The Critical Mythology of Irony

The Critical Mythology of Irony
Author: Joseph A. Dane
Publisher: University of Georgia Press
Total Pages: 250
Release: 2011
Genre: Literary Criticism
ISBN: 0820338087

An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.

Modern Critical Theory and Classical Literature

Modern Critical Theory and Classical Literature
Author: J.P. Sullivan
Publisher: BRILL
Total Pages: 303
Release: 2018-07-17
Genre: Literary Criticism
ISBN: 9004329269

In recent decades the study of literature in Europe and the Americas has been profoundly influenced by modern critical theory in its various forms, whether Structuralism or Deconstructionism, Hermeneutics, Reader-Response Theory or Rezeptionsästhetik, Semiotics or Narratology, Marxist, feminist, neo-historical, psychoanalytical or other perspectives. Whilst the value and validity of such approaches to literature is still a matter of some dispute, not least among classical scholars, they have had a substantial impact on the study both of classical literatures and of the mentalité of Greece and Rome. In an attempt to clarify issues in the debate, the eleven contributors to this volume were asked to produce a representative collection of essays to illustrate the applicability of some of the new approaches to Greek and Latin authors or literary forms and problems. The scope of the volume was deliberately limited to literary investigation, broadly construed, of Greek and Roman authors. Broader areas of the history and culture of the ancient world impinge in the essays, but are not their central focus. The volume also contains a separate bibliography, offering for the first time a complete bibliography of classical studies which incorporate modern critical theory.

The Myth of Print Culture

The Myth of Print Culture
Author: Joseph A. Dane
Publisher: University of Toronto Press
Total Pages: 264
Release: 2003-01-01
Genre: Literary Criticism
ISBN: 9780802087751

The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and reproducible). It demonstrates how the particulars of evidence are manipulated in standard scholarly arguments by the higher levels of textuality they are intended to support. The individual studies in the book focus on a range of problems: basic definitions of what a book is; statistical assumptions; and editorial methods used to define and collate the presumably basic unit of 'variant.' This work differs from other recent studies in print culture in its emphasis on fifteenth-century books and its insistence that the problems encountered in that historical milieu (problems as basic as cataloguing errors) are the same as problems encountered in other areas of literary criticism. The difficulties in the simplest of cataloguing decisions, argues Joseph Dane, tend to repeat themselves at all levels of bibliographical, editorial, and literary history.

Interludes and Irony in the Ancestral Narrative

Interludes and Irony in the Ancestral Narrative
Author: Jonathan A. Kruschwitz
Publisher: Wipf and Stock Publishers
Total Pages: 247
Release: 2020-12-18
Genre: Religion
ISBN: 1725260794

The stories of Hagar, Dinah, and Tamar stand out as strangers in the ancestral narrative. They deviate from the main plot and draw attention to the interests and fates of characters who are not a part of the ancestral family. Readers have traditionally domesticated these strange stories. They have made them "familiar"--all about the ancestral family. Thus Hagar's story becomes a drama of deselection, Shechem and the Hivites become emblematic for ancestral conflict with the people of the land, and Tamar becomes a lens by which to read providence in the story of Joseph. This study resurrects the question of these stories' strangeness. Rather than allow the ancestral narrative to determine their significance, it attends to each interlude's particularity and detects ironic gestures made toward the ancestral narrative. These stories contain within them the potential to defamiliarize key themes of ancestral identity: the ancestral-divine relationship, ancestral relations to the land and its inhabitants, and ancestral self-identity. Perhaps the ancestral family are not the only privileged partners of God, the only heirs to the land, or the only bloodline fit to bear the next generation.

Divine Irony

Divine Irony
Author: Glenn Stanfield Holland
Publisher: Susquehanna University Press
Total Pages: 196
Release: 2000
Genre: Literary Criticism
ISBN: 9781575910321

Ultimately, irony appears to be a term with no definitive meaning, the product of a critical enterprise that over time identified particular literary devices and perspectives a irony."--BOOK JACKET.

Irony and the Ironic

Irony and the Ironic
Author: D. C. Muecke
Publisher: Taylor & Francis
Total Pages: 129
Release: 2017-07-06
Genre: Literary Criticism
ISBN: 1315388332

First published in 1970 and revised in 1982, this work provides a critical overview of the concept of irony in literary criticism. After establishing the relationship of the ironical and the non-ironical, it summarises the history of the concept of irony, before isolating and discussing its basic aspects and the variable features that determine its nature, effect and quality. The book will be a useful resource for those studying irony and English Literature.

Irony and the Poetry of the First World War

Irony and the Poetry of the First World War
Author: S. Puissant
Publisher: Springer
Total Pages: 212
Release: 2009-03-19
Genre: Literary Criticism
ISBN: 0230234216

How does irony affect the evaluation and perception of the First World War both then and now? Irony and the Poetry of the First World War traces one of the major features of war poetry from the author's application as a means of disguise, criticism or psychological therapy to its perception and interpretation by the reader.

The Art of Living

The Art of Living
Author: Alexander Nehamas
Publisher: Univ of California Press
Total Pages: 298
Release: 2000-03
Genre: Biography & Autobiography
ISBN: 0520224906

In this wide-ranging, brilliantly written account, Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.

Chic Ironic Bitterness

Chic Ironic Bitterness
Author: R. Jay Magill
Publisher: University of Michigan Press
Total Pages: 297
Release: 2009-12-18
Genre: Literary Criticism
ISBN: 0472024329

A brilliant and timely reflection on irony in contemporary American culture “This book is a powerful and persuasive defense of sophisticated irony and subtle humor that contributes to the possibility of a genuine civic trust and democratic life. R. Jay Magill deserves our congratulations for a superb job!” —Cornel West, University Professor, Princeton University “A well-written, well-argued assessment of the importance of irony in contemporary American social life, along with the nature of recent misguided attacks and, happily, a deep conviction that irony is too important in our lives to succumb. The book reflects wide reading, varied experience, and real analytical prowess.” —Peter Stearns, Provost, George Mason University “Somehow, Americans—a pragmatic and colloquial lot, for the most part—are now supposed to speak the Word, without ironic embellishment, in order to rebuild the civic culture. So irony’s critics decide it has become ‘worthy of moral condemnation.’ Magill pushes back against this new conventional wisdom, eloquently defending a much livelier American sensibility than the many apologists for a somber ‘civic culture’ could ever acknowledge." —William Chaloupka, Chair and Professor, Department of Political Science, Colorado State University The events of 9/11 had many pundits on the left and right scrambling to declare an end to the Age of Irony. But six years on, we're as ironic as ever. From The Simpsons and Borat to The Daily Show and The Colbert Report, the ironic worldview measures out a certain cosmopolitan distance, keeping hypocrisy and threats to personal integrity at bay. Chic Ironic Bitterness is a defense of this detachment, an attitude that helps us preserve values such as authenticity, sincerity, and seriousness that might otherwise be lost in a world filled with spin, marketing, and jargon. And it is an effective counterweight to the prevailing conservative view that irony is the first step toward cynicism and the breakdown of Western culture. R. Jay Magill, Jr., is a writer and illustrator whose work has appeared in American Prospect, American Interest, Atlantic Monthly, Foreign Policy, International Herald Tribune, New York Times, Wall Street Journal, and Print, amongother periodicals and books. A former Harvard Teaching Fellow and Executive Editor of DoubleTake, he holds a Ph.D. in American Studies from the University of Hamburg in Germany. This is his first book.