Samuel Beckett is Closed

Samuel Beckett is Closed
Author: Michael Coffey
Publisher: OR Books
Total Pages: 206
Release: 2018
Genre: FICTION
ISBN: 9781944869595

A powerful, genre-defying meditation, with Beckett at its origin, that touches on mysteries as varied as literary celebrity, baseball, and why we feel the need to be cruel to one another Following the schema of Samuel Beckett's unpublished "Long Observation of the Ray," of which only six manuscript pages exist, poet and critic Michael Coffey interleaves multiple narratives according to an arithmetic sequence laid out by Beckett in his notes. This rhythm of themes and genres--involving personal memoir, literary criticism, Beckett studies, contemporary political reportage and accounts of state-sponsored torture in appropriated texts, plus an Arabian Tale and even a baseballplay-by-play--produce a work at once sculptural, theatrical, mathematical and above all lyrical, a new form of narrative answering to a freshened rule set. In executing Beckett's most radical undertaking--one scholar referred to "Long Observation of the Ray" as a "monument to extinction"--Coffey gives readers access to an open field in which ruminations on writing mix with an engagement with Beckett scholarship as well as the unsettling chaos in today's world. Although Beckett, like any writer, had his share of abandoned works, he was in the habit of "unabandoning" on occasion. Coffey's effort here salvages a Beckett project from a half-century ago and brings it to the surface, with the contemporary markings of its hauling.

Critique of Beckett Criticism

Critique of Beckett Criticism
Author: Peter John Murphy
Publisher: Boydell & Brewer
Total Pages: 196
Release: 1994
Genre: Literary Criticism
ISBN: 9781879751934

A survey of Beckett criticism in English, French and German. Samuel Beckett (1906-1989) is an important figure in 20th century literary history: his plays, such as Waiting for Godot and Endgame, have acquired a world-wide reputation, and his novels have proved important touchstones for the critical debates in contemporary literary theory. Born in Dublin, Beckett spent most of his writing life in France and wrote equally well in French and English; his German was also fluent, allowing him to direct hisown plays in German theatres. Any attempt to deal with Beckett must therefore consider the critical response his works have provoked in all three languages. A Critique of Beckett Criticism is the first attempt in book formto give a comprehensive survey of the history and scope of Beckett criticism in French, English, and German. Three parallel chapters examine the three major strands of Beckett criticism, retracing its development using a historical perspective and pointing out different trends, currents and fashions in opinion. Directions for further research are also suggested. P.J. MURPHY is a lecturer in contemporary British literature at the University College of the Cariboo, British Columbia; WERNER HUBER is a professor of English literature at Chemnitz University of Technology; ROLF BREUER is professor of English literature at the University of Paderborn; KONRAD SCHOELL is professor of French literature at the Pädagogische Hochschule Erfurt.

The Critical Response to Samuel Beckett

The Critical Response to Samuel Beckett
Author: Cathleen C. Andonian
Publisher: Greenwood
Total Pages: 464
Release: 1998-06-30
Genre: Literary Criticism
ISBN:

Best known as the author of Waiting for Godot, Samuel Beckett was one of the most distinguished writers of the 20th century. He was awarded the Nobel Prize in 1969, and his works have secured him a lasting place in the literary canon. The critical response to his fiction has been overwhelming. Numerous books and thousands of articles have been published on Beckett, primarily in Europe, the United States, and Canada. Since he wrote most of his works in French, and then translated them himself into English, critics responded to different versions of his works. This reference book documents the critical response to Beckett from his earliest prose and poetry to the public reaction to his death in 1989. Reviews and scholarly articles representing the response to Beckett's creative works are included. Selections are arranged chronologically, so that the reader may trace the reception of Beckett's works over time. An introduction summarizes Beckett's enormous contribution to literature, and a bibliography lists works for further reading. Winner of the 1969 Nobel Prize for literature, Irish-born author Samuel Beckett earned a solid reputation for being one of the most important authors of the 20th century. Best known as the author of Waiting for Godot, Beckett wrote other dramatic works, such as Endgame and Krapp's Last Tape. He wrote several novels, including Molloy, Malone Dies, and The Unnamable, and a number of poems and short stories. His innovative approach to language, character, plot, and narrative style was appreciated but sometimes criticized, and his nontraditional concepts of time and space taught readers to approach literature in a new way. Though he experimented with literary forms, his works are within the 20th century intellectual tradition of alienation, isolation, and pessimism. Through essays and reviews, this reference book documents the critical response to Beckett's poetry, fiction, and drama from his earliest works to the public reaction to his death in 1989. Because Beckett often wrote in French and then translated his works into English, scholars responded to several versions of the same work. Because Beckett also had an exceptional knowledge of world literature, philosophy, mathematics, and the sciences, his works are dense with meaning and have invited a broad range of critical approaches. This reference is divided into several sections that roughly correspond with the different genres Beckett utilized. Within each section, reviews and seminal articles are arranged chronologically, so that the reader may trace the response to Beckett over time. An introductory essay discusses the overall response to Beckett, and a bibliography lists works for further reading.

How it is

How it is
Author: Samuel Beckett
Publisher: Grove Press
Total Pages: 156
Release: 1964
Genre: Fiction
ISBN: 9780802150660

This work relates the adventures of an unnamed narrator crawling through the mud while dragging a sack of canned food. It is written as a sequence of unpunctuated paragraphs divided into three sections.

On Beckett

On Beckett
Author: S. E. Gontarski
Publisher: Anthem Press
Total Pages: 350
Release: 2012-12-15
Genre: Literary Criticism
ISBN: 0857285807

“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.

Collected Poems in English and French

Collected Poems in English and French
Author: Samuel Beckett
Publisher: Grove/Atlantic, Inc.
Total Pages: 161
Release: 2007-12-01
Genre: Poetry
ISBN: 0802198449

This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.

The Critical Response to Samuel Beckett

The Critical Response to Samuel Beckett
Author: Cathleen C. Andonian
Publisher: Greenwood
Total Pages: 0
Release: 1998-06-30
Genre: Literary Criticism
ISBN: 0313289107

Best known as the author of Waiting for Godot, Samuel Beckett was one of the most distinguished writers of the 20th century. He was awarded the Nobel Prize in 1969, and his works have secured him a lasting place in the literary canon. The critical response to his fiction has been overwhelming. Numerous books and thousands of articles have been published on Beckett, primarily in Europe, the United States, and Canada. Since he wrote most of his works in French, and then translated them himself into English, critics responded to different versions of his works. This reference book documents the critical response to Beckett from his earliest prose and poetry to the public reaction to his death in 1989. Reviews and scholarly articles representing the response to Beckett's creative works are included. Selections are arranged chronologically, so that the reader may trace the reception of Beckett's works over time. An introduction summarizes Beckett's enormous contribution to literature, and a bibliography lists works for further reading. Winner of the 1969 Nobel Prize for literature, Irish-born author Samuel Beckett earned a solid reputation for being one of the most important authors of the 20th century. Best known as the author of Waiting for Godot, Beckett wrote other dramatic works, such as Endgame and Krapp's Last Tape. He wrote several novels, including Molloy, Malone Dies, and The Unnamable, and a number of poems and short stories. His innovative approach to language, character, plot, and narrative style was appreciated but sometimes criticized, and his nontraditional concepts of time and space taught readers to approach literature in a new way. Though he experimented with literary forms, his works are within the 20th century intellectual tradition of alienation, isolation, and pessimism. Through essays and reviews, this reference book documents the critical response to Beckett's poetry, fiction, and drama from his earliest works to the public reaction to his death in 1989. Because Beckett often wrote in French and then translated his works into English, scholars responded to several versions of the same work. Because Beckett also had an exceptional knowledge of world literature, philosophy, mathematics, and the sciences, his works are dense with meaning and have invited a broad range of critical approaches. This reference is divided into several sections that roughly correspond with the different genres Beckett utilized. Within each section, reviews and seminal articles are arranged chronologically, so that the reader may trace the response to Beckett over time. An introductory essay discusses the overall response to Beckett, and a bibliography lists works for further reading.

The New Samuel Beckett Studies

The New Samuel Beckett Studies
Author: Jean-Michel Rabaté
Publisher: Cambridge University Press
Total Pages: 281
Release: 2019-07-04
Genre: Literary Criticism
ISBN: 1108471854

Discusses the most recent advances in the Beckett field and the new methods used to approach it.

Samuel Beckett Comment C'est How It Is And / et L'image

Samuel Beckett Comment C'est How It Is And / et L'image
Author: Samuel Beckett
Publisher: Routledge
Total Pages: 832
Release: 2016-06-11
Genre: Literary Criticism
ISBN: 1135713650

This book contains the English and French texts and a complete record of the genesis of each. Besides Comment C'est How It Is, O'Reilly has included L'Image and an excerpt from Comment C'est that was published later in another volume.

Samuel Beckett's Waiting for Godot

Samuel Beckett's Waiting for Godot
Author: Mark Taylor-Batty
Publisher: A&C Black
Total Pages: 125
Release: 2013-06-13
Genre: Performing Arts
ISBN: 1441156100

"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.