The Corporate Patron
Author | : Diane J. Gingold |
Publisher | : |
Total Pages | : 264 |
Release | : 1991 |
Genre | : Art patronage |
ISBN | : |
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Author | : Diane J. Gingold |
Publisher | : |
Total Pages | : 264 |
Release | : 1991 |
Genre | : Art patronage |
ISBN | : |
Author | : Business Committee for the Arts |
Publisher | : |
Total Pages | : |
Release | : 1970* |
Genre | : Art patronage |
ISBN | : |
Author | : Rosanne Martorella |
Publisher | : |
Total Pages | : 232 |
Release | : 1990 |
Genre | : Artists and patrons |
ISBN | : |
Author | : Donald Judd |
Publisher | : Prestel Publishing |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Architecture |
ISBN | : 9783791359540 |
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd's personal spaces, which are a crucial part of this revered artist's oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd's extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building's historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd's consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture. Published with Judd Foundation
Author | : John Ott |
Publisher | : Routledge |
Total Pages | : 378 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 135155929X |
Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.
Author | : Algernon Asprey |
Publisher | : |
Total Pages | : 104 |
Release | : 1980 |
Genre | : Architecture |
ISBN | : |
Author | : National Library of Wales |
Publisher | : |
Total Pages | : 4 |
Release | : 2009* |
Genre | : Corporate sponsorship |
ISBN | : |
Author | : |
Publisher | : Penn State Press |
Total Pages | : 304 |
Release | : |
Genre | : Art |
ISBN | : 9780271048147 |
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.