The Country House And Other Poems
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Hollow Palaces
| Author | : Kevin Gardner |
| Publisher | : Oxford University Press |
| Total Pages | : 440 |
| Release | : 2021-09 |
| Genre | : Literary Criticism |
| ISBN | : 1800856741 |
As a genre of poetry, the country house poem was born in the seventeenth century. As English country house society itself grew in prominence, the poem of commemoration diminished in popularity; not until the Edwardian era, when the country house as an institution began to wane, was there a renewed interest in country house poetry. As the power and influence of landed society dwindled, the country house began to haunt the English literary imagination, and our poets found in its dereliction a frequent subject and theme. This is the first book to gather modern and contemporary country house poems into one collection. Poets representing a diversity of class, race, gender, and generation offer a wide variety of perspectives: stately exteriors and interiors, crumbling ruins, gardens both wild and cultivated, and the voices of noble owners, servants, and curious visitors. The dominant note sounded is perhaps unsurprisingly elegiac, yet comic, satiric, and gothic tones appear frequently as well. The common thread is that, in response to the rapid sociological changes of the twentieth century, poets reflect on the country house as an architecturally, politically, socially, and economically potent symbol and institution, both in its heyday and in its eclipse.
How to Love a Country
| Author | : Richard Blanco |
| Publisher | : Beacon Press |
| Total Pages | : 114 |
| Release | : 2019-03-26 |
| Genre | : Poetry |
| ISBN | : 0807025917 |
A timely and moving collection from the renowned inaugural poet on issues facing our country and people—immigration, gun violence, racism, LGBTQ issues, and more. Through an oracular yet intimate and accessible voice, Richard Blanco addresses the complexities and contradictions of our nationhood and the unresolved sociopolitical matters that affect us all. Blanco digs deep into the very marrow of our nation through poems that interrogate our past and present, grieve our injustices, and note our flaws, but also remember to celebrate our ideals and cling to our hopes. Charged with the utopian idea that no single narrative is more important than another, this book asserts that America could and ought someday to be a country where all narratives converge into one, a country we can all be proud to love and where we can all truly thrive. The poems form a mosaic of seemingly varied topics: the Pulse nightclub massacre; an unexpected encounter on a visit to Cuba; the forced exile of 8,500 Navajos in 1868; a lynching in Alabama; the arrival of a young Chinese woman at Angel Island in 1938; the incarceration of a gifted writer; and the poet’s abiding love for his partner, who he is finally allowed to wed as a gay man. But despite each poem’s unique concern or occasion, all are fundamentally struggling with the overwhelming question of how to love this country.
The House by the Side of the Road
| Author | : Sam Walter Foss |
| Publisher | : C.C. Ronalds, by the Ronalds Press and Advertising Agency |
| Total Pages | : 5 |
| Release | : 1921 |
| Genre | : |
| ISBN | : |
The Country House Poem
| Author | : Alastair Fowler |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 1994 |
| Genre | : Poetry |
| ISBN | : |
"This major new collection of almost all the known estate poems of the seventeenth century draws on the literary, historical and artistic traditions of the period to clarify this much debated genre. The poems are mostly reproduced in their entirety and include ten from the Mildmay Fane manuscripts - an important, but so far unpublished source of such material. Full notes accompany the text, explaining difficult passages and relating them to their biographical, social and political contexts. There is a substantial introduction, a comprehensive bibliography, and a listing of visual sources complementing the contemporary illustrations. Containing much new evidence for architectural- and art-historians as well as for literary scholars, The Country House Poem is set to become the definitive work in this field."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Country House in English Renaissance Poetry
| Author | : William Alexander McClung |
| Publisher | : Univ of California Press |
| Total Pages | : 202 |
| Release | : 2022-09-23 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0520373561 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Sand, and Other Poems
| Author | : Maḥmūd Darwīsh |
| Publisher | : Taylor & Francis |
| Total Pages | : 79 |
| Release | : 1986 |
| Genre | : Poetry |
| ISBN | : 9780710300621 |
Country House Discourse in Early Modern England
| Author | : Kari Boyd McBride |
| Publisher | : Routledge |
| Total Pages | : 224 |
| Release | : 2017-07-05 |
| Genre | : Literary Criticism |
| ISBN | : 135194813X |
In this study, Kari Boyd McBride defines 'country house discourse' as a network of fictions that articulated and mediated early modern concerns about the right use of land and the social relationships that land engendered. McBride provides new perspectives on the roles of the discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material-including architecture, poetry, oil painting, economic and social history, and proscriptive literature-in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies. McBride delineates the ways in which the country house (on the landscape and in literature) provided a locus for the construction of gender, race, class, and nation. Of particular interest is her focus on women's relationships to the country house: their writing of country house poetry and their representation in that literature; their designing of country houses and their lives within those architectural spaces (whether as lady of the house or domestic servant). One of the most important and promising insights in this study is that country house discourse was not simply static and nostalgic, but actually worked to mediate change. All in all, she presents a fresh and detailed study of the great disparities between country house reality and the ideals that informed country house discourse.
The American House Poem, 1945-2021
| Author | : Walt Hunter |
| Publisher | : Oxford University Press |
| Total Pages | : 187 |
| Release | : 2024-01-11 |
| Genre | : Literary Criticism |
| ISBN | : 0192856251 |
The house is perhaps the most recognizable emblem of the American ideals of self-making: prosperity, stability, domesticity, and upward mobility. Yet over the years from 1945-2021, the American house becomes more famous for the betrayal of those hopes than for their fulfilment: first, through the segregation of cities and public housing; then through the expansion of private credit that lays the ground for the subprime mortgage crisis of the early twenty-first century. Walt Hunter argues that, as access to housing expands to include a greater share of the US population, the house emerges as a central metaphor for the poetic imagination. From the kitchenette of Gwendolyn Brooks to the duplex of Jericho Brown, and from the suburban imagination of Adrienne Rich to the epic constructions of James Merrill, the American house poem represents the changing abilities of US poets to imagine new forms of life while also building on the past. In The American House Poem, 1945-2021, Hunter focuses on poets who register the unevenly distributed pressures of successive housing crises by rewriting older poetic forms. Writing about the materials, tools, and plans for making a house, these poets express the tensions between making their lives into art and freeing their lives from inherited constraints and conditions.
Hollow Palaces
| Author | : Kevin Gardner |
| Publisher | : Liverpool University Press |
| Total Pages | : 440 |
| Release | : 2021-09-01 |
| Genre | : Poetry |
| ISBN | : 1800857535 |
The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.
