The Concepts Of Tragedy Freedom And Womans Liberation In The Play Attila My Attila By Michael Field
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| Author | : Aleksandra Dediukina |
| Publisher | : GRIN Verlag |
| Total Pages | : 23 |
| Release | : 2024-05-22 |
| Genre | : Literary Criticism |
| ISBN | : 3389025901 |
Seminar paper from the year 2024 in the subject English Language and Literature Studies - Literature, grade: 1,0, http://www.uni-jena.de/ (Anglistik und Amerikanistik), course: Decadent Art and Literature, language: English, abstract: This paper contains the analysis of the selected scenes of Michael Field’ play "Attila, my Attila!", examined through the prism of Nikolas Berdiaev’s work "The Destiny of Man". Specifically, the perception of human tragedy in both works was touched upon: The authors declare its entanglement with human freedom. According to Field and Berdiaev, to respond to tragedy, one must act and fight against the imposed artificial norms, dictated by secular and religious institutions. By acting, one reveals their vital creative potential that provides them with inner strength that is impossible to be ruined by any calamities. A similar concept of tragedy can also be traced in the works of Nikolas Berdiaev, Russian Orthodox philosopher of the 20th century. Although there is no evidence that he could ever read Field’s play (which is overall highly unlikely), Berdiaev writes about tragedy, freedom, creativeness, and personality in a way that chimes with that of Field’s. In Berdiaev’s ethical system, a human is inherently endowed with freedom by God; However, freedom makes life tragic because it brings responsibility for one’s choice. The only way to overcome tragedy is to embrace creativeness — a quality that differs an individual, which is a biological category, from a wholesome personality. These ideas are represented in the most prominent Berdiaev’s works. In this paper, analysis of tragedy, as it was understood by the philosopher, will be carried out on the material of "The Destiny of Man" (Berdiaev: 1931, quoted as D.M.). Berdiaev’s core ideas, reflected in this book, will be applied to "Attila, my Attila!" in order to discover similarities and differences in the way the three authors in question viewed the tragedy of human life. It is important to stress that Field’s work is mostly focused on tragedy from a female angle, while Berdiaev explores this notion in a more general, human sense.
| Author | : Katherine Harris Bradley |
| Publisher | : |
| Total Pages | : 148 |
| Release | : 1896 |
| Genre | : |
| ISBN | : |
| Author | : Michael Field |
| Publisher | : |
| Total Pages | : 107 |
| Release | : 1895 |
| Genre | : |
| ISBN | : |
| Author | : Michael Field |
| Publisher | : Wentworth Press |
| Total Pages | : 114 |
| Release | : 2019-03-03 |
| Genre | : Fiction |
| ISBN | : 9780526687534 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Michael Pseud Field |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2016-08-24 |
| Genre | : History |
| ISBN | : 9781360459943 |
| Author | : Sarah Parker |
| Publisher | : Taylor & Francis |
| Total Pages | : 241 |
| Release | : 2024-02-29 |
| Genre | : Literary Criticism |
| ISBN | : 1003853641 |
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.
| Author | : Division of Gastroenterology Michael Field |
| Publisher | : |
| Total Pages | : 116 |
| Release | : 2015-02-18 |
| Genre | : |
| ISBN | : 9781297178986 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Laurence Binyon |
| Publisher | : Sagwan Press |
| Total Pages | : 148 |
| Release | : 2015-08-26 |
| Genre | : |
| ISBN | : 9781340398149 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Binyon Laurence 1869-1943 |
| Publisher | : Hardpress Publishing |
| Total Pages | : 154 |
| Release | : 2013-01 |
| Genre | : |
| ISBN | : 9781313044868 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
| Author | : Laurence 1869-1943 Binyon |
| Publisher | : Wentworth Press |
| Total Pages | : 148 |
| Release | : 2016-08-24 |
| Genre | : History |
| ISBN | : 9781360459912 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
