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| Author | : Mark Betz |
| Publisher | : U of Minnesota Press |
| Total Pages | : 363 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 0816640351 |
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
| Author | : Haidee Wasson |
| Publisher | : Univ of California Press |
| Total Pages | : 331 |
| Release | : 2005-05-27 |
| Genre | : Art |
| ISBN | : 0520241312 |
In 1935, the foundation of the Film Library of the Museum of Modern Art in New York marked the transformation of the film medium from a passing amusement to an enduring art form. Haidee Wasson maps the work of the MoMA film library as it pioneered the preservation of film & promoted the concept of art cinema.
| Author | : Peter Lev |
| Publisher | : University of Texas Press |
| Total Pages | : 189 |
| Release | : 1993-08-01 |
| Genre | : Performing Arts |
| ISBN | : 0292746784 |
This book will engage all those interested in the history and aesthetics of world cinema, as well as anyone concerned with cultural change in late twentieth-century Western Europe and the United States.
| Author | : Barbara Wilinsky |
| Publisher | : U of Minnesota Press |
| Total Pages | : 196 |
| Release | : 2001-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780816635634 |
By the end of the Second World War, a growing segment of the American filmgoing public was wearying of mainstream Hollywood films and began to seek out something different. In major cities and college towns across the country, art film theaters provided a venue for alternatives to the films playing in main-street movie palaces: British, foreign-language, and independent American films, as well as documentaries and revivals of Hollywood classics. A skeptical film industry dubbed such cinemas "sure seaters," convinced that patrons would have no trouble finding seats there. However, with the success of art films like Rossellini's Open City and Mackendrick's Tight Little Island, the meaning of the term "sure seater" changed and, by the end of the 1940s, reflected the frequency with which art house cinemas filled all their seats. Wilinsky examines the development of the theaters that introduced such challenging, personal, and artistic films as The Bicycle Thief and The Red Shoes to American audiences, and offers a more complete understanding of postwar popular culture and the often complicated relationship between art cinema and the commercial film industry that ultimately shaped both and resulted in today's vibrant film culture. -- from back cover.
| Author | : John Orr |
| Publisher | : NYU Press |
| Total Pages | : 468 |
| Release | : 2001-03 |
| Genre | : Performing Arts |
| ISBN | : 9780814762028 |
Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.
| Author | : Rosalind Galt |
| Publisher | : Columbia University Press |
| Total Pages | : 310 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9780231137171 |
Rosalind Galt offers innovative readings of some of the most popular and influential European films of the 1990s, including Emir Kusturica's 'Underground', Lars Von Trier's 'Zentropa', and Giuseppe Tornatore's 'Cinema Paradiso'.
| Author | : David Bordwell |
| Publisher | : |
| Total Pages | : 34 |
| Release | : |
| Genre | : Film criticism |
| ISBN | : 9780071246521 |
| Author | : Catherine Fowler |
| Publisher | : Psychology Press |
| Total Pages | : 296 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780415240918 |
This comprehensive introduction to national cinemas in Europe brings together classic writings by key filmmakers such as Sergei Eisenstein, Luis Buñuel and John Grierson, and critics from Andre Bazin to Peter Wollen.
| Author | : D. N. Rodowick |
| Publisher | : Univ of California Press |
| Total Pages | : 343 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : 0520087712 |
"Gives a superb critical and polemical overview of the '70s film theory. Rodowick is particularly good at showing both the political stakes of these influential theories and their blind spots."—Constance Penley, University of California, Santa Barbara
