The Condottiere Prince A Visual Rhetoric
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Author | : |
Publisher | : |
Total Pages | : |
Release | : 2020 |
Genre | : |
ISBN | : 9789170421877 |
The aim of this study is to display the role of the patrons in the commissions of Italian Renaissance art and architecture, but also to describe their usage of art and architecture for visual communication. For this purpose four condottiere princes from the 15th century have been chosen to exemplify these phenomena.
Author | : Eugenio Garin |
Publisher | : University of Chicago Press |
Total Pages | : 314 |
Release | : 1997-05-09 |
Genre | : History |
ISBN | : 0226283569 |
Compared to the Middle Ages, the Renaissance is brief—little more than two centuries, extending roughly from the mid-fourteenth century to the end of the sixteenth century—and largely confined to a few Italian city states. Nevertheless, the epoch marked a great cultural shift in sensibilities, the dawn of a new age in which classical Greek and Roman values were "reborn" and human values in all fields, from the arts to civic life, were reaffirmed. With this volume, Eugenio Garin, a leading Renaissance scholar, has gathered the work of an international team of scholars into an accessible account of the people who animated this decisive moment in the genesis of the modern mind. We are offered a broad spectrum of figures, major and minor, as they lived their lives: the prince and the military commander, the cardinal and the courtier, the artist and the philosopher, the merchant and the banker, the voyager, and women of all classes. With its concentration on the concrete, the specific, even the anecdotal, the volume offers a wealth of new perspectives and ideas for study.
Author | : Lena Holger |
Publisher | : |
Total Pages | : 280 |
Release | : 2002 |
Genre | : Brand name products |
ISBN | : |
Udgivet i forbindelse med udstilling i Stockholm 21.02-11.08 2002
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author | : Paolo Alei |
Publisher | : Court Cultures of the Middle Ages and Renaissance |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Bracciano (Italy) |
ISBN | : 9781787071797 |
The Orsini of Bracciano were among the most powerful and influential signori di castelli of Renaissance Italy. Richly illustrated with numerous photographs, this book explores a fascinating and mostly neglected facet of early modern Italian culture: the artistic patronage of seigniorial clans.
Author | : Jacob Burckhardt |
Publisher | : Penguin UK |
Total Pages | : 115 |
Release | : 2010-08-26 |
Genre | : History |
ISBN | : 0141958251 |
Pioneering art historian Jacob Burckhardt saw the Italian Renaissance as no less than the beginning of the modern world. In this hugely influential work he argues that the Renaissance's creativity, competitiveness, dynasties, great city-states and even its vicious rulers sowed the seeds of a new era. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
Author | : Per Bjurström |
Publisher | : Istituto Svedese Di Studi Classici a Roma |
Total Pages | : 306 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Author | : Pia F. Cuneo |
Publisher | : BRILL |
Total Pages | : 310 |
Release | : 2021-12-28 |
Genre | : History |
ISBN | : 9004476563 |
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
Author | : Rebecca Ard Boone |
Publisher | : Routledge |
Total Pages | : 182 |
Release | : 2018-04-19 |
Genre | : History |
ISBN | : 1351135333 |
Real Lives in the Sixteenth Century presents a global history using four sets of biographies to illustrate similar situations in different geographical regions. The vibrant narratives span four continents and include the following pairs: Henry IV of France and Hideyoshi of Japan, Hürrem Sultan (Roxelana) of the Ottoman Empire and Lady Zheng of the Ming Dynasty, Afonso I of Kongo and Elizabeth I of England, and Pope Clement VII and Moctezuma II of Mexico. Through exploring the lives of eight individuals from a variety of cultural settings, this book encourages students to think about the ‘big questions’ surrounding human interactions and the dynamics of power. It introduces them to a number of key historical concepts such as feudalism, dynasticism, religious syncretism and slavery, and is a springboard into the history of the wider world, blending together aspects of political, cultural, intellectual and material history. Accessibly written and containing timelines, genealogical tables and a number of illustrations for each biography, Real Lives in the Sixteenth Century is the ideal introductory text for undergraduates of pre-modern World History and of the sixteenth century in particular.
Author | : Robert Kirkbride |
Publisher | : |
Total Pages | : 262 |
Release | : 2008-11-11 |
Genre | : Architecture |
ISBN | : |
The studioli of the ducal palaces at Urbino and Gubbio, Italy, demonstrate architecture's capacity to transact between the mental and physical realms of human experience. Constructed between 1474 and 1483 for the military captain Federico da Montefeltro and his young motherless son, the studioli may be described as treasuries of emblems: they contain not things but images of things, rendered with remarkable perspectival exactitude. These small, image-filled chambers reflect how architecture and its ornament equipped a quattrocento mind with metaphors for wisdom and methods for statecraft and intellectual activity. Drawing on the densely layered imagery in the studioli and text sources readily available to the Urbino court, Robert Kirkbride examines the position of the studioli in the Western tradition of the memory arts, considering how architecture bridged the mathematical arts, which lent themselves to mechanical pursuits, and the art of rhetoric, a discipline central to memory and eloquence. As subtle ramifications of material and mental craft, the studioli provided ideal methods for education and prudent governance, extending an ancient legacy of open-ended models that were conceived to activate the imagination and exercise the memory. At the time of their construction, the studioli represented the leading edge of technologies of visual representation and offer a case study of how contemporary advances in interactive technologies reactivate and transform ancient metaphors for thought and learning.