The Contemporary Coast Salish
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| Author | : Rebecca Blanchard |
| Publisher | : University of Washington Press |
| Total Pages | : 98 |
| Release | : 2005-01-01 |
| Genre | : Art |
| ISBN | : 9780295984865 |
By carving, weaving, and painting their stories into ceremonial and utilitarian objects, Coast Salish artists render tangible the words and ideas that have been the architecture of this remarkable Pacific Northwest Coast culture. The Coast Salish tribes have developed a culture that was and still is shared orally, steeped in the ritual and beauty of storytelling and mythology. Infused with centuries of sacred teaching, these accounts hold the secrets to the spiritual, political, social, and economic well-being of tribal life. As a testament to their cultural resilience, increasing numbers of contemporary Coast Salish artists have embraced the new materials that "progress" has bestowed--glass, concrete, and steel - juxtaposing ancient images with modern materials. Contemporary Coast Salish Artpresents the work of twenty artists, whose work ranges from traditional forms such as basketry and weaving to modern glass sculpture. The artists featured here - including Bruce Miller, Marvin Oliver, Shaun Peterson, and Susan Point, the progenitors of this movement--perpetuate and expand their ancestors' traditions through their lifelong commitment to visually interpret and rejoice in all the manifestations of their culture. Steven C. Browncontributes a thought-provoking review of the history of Coast Salish culture, incorporating an analysis of its formal elements while placing it in the context of the northern and southern artistic traditions of the region.Barbara Brothertoncelebrates the renaissance of the Coast Salish style. Many of the artists describe, in their own words, the Native legends that have inspired their work. The result is a unique and invaluable overview of a vibrant body of work that is both innovative and grounded in tradition. Rebecca BlanchardandNancy Davenportare co-directors of the Stonington Gallery in Seattle, Washington.Steven C. Brown, author ofNative Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century, is an independent researcher and artist.Barbara Brothertonis curator of Native American art at the Seattle Art Museum.
| Author | : Bruce Granville Miller |
| Publisher | : Journal of Northwest Anthropology |
| Total Pages | : 358 |
| Release | : 2015-11-11 |
| Genre | : Coast Salish Indians |
| ISBN | : 9781519252951 |
In these essays Bruce Granville Miller addresses critical issues facing contemporary Coast Salish people and communities. Building on his own fieldwork, on the salvage ethnography of an earlier generation, and the work of present-day anthropologists, archaeologists, and historians, Miller describes current-day tribes and bands as composed of family corporate groups and details their role in the transformations of gender and political systems. Miller examines tribal codes and courts, historical concepts and practices of justice, and the relations between the mainstream populations of British Columbia and Washington and the Coast Salish themselves, including the circumstances of non-recognized tribes among the Coast Salish and world wide, the efforts to use oral traditions and the language of sacredness in court, and in media reporting. Engaging theories of borderlands and globalization, Miller writes that studies of Coast Salish are constrained by the international border as are the people themselves, especially post-9/11.
| Author | : Darby C. Stapp |
| Publisher | : Northwest Anthropology |
| Total Pages | : 146 |
| Release | : 2016-03-02 |
| Genre | : Social Science |
| ISBN | : 1530193559 |
JONA Volume 50 Number 1 - Spring 2016 Tales from the River Bank: An In Situ Stone Bowl Found along the Shores of the Salish Sea on the Southern Northwest Coast of British Columbia - Rudy Reimer, Pierre Freile, Kenneth Fath, and John Clague Localized Rituals and Individual Spirit Powers: Discerning Regional Autonomy through Religious Practices in the Coast Salish Past - Bill Angelbeck Assessing the Nutritional Value of Freshwater Mussels on the Western Snake River - Jeremy W. Johnson and Mark G. Plew Snoqualmie Falls: The First Traditional Cultural Property in Washington State Listed in the National Register of Historic Places - Jay Miller with Kenneth Tollefson The Archaeology of Obsidian Occurrence in Stone Tool Manufacture and Use along Two Reaches of the Northern Mid-Columbia River, Washington - Sonja C. Kassa and Patrick T. McCutcheon The Right Tool for the Job: Screen Size and Sample Size in Site Detection - Bradley Bowden Alphonse Louis Pinart among the Natives of Alaska - Richard L. Bland
| Author | : Sasha LaPointe |
| Publisher | : Catapult |
| Total Pages | : 241 |
| Release | : 2023-03-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1640095888 |
An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.
| Author | : Robert D. Watt |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 9781773270425 |
This beautifully designed book is the first to explore Susan Point's publicly commissioned artworks from coast to coast Susan Point's unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effects of colonization, the crescents, wedges, and human and animal forms characteristic of the art of First Nations peoples living around the Salish Sea can now be seen around the world, reinvigorated with modern materials and techniques, in her serigraphs and public art installations - and in the works of a new generation of artists that she's inspired.People Among the People beautifully displays the breadth of Susan Point's public art, from cast-iron manhole covers to massive carved cedar spindle whorls, installed in locations from Vancouver to Zurich. Through extensive interviews and access to her archives, Robert D. Watt tells the story of each piece, whether it's the evolution from sketch to carving to casting, or the significance of the images and symbolism, which is informed by surviving traditional Salish works Point has studied and the Oral Traditions of her Musqueam family and elders. In her long quest to re-establish a Coast Salish footprint in Southwest British Columbia and the Pacific Northwest of the US, Point has received many honours, including the Order of Canada and the Audain Lifetime Achievement Award. This gorgeous and illuminating book makes it clear they are all richly deserved.
| Author | : Llyn De Danaan |
| Publisher | : U of Nebraska Press |
| Total Pages | : 369 |
| Release | : 2020-03-09 |
| Genre | : History |
| ISBN | : 1496209389 |
A gravestone, a mention in local archives, stories still handed down around Oyster Bay: the outline of a woman begins to emerge and with her the world she inhabited, so rich in tradition and shaken by violent change. Katie Kettle Gale was born into a Salish community in Puget Sound in the 1850s, just as settlers were migrating into what would become Washington State. With her people forced out of their traditional hunting and fishing grounds into ill-provisioned island camps and reservations, Katie Gale sought her fortune in Oyster Bay. In that early outpost of multiculturalism--where Native Americans and immigrants from the eastern United States, Europe, and Asia vied for economic, social, political, and legal power--a woman like Gale could make her way. As LLyn De Danaan mines the historical record, we begin to see Gale, a strong-willed Native woman who cofounded a successful oyster business, then won the legal rights from her Euro-American husband, a man with whom she had raised children but who ultimately made her life unbearable. Steeped in sadness--with a lost home and a broken marriage, children dying in their teens, and tuberculosis claiming her at forty-three--Katie Gale's story is also one of remarkable pluck, a tale of hard work and ingenuity, gritty initiative and bad luck that is, ultimately, essentially American.
| Author | : Bill Holm |
| Publisher | : University of Washington Press |
| Total Pages | : 145 |
| Release | : 2014-12-01 |
| Genre | : Art |
| ISBN | : 0295999500 |
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
| Author | : Crisca Bierwert |
| Publisher | : University of Arizona Press |
| Total Pages | : 344 |
| Release | : 1999-03 |
| Genre | : Social Science |
| ISBN | : 9780816519194 |
A brilliant, experimental ethnography, Brushed by Cedar is destined to change the way anthropologists write about the people they befriend. Crisca Bierwert has created a fresh poststructural ethnography that offers new insights into Coast Salish cultures. Arguing against the existence of a master narrative, she presents her understanding of these Native American peoples of Washington state and British Columbia, Canada, through poetic bricolage, offering the reader a pastiche of rich cultural images. Bierwert employs postmodern literary and social analyses to examine many aspects of Salish culture: legends and their storytellers; domestic violence; longhouse ceremonies; the importance and power of place; and disputes over fishing rights. Her reflections overlap as a dialogue would, weaving throughout the book significant threads of Salish knowledge and creating a nonauthoritative text that nonetheless speaks knowingly. This book represents the future of contemporary anthropology. Unlike traditional ethnography, it makes no attempt to portray a complete picture of the Coast Salish. Instead, Bierwert utilizes a critical and diffuse approach that defies colonial, syncretic, and hegemonic structures and applies advanced literary theory to the creation of ethnography. Brushed by Cedar is an important guideline for anyone who writes about other cultures and will be expecially useful to classes in the methodology and history of ethnography, as well as to scholars specializing in Native American studies or oral literatures.
| Author | : Wayne P. Suttles |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1987 |
| Genre | : History |
| ISBN | : 9780889222120 |
Ethnography and culture of the Coast Salish Indians.
| Author | : Grant Arnold |
| Publisher | : Black Dog Press |
| Total Pages | : 160 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9781911164265 |
Published in conjunction with an exhibition organized by the Vancouver Art gallery from February 18 to 28 May 2017.
