The Crime Book
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| Author | : DK |
| Publisher | : Penguin |
| Total Pages | : 354 |
| Release | : 2021-02-02 |
| Genre | : True Crime |
| ISBN | : 1465466541 |
Investigate 100 of the world's most notorious crimes, including the Great Train Robbery, the Lindbergh kidnapping, and the murders of serial killer Jeffrey Dahmer. Were the perpetrators delusional, opportunist, or truly evil? Find out what really happened and how the cases were solved. Discover conmen with sheer verve, such as Victor Lustig who "sold" the Eiffel Tower to scrap dealers in 1925, adrenaline-fuelled escapes, and mind-bending exploits of pirates, kidnappers, and drug cartels. The Crime Book demystifies malware, cybercrimes, and Ponzi schemes and sets out the terrifying ploys of mass murderers from 16th-century Elizabeth Báthory who drained young girls' blood to the more recent exploits of Rosemary and Fred West. Like a virus, crime mutates and adapts. The Crime Book explains how pivotal moments in history opened up new opportunities for criminals, such as the smuggling of alcohol during the American Prohibition era. It also charts developments in justice and forensics including the Innocence Project, which used DNA testing to exonerate wrongly convicted convicts. It examines how the forces of law and order have fought back against crime, explaining ingenious sting operations such as tracking down the jewel thief Bill Mason and the final capture of murderer Ted Bundy. With a foreword from bestselling crime author Cathy Scott, The Crime Book is an enthralling introduction to humanity's darker side. Series Overview: Big Ideas Simply Explained series uses creative design and innovative graphics, along with straightforward and engaging writing, to make complex subjects easier to understand. These award-winning books provide just the information needed for students, families, or anyone interested in concise, thought-provoking refreshers on a single subject.
| Author | : Susan L. Miller |
| Publisher | : NYU Press |
| Total Pages | : 280 |
| Release | : 2011-04-04 |
| Genre | : Law |
| ISBN | : 0814795528 |
This book examines a victim-offender dialogue program that offers victims of severe violence an opportunity to meet face-to-face with their incarcerated offenders. Using interview data, it follows the harrowing stories of crime and violence, ultimately moving beyond story-telling to provide both an accessible analysis of restorative justice and evidence that the program has significantly helped the victims. It also looks at how the program has impacted offenders, many of whom have also experienced positive changes in their lives in terms of creating greater accountability and greater victim empathy.
| Author | : Gregg Hurwitz |
| Publisher | : Penguin Paperbacks |
| Total Pages | : 303 |
| Release | : 2008-06-24 |
| Genre | : Fiction |
| ISBN | : 9780143113447 |
Awakening in a hospital with a scar on his head and no memory of being found holding a knife over his ex-fiancée's murdered body, crime novelist Drew Danner struggles to reconstruct clues to determine his own guilt or innocence. By the author of The Tower. Reprint.
| Author | : Morton Bard |
| Publisher | : Bruner Meisel U |
| Total Pages | : 272 |
| Release | : 1986 |
| Genre | : Political Science |
| ISBN | : 9780876304150 |
| Author | : Martin Edwards |
| Publisher | : HarperCollins UK |
| Total Pages | : 977 |
| Release | : 2022-05-26 |
| Genre | : Fiction |
| ISBN | : 0008192456 |
Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times
| Author | : Craig L. LaMay |
| Publisher | : Transaction Publishers |
| Total Pages | : 216 |
| Release | : 1995-01-01 |
| Genre | : Social Science |
| ISBN | : 9781412836456 |
There is no journalistic work more deserving of the designation âstoryâ than news of crime. From antiquity, the culture of crime has been about the human condition, and whether information comes from Homer, Hollywood, or the city desk, it is a bottom about the human capacity for cruelty and suffering, about desperation and fear, about sex, race, and public morals. Facts are important to the telling of a crime story, but ultimately less so than the often apocryphal narratives we derive from them. The Culture of Crime is hence about the most common and least studies staple of news. Its prominence dates at least to the 1830s, when the urban penny press employed violence, sex, and scandal to build dizzying high levels of circulation and begin the modern age of mass media. In its coverage of crime, in particular, the popular press represented a new kind of journalism, if not a new definition of news, that made available for public consumption whole areas of social and private life that the mercantile, elite, and political press earlier ignored. This legacy has continued unabated for 150 years. The book explores new wrinkles in the study of crime and as a mass cultural activityâfrom exploring the private lives of public officials to dangers posed by constraints to a free press. The volume is prepared with the rigor of a scholarly brief but also the excitement of actual crime stories as such. Throughout, the reader is reminded that crime stories are both news and drama, and to ignore either is to diminish the other. The work delves deeply into current problems without either sentimental or trivial pursuits. It will be a volume of great interest to people in communications research, the social sciences, criminologists, and not least, the broad public which must endure the punishment of crime and the thrill of the crime story alike.
| Author | : Anne Wingate |
| Publisher | : Writers Digest Books |
| Total Pages | : 244 |
| Release | : 1992-09-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Part of the Howdunit Series, Scene of the Crime is written by a professional in the field. It provides the inside details that writers need to weave a credible - and salable - story. essential buys for any serious author...Will cut research time in half! - Mystery Scene Magazine
| Author | : Claire Harman |
| Publisher | : Vintage |
| Total Pages | : 274 |
| Release | : 2020-02-04 |
| Genre | : True Crime |
| ISBN | : 0525436154 |
Early on the morning of May 6, 1840, the elderly Lord William Russell was found in his London house with his throat so deeply cut that his head was nearly severed. The crime soon had everyone, including Queen Victoria, feverishly speculating about motives and methods. But when the prime suspect claimed to have been inspired by a sensational crime novel, it sent shock waves through literary London and drew both Dickens and Thackeray into the fray. Could a novel really lead someone to kill? In Murder by the Book, Claire Harman blends a riveting true-crime whodunit with a fascinating account of the rise of the popular novel and the early battle for its soul among the most famous writers of the day.
| Author | : Nicole Rafter |
| Publisher | : NYU Press |
| Total Pages | : 313 |
| Release | : 2016-03-29 |
| Genre | : Social Science |
| ISBN | : 1479805963 |
Cambodia. Rwanda. Armenia. Nazi Germany. History remembers these places as the sites of unspeakable crimes against humanity, and indisputably, of genocide. Yet, throughout the twentieth century, the world has seen many instances of violence committed by states against certain groups within their borders—from the colonial ethnic cleansing the Germans committed against the Herero tribe in Africa, to the Katyn Forest Massacre, in which the Soviets shot over 20,000 Poles, to anti-communist mass murders in 1960s Indonesia. Are mass crimes against humanity like these still genocide? And how can an understanding of crime and criminals shed new light on how genocide—the “crime of all crimes”—transpires? In The Crime of All Crimes, criminologist Nicole Rafter takes an innovative approach to the study of genocide by comparing eight diverse genocides--large-scale and small; well-known and obscure—through the lens of criminal behavior. Rafter explores different models of genocidal activity, reflecting on the popular use of the Holocaust as a model for genocide and ways in which other genocides conform to different patterns. For instance, Rafter questions the assumption that only ethnic groups are targeted for genocidal “cleansing," and she also urges that actions such as genocidal rape be considered alongside traditional instances of genocidal violence. Further, by examining the causes of genocide on different levels, Rafter is able to construct profiles of typical victims and perpetrators and discuss means of preventing genocide, in addition to delving into the social psychology of genocidal behavior and the ways in which genocides are brought to an end. A sweeping and innovative investigation into the most tragic of events in the modern world, The Crime of All Crimes will fundamentally change how we think about genocide in the present day.
| Author | : Alice Lichtenstein |
| Publisher | : Upper Hand Press LLC |
| Total Pages | : 0 |
| Release | : 2019-11-17 |
| Genre | : Race discrimination |
| ISBN | : 9780998490694 |
On a Good Friday in a picturesque village in Upstate New York, the spring weather is unusually warm and school is closed. It's an ideal day for tanning and partying in the park until Shawnee Padrushky, age 17, drives up in his dad's new pick-up and comes out shooting with one victim in mind--Gunther Smith--the only black student in Shawnee's class, the adopted son of white parents. The Crime of Being explores the effects of a racial incident--how it divides a seemingly homogenous community over the course of a summer and exposes its dark secrets. Tarred by the media as "the most racist town in America", the people of Liberty face tangled questions of whether racism or insanity were at the root of a white teenager's violent assault of his black classmate, and whether the community as a whole can be implicated? Until the incident, the Smiths and the Padrushkys lives rarely intersected, but in its aftermath, their trajectories run strangely parallel as they are forced to look at how they have managed (and mismanaged) their parental responsibilities. Ironically, Shawnee and Gunther, perpetrator and victim, find themselves sharing the territory of otherness as their definitions of self are changed forever.
