Littlefield |
Total Pages | : 510 |
Release | : 2003 |
Genre | : Political Science |
ISBN | : 9780742519183 |
A reader for a sociology course, reprinting 23 articles from professional journals. They cover work as social interaction, socialization and identity, experiencing work, work cultures and social structure, and deviance at work.
Author | : Katie Moylan |
Publisher | : Rowman & Littlefield |
Total Pages | : 181 |
Release | : 2019-02-20 |
Genre | : Social Science |
ISBN | : 1783489340 |
Community radio is an established and key site for negotiations of social and political issues for marginalised communities. Given its inherently local nature (both geographically and ideologically), community radio is perfectly placed as a site for articulating community concerns. At the same time, given this local quality, the diverse ways in which stations—and broadcasters—negotiate their community concerns vary substantially from city to city and region to region across Canada and the US. The Cultural Work of Community Radio investigates the multiple modes of community and broadcasting practice at selected community stations, explores how these draw from and reflect ongoing concerns of their host city or region, and examines how on the ground practice maps on to overarching broadcast policy directives and guidelines. Focusing on community production practices with reference to policy frameworks around community representation, this book examines and compares differences in community radio production practices in Miami, Montreal, New Orleans, Toronto and tribal lands in Arizona.
Author | : Erin Meyer |
Publisher | : PublicAffairs |
Total Pages | : 289 |
Release | : 2014-05-27 |
Genre | : Business & Economics |
ISBN | : 1610392590 |
An international business expert helps you understand and navigate cultural differences in this insightful and practical guide, perfect for both your work and personal life. Americans precede anything negative with three nice comments; French, Dutch, Israelis, and Germans get straight to the point; Latin Americans and Asians are steeped in hierarchy; Scandinavians think the best boss is just one of the crowd. It's no surprise that when they try and talk to each other, chaos breaks out. In The Culture Map, INSEAD professor Erin Meyer is your guide through this subtle, sometimes treacherous terrain in which people from starkly different backgrounds are expected to work harmoniously together. She provides a field-tested model for decoding how cultural differences impact international business, and combines a smart analytical framework with practical, actionable advice.
Author | : Mark Banks |
Publisher | : Rowman & Littlefield |
Total Pages | : 201 |
Release | : 2017-01-30 |
Genre | : Social Science |
ISBN | : 1786601303 |
Creative Justice examines issues of inequality and injustice in the cultural industries and cultural workplace. It first aims to ‘do justice’ to the kinds of objects and texts produced by artists, musicians, designersand other kinds of symbol-makers – by appreciating them as meaningful goods with objective qualities. It also shows how cultural work itself has objective quality as a rewarding and socially-engaging practice, and not just a means to an economic end. But this book is also about injustice – made evident in the workings of arts education and cultural policy, and through the inequities and degradations of cultural work. In worlds where low pay and wage inequality are endemic, and where access to the best cultural academies, jobs and positions is becoming more strongly determined by social background, what chance do ordinary people have of obtaining their own ‘creative justice’? Aimed at students and scholars across a range of disciplines including Sociology, Media and Communication, Cultural Studies, Critical Management Studies,and Human Geography, Creative Justice examines the evidence for – and proposes some solutions to - the problem of obtaining fairer and more equalitarian systems of arts and cultural work.