Connecticut Tercentenary, 1635-1935
Author | : Tercentenary Commission of the State of Connecticut |
Publisher | : |
Total Pages | : 0 |
Release | : 1935 |
Genre | : Silverwork |
ISBN | : |
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Author | : Tercentenary Commission of the State of Connecticut |
Publisher | : |
Total Pages | : 0 |
Release | : 1935 |
Genre | : Silverwork |
ISBN | : |
Author | : Connecticut Historical Records Survey |
Publisher | : |
Total Pages | : 320 |
Release | : 1940 |
Genre | : Archives |
ISBN | : |
Author | : Rhode Island School of Design. Museum of Art |
Publisher | : |
Total Pages | : 92 |
Release | : 1945 |
Genre | : Artists |
ISBN | : |
Author | : Library of Congress |
Publisher | : |
Total Pages | : 764 |
Release | : 1970 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : Andrea Zimmermann |
Publisher | : Arcadia Publishing |
Total Pages | : 198 |
Release | : 2015-11-02 |
Genre | : History |
ISBN | : 162585501X |
The first Danbury Fair was held under a borrowed tent in 1869. Over the next 112 years, the fair expanded to a ten-day event, earning a national reputation for its themed villages, giant figures, grandstand shows and wildly popular stock car races. The twelve formal venues for music and entertainment on the fairground included the World of Mirth Theater and the Orange Bowl Stadium. Under the management of oil magnate John W. Leahy, the fair retained its great hometown appeal as city dwellers flocked to the fair by the thousands. Venture back to the autumn days of zany ostrich races and Zembruski's polka music with Andrea Zimmermann as she explores the beloved bygone tradition of the Great Danbury State Fair.
Author | : United States Post Office Department. Division of Philately |
Publisher | : |
Total Pages | : 280 |
Release | : 1957 |
Genre | : Postage stamps |
ISBN | : |
Author | : Stephen G. C. Ensko |
Publisher | : Courier Corporation |
Total Pages | : 308 |
Release | : 2012-08-02 |
Genre | : Antiques & Collectibles |
ISBN | : 0486147045 |
"So thoroughly is the American ethos embodied in the works of American silversmiths that it has given to their product a typical identity and it never can be mistaken for that of any other country." — Charles Messer Stow in the Introduction. Forsaking the flourishes and ornamentation favored by their European contemporaries, early American gold- and silver smiths pioneered a new American aesthetic sensibility in creating for their well-heeled clients finely worked, luxurious metalware for the table, which was marked by a simplicity and forthrightness of design. These accomplished artisans have left us not only a stunning legacy of priceless silverware but also an opportunity to examine the culture, lifestyle, and values — in short, the developing ethos — of young America. For social and cultural historians as well as Americana buffs, the study of silversmithing in this book will provide a unique perspective on a spirited new nation. For serious connoisseurs of American gold and silver ware, silver dealer Stephen G. C. Ensko's American Silversmiths and Their Marks is a rich and definitive directory. Ensko has compiled an exhaustive list of over 3,000 gold- and silversmiths working between the years 1650 and 1850. Biographical details and location of their shops are given wherever possible. Maps of the great metropolitan centers of smithing (Boston, New York, and Philadelphia) with shop locations noted are appended. Over 200 of the finest examples of the work of early American artisans are displayed in sharp, clear black-and-white photographs. Items include tankards, cups, candlesticks, sugar boxes, inkstands, tea sets, porringers, plus a pitcher, sauce dish, teapot, and other works by famous New England patriot Paul Revere. The usefulness of this work is perhaps most apparent in the practical listing of identifying marks associated with gold- and silversmiths. With over 3,000 entries, this feature alone renders American Silversmiths and Their Marks indispensable to enthusiasts interested in tracking down and identifying antique pieces.