The Construction And Dynamics Of Cultural Icons
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Author | : Erica van Boven |
Publisher | : |
Total Pages | : |
Release | : 2021-05-05 |
Genre | : |
ISBN | : 9789463728225 |
" Topical theme: the volume connects the study of cultural icons to pressing questions on the role of icons and the iconic in present day society. " Innovative and compelling comparative approach that offers a new synthesis of the study of cultural icons so far by focusing both on the construction processes and the dynamics of cultural icons. " The volume brings together scholars from art history, film studies, literature and cultural history in a joint reflection on the study of cultural icons and their role in shaping cultural memory.
Author | : Sarah Gensburger |
Publisher | : Berghahn Books |
Total Pages | : 399 |
Release | : 2023-10-13 |
Genre | : History |
ISBN | : 1805391089 |
In the wake of recent protests against police violence and racism, calls to dismantle problematic memorials have reverberated around the globe. This is not a new phenomenon, however, nor is it limited to the Western world. De-Commemoration focuses on the concept of de-commemoration as it relates to remembrance. Drawing on research from experts on memory dynamics across various disciplines, this extensive collection seeks to make sense of the current state of de-commemoration as it transforms contemporary societies around the world.
Author | : Astrid Erll |
Publisher | : Walter de Gruyter |
Total Pages | : 265 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 3110204444 |
The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of mediation and remediation. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered?
Author | : Bissera V |
Publisher | : Penn State Press |
Total Pages | : 346 |
Release | : |
Genre | : Art |
ISBN | : 0271035846 |
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author | : D. B. Holt |
Publisher | : Harvard Business Press |
Total Pages | : 282 |
Release | : 2004-09-15 |
Genre | : Business & Economics |
ISBN | : 1422163326 |
Coca-Cola. Harley-Davidson. Nike. Budweiser. Valued by customers more for what they symbolize than for what they do, products like these are more than brands--they are cultural icons. How do managers create brands that resonate so powerfully with consumers? Based on extensive historical analyses of some of America's most successful iconic brands, including ESPN, Mountain Dew, Volkswagen, Budweiser, and Harley-Davidson, this book presents the first systematic model to explain how brands become icons. Douglas B. Holt shows how iconic brands create "identity myths" that, through powerful symbolism, soothe collective anxieties resulting from acute social change. Holt warns that icons can't be built through conventional branding strategies, which focus on benefits, brand personalities, and emotional relationships. Instead, he calls for a deeper cultural perspective on traditional marketing themes like targeting, positioning, brand equity, and brand loyalty--and outlines a distinctive set of "cultural branding" principles that will radically alter how companies approach everything from marketing strategy to market research to hiring and training managers. Until now, Holt shows, even the most successful iconic brands have emerged more by intuition and serendipity than by design. With How Brands Become Icons, managers can leverage the principles behind some of the most successful brands of the last half-century to build their own iconic brands. Douglas B. Holt is associate professor of Marketing at Harvard Business School.
Author | : Laurie Hanquinet |
Publisher | : Routledge |
Total Pages | : 718 |
Release | : 2015-09-16 |
Genre | : Social Science |
ISBN | : 1135008884 |
The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.
Author | : Ricardo Campos |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 325 |
Release | : 2014-10-02 |
Genre | : Art |
ISBN | : 1443868310 |
Popular and Visual Culture: Design, Circulation and Consumption is a transnational project that fosters a dialogue with multiple origins, both in geographical and academic terms. From the onset, this book questions the concepts of visual and popular culture, terms which are currently applied both to describe scientific fields, as operative concepts in theoretical discourse, and to characterize specific cultural contexts. The book’s analysis and categorization of visual and popular culture pursues discourses and practices which mark different historical eras and shape social orders. Because popular iconic and written productions are the outcome of a network of political, economic, ideological and social circumstances that are often hardly detectable and too taken for granted to be critically recognized, even by those who draw, paint or write (and live) under their influence. That is why visual figurations of popular culture should be studied as the support of a deeply motivated symbolic discourse on the values shared by a community. This book deals, in a way or another, with how popular and visual artefacts and sceneries are socially built, preserved and/or contested. The volume brings together, not only different disciplinary perspectives, but also diverse empirical phenomena, while approaching the wide subject of visuality and popular culture.
Author | : Jan Bardsley |
Publisher | : University of California Press |
Total Pages | : 300 |
Release | : 2021-03-09 |
Genre | : Social Science |
ISBN | : 0520296435 |
Maiko Masquerade explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto’s classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men’s amusement, she serves as catalyst for women’s consumer fun. This change inspires stories of ordinary girls—and even one boy—striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity.
Author | : Robert S. Wyer |
Publisher | : Psychology Press |
Total Pages | : 784 |
Release | : 2013-05-13 |
Genre | : Psychology |
ISBN | : 1136642900 |
This volume contains contributions from 24 internationally known scholars covering a broad spectrum of interests in cross-cultural theory and research. This breadth is reflected in the diversity of the topics covered in the volume, which include theoretical approaches to cross-cultural research, the dimensions of national cultures and their measurement, ecological and economic foundations of culture, cognitive, perceptual and emotional manifestations of culture, and bicultural and intercultural processes. In addition to the individual chapters, the volume contains a dialog among 14 experts in the field on a number of issues of concern in cross-cultural research, including the relation of psychological studies of culture to national development and national policies, the relationship between macro structures of a society and shared cognitions, the integration of structural and process models into a coherent theory of culture, how personal experiences and cultural traditions give rise to intra-cultural variation, whether culture can be validly measured by self-reports, the new challenges that confront cultural psychology, and whether psychology should strive to eliminate culture as an explanatory variable.
Author | : Maureen G. Shanahan |
Publisher | : |
Total Pages | : 273 |
Release | : 2016 |
Genre | : Generals |
ISBN | : 9780813051734 |
This title shows us how and why Simón Bolívar is still a major icon in Latin American culture. Cinema, politics, painting, literature, religion, and opera are all touched and marked by 'El Libertador' who is still very much an active force in Latin America. In this volume, an array of international and interdisciplinary scholars shows the ways Bolívar has appeared over the last two centuries in painting, fiction, poetry, music, film, festival, dance, city planning, and even reliquary adoration.