The Critic in the World

The Critic in the World
Author: Amy Lindeman Allen
Publisher: SBL Press
Total Pages: 832
Release: 2024-11-01
Genre: Religion
ISBN: 1628376260

A Pact of Love with Criticism, A Pact of Blood with the World Building on the legacy of Fernando F. Segovia, the pioneering essays in this volume redefine the intersection of biblical studies and geopolitics. Through a thorough exploration of how ancient texts and modern readers influence and reflect geopolitical dynamics, each contributor reveals how biblical narratives have shaped and been shaped by historical power structures, territorial conflicts and climate changes, and cultural exchanges. Essays employ contemporary geopolitical concepts that move beyond traditional readings to offer fresh insights into the strategic and ideological forces behind scriptural texts. An annotated interview with Fernando F. Segovia traces his immigration journey as an adolescent and its indelible imprint on his scholarship as a postcolonial critic. Contributors include Efraín Agosto, Amy Lindeman Allen, Reimund Bieringer, Mark G. Brett, Ahida Calderón Pilarski, Greg Carey, Jorge E. Castillo Guerra, Jin Young Choi, Stephanie Buckhanon Crowder, Gregory L. Cuéllar, Musa W. Dube, Neil Elliott, Eleazar S. Fernandez, Bridgett A. Green, Leticia A. Guardiola-Sáenz, Jacqueline M. Hidalgo, Knut Holter, Ma. Maricel S. Ibita, Ma. Marilou S. Ibita, John F. Kutsko, Sung Uk Lim, Francisco Lozada Jr., Luis Menéndez-Antuña, Rubén Muñoz-Larrondo, Robert Myles, Wongi Park, Mitri Raheb, Elisabeth Schüssler Fiorenza, Fernando F. Segovia, Yak-hwee Tan, Ekaputra Tupamahu, Gerald O. West, Hans (J. H.) de Wit, and H. Daniel Zacharias.

The World, the Text, and the Critic

The World, the Text, and the Critic
Author: Edward W. Said
Publisher: Harvard University Press
Total Pages: 340
Release: 1983
Genre: Literary Criticism
ISBN: 9780674961876

Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.

Inside the Critics’ Circle

Inside the Critics’ Circle
Author: Phillipa K. Chong
Publisher: Princeton University Press
Total Pages: 188
Release: 2021-09-14
Genre: Literary Criticism
ISBN: 0691212503

An inside look at the politics of book reviewing, from the assignment and writing of reviews to why critics think we should listen to what they have to say Taking readers behind the scenes in the world of fiction reviewing, Inside the Critics’ Circle explores the ways critics evaluate books despite the inherent subjectivity involved and the uncertainties of reviewing when seemingly anyone can be a reviewer. Drawing on interviews with critics from such venues as the New York Times, Los Angeles Times, and Washington Post, Phillipa Chong delves into the complexities of the review-writing process, including the considerations, values, and cultural and personal anxieties that shape what critics do. Chong explores how critics are paired with review assignments, why they accept these time-consuming projects, how they view their own qualifications for reviewing certain books, and the criteria they employ when making literary judgments. She discovers that while their readers are of concern to reviewers, they are especially worried about authors on the receiving end of reviews. As these are most likely peers who will be returning similar favors in the future, critics’ fears and frustrations factor into their willingness or reluctance to write negative reviews. At a time when traditional review opportunities are dwindling while other forms of reviewing thrive, book reviewing as a professional practice is being brought into question. Inside the Critics’ Circle offers readers a revealing look into critics’ responses to these massive transitions and how, through their efforts, literary values get made.

The Critic in the Modern World

The Critic in the Modern World
Author: James Ley
Publisher: Bloomsbury Publishing USA
Total Pages: 249
Release: 2014-05-08
Genre: Literary Criticism
ISBN: 1623566452

The Critic in the Modern World explores the work of six influential literary critics-Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood-each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

Everyone's a Critic

Everyone's a Critic
Author: Bill Tancer
Publisher: Penguin
Total Pages: 193
Release: 2014-10-16
Genre: Business & Economics
ISBN: 1101621486

More than 70% of customers consult online reviews and take them very seriously. A disgruntled customer on Yelp might have more clout than a guidebook, magazine, or newspaper. This review-driven marketplace terrifies many businesses. But some have learnt to navigate and profit from customer reviews. Bill Tancer takes readers on a fascinating journey inside that world, to find out why one Los Angeles barber advertised his one-star reviews and how one scrappy hotel became the highest rated in London. Tancer's fascinating stories and data-driven research reveal how sites like Yelp and TripAdvisor are changing the way we interact and show how business owners can leverage online reviews to find greater success.

The Critic

The Critic
Author: Peter May
Publisher: riverrun
Total Pages: 334
Release: 2013-05-30
Genre: Fiction
ISBN: 1782068864

GAILLAC, SOUTH-WEST FRANCE. An unsolved case. Gil Petty, America's most celebrated wine critic, is found strung up in a vineyard, dressed in the ceremonial robes of the Order of the Divine Bottle and pickled in wine. An un-cracked code. For forensic expert Enzo Macleod, the key to this unsolved murder lies in decoding Petty's mysterious reviews - which could make or break a vineyard's reputation. An uncorked criminal. Enzo finds that beneath the tranquil façade of French viticulture lurks a back-stabbing community riddled with rivalry - and someone who is ready to stop him even if they have to kill again. LOVE PETER MAY? Order his new thriller, A WINTER GRAVE

The Critics Say...

The Critics Say...
Author: Matt Windman
Publisher: McFarland
Total Pages: 242
Release: 2016-04-27
Genre: Performing Arts
ISBN: 1476624690

What will happen to the theater when there are no more critics? With the decline of print media and the rise of online journalism, theater critics are facing hard times. As their influence fades, will the industry they cover be adversely affected or can bloggers and message boards fill the void? Can a new economic model be created for theater criticism? How can critics lucky enough to still have jobs stay relevant in the age of social media? Speaking of which, what does a theater critic really do, and how do you become one? In this book, Matt Windman, a theater critic himself, interviews more than 50 critics from New York and around the country, including Ben Brantley, Charles Isherwood, John Lahr, Terry Teachout, Linda Winer, Chris Jones, David Cote, John Simon and Peter Filichia. They discuss their long careers and the nightly process of evaluating plays and musicals, and offer their thoughts on the future of the profession.

Better Living Through Criticism

Better Living Through Criticism
Author: A. O. Scott
Publisher: Penguin
Total Pages: 306
Release: 2017-02-07
Genre: Literary Criticism
ISBN: 0143109979

The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

Inventing the Critic in Renaissance England

Inventing the Critic in Renaissance England
Author: William M. Russell
Publisher: University of Virginia Press
Total Pages: 267
Release: 2020-09-21
Genre: Literary Criticism
ISBN: 1644531925

The turn of the seventeenth century was an important moment in the history of English criticism. In a series of pioneering works of rhetoric and poetics, writers such as Philip Sidney, George Puttenham, and Ben Jonson laid the foundations of critical discourse in English, and the English word "critic" began, for the first time, to suggest expertise in literary judgment. Yet the conspicuously ambivalent attitude of these critics toward criticism—and the persistent fear that they would be misunderstood, marginalized, scapegoated, or otherwise "branded with the dignity of a critic"—suggests that the position of the critic in this period was uncertain. In Inventing the Critic in Renaissance England, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors. Distributed for UNIVERSITY OF DELAWARE PRESS