The Countess of Montgomery's Urania (abridged)

The Countess of Montgomery's Urania (abridged)
Author: Lady Mary Wroth
Publisher: Medieval and Renaissance Texts
Total Pages: 0
Release: 2011
Genre: Fiction
ISBN: 9780866984515

The first romance written by an Englishwoman, Mary Wroth's Countess of Montgomery's Urania is a literary tour de force in its own right. As the niece of Sir Philip Sidney, Mary Wroth was ideally situated as an observer and reporter of the social, literary, and political milieu of her time. This abridged modern-spelling edition, with a useful introduction and index of characters, makes this work newly accessible to general readers, students, and scholars.

The First Part of The Countess of Montgomery's Urania

The First Part of The Countess of Montgomery's Urania
Author: Lady Mary Wroth
Publisher: Iter Press
Total Pages: 952
Release: 1995
Genre: Fiction
ISBN:

Lady Mary Wroth composed her prose romance "Urania" at the height of the Jacobean debates concerning the nature and status of women. Personal experiences, her own and those of her friends, had made Wroth very much aware of how little voice women had in determining htheirown destinies or even choosing their life partners.

The Memory Arts in Renaissance England

The Memory Arts in Renaissance England
Author: William E. Engel
Publisher: Cambridge University Press
Total Pages: 397
Release: 2016-08-18
Genre: Art
ISBN: 1107086817

Anthology of a selection of early modern works on memory.

Women and Romance Fiction in the English Renaissance

Women and Romance Fiction in the English Renaissance
Author: Helen Hackett
Publisher: Cambridge University Press
Total Pages: 244
Release: 2006-11-02
Genre: Literary Criticism
ISBN: 9780521031547

This book traces the progress of Renaissance romance from a genre addressed to women as readers to a genre written by women. Exploring this crucial transitional period, Helen Hackett examines the work of a diverse range of writers from Lyly, Rich and Greene to Sidney, Spenser and Shakespeare. Her book culminates in an analysis of Lady Mary Wroth's Urania (1621), the first romance written by a woman, and considers the developing representation of female heroism and selfhood, especially the adaptation of saintly roles to secular and even erotic purposes.

Women Writers in Renaissance England

Women Writers in Renaissance England
Author: Randall Martin
Publisher: Routledge
Total Pages: 479
Release: 2014-07-21
Genre: Literary Criticism
ISBN: 1317862910

Of all the new developments in literary theory, feminism has proved to be the most widely influential, leading to an expansion of the traditional English canon in all periods of study. This book aims to make the work of Renaissance women writers in English better known to general and academic readers so as to strengthen the case for their future inclusion in the Renaissance literary canon. This lively book surveys women writers in the sixteenth century and early seventeenth centuries. Its selection is vast, historically representative, and original, taking examples from twenty different, relatively unknown authors in all genres of writing, including poetry, fiction, religious works, letters and journals, translation, and books on childcare. It establishes new contexts for the debate about women as writers within the period and suggests potential intertextual connections with works by well-known male authors of the same time. Individual authors and works are given concise introductions, with both modern and historical critical analysis, setting them in a theoretical and historicised context. All texts are made readily accessible through modern spelling and punctuation, on-the-page annotation and headnotes. The substantial, up-to-date bibliography provides a source for further study and research.

Reading and the History of Race in the Renaissance

Reading and the History of Race in the Renaissance
Author: Elizabeth Spiller
Publisher: Cambridge University Press
Total Pages: 263
Release: 2011-05-12
Genre: Literary Criticism
ISBN: 113949760X

Elizabeth Spiller studies how early modern attitudes towards race were connected to assumptions about the relationship between the act of reading and the nature of physical identity. As reading was understood to happen in and to the body, what you read could change who you were. In a culture in which learning about the world and its human boundaries came increasingly through reading, one place where histories of race and histories of books intersect is in the minds and bodies of readers. Bringing together ethnic studies, book history and historical phenomenology, this book provides a detailed case study of printed romances and works by Montalvo, Heliodorus, Amyot, Ariosto, Tasso, Cervantes, Munday, Burton, Sidney and Wroth. Reading and the History of Race traces ways in which print culture and the reading practices it encouraged, contributed to shifting understandings of racial and ethnic identity.