The Concept Of Negritude In The Poetry Of Leopold Sedar Senghor
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| Author | : Sylvia Washington Ba |
| Publisher | : Princeton University Press |
| Total Pages | : 317 |
| Release | : 2015-03-08 |
| Genre | : Poetry |
| ISBN | : 1400867134 |
Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Léopold Sédar Senghor |
| Publisher | : CUP Archive |
| Total Pages | : 148 |
| Release | : 1977-09 |
| Genre | : Literary Criticism |
| ISBN | : 9780521291118 |
| Author | : Reiland Rabaka |
| Publisher | : Lexington Books |
| Total Pages | : 453 |
| Release | : 2015-05-20 |
| Genre | : Social Science |
| ISBN | : 1498511368 |
The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory (W.E.B. Du Bois, the New Negro Movement, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism). By viewing Negritude as an “insurgent idea” (to invoke this book’s intentionally incendiary subtitle), as opposed to merely a form of poetics and aesthetics, The Negritude Movement explores Negritude as a “traveling theory” (à la Edward Said’s concept) that consistently crisscrossed the Atlantic Ocean in the twentieth century: from Harlem to Haiti, Haiti to Paris, Paris to Martinique, Martinique to Senegal, and on and on ad infinitum. The Negritude Movement maps the movements of proto-Negritude concepts from Du Bois’s discourse in The Souls of Black Folk through to post-Negritude concepts in Fanon’s Black Skin, White Masks and The Wretched of the Earth. Utilizing Negritude as a conceptual framework to, on the one hand, explore the Africana intellectual tradition in the twentieth century, and, on the other hand, demonstrate discursive continuity between Du Bois and Fanon, as well as the Harlem Renaissance and Negritude Movement, The Negritude Movement ultimately accents what Negritude contributed to arguably its greatest intellectual heir, Frantz Fanon, and the development of his distinct critical theory, Fanonism. Rabaka argues that if Fanon and Fanonism remain relevant in the twenty-first century, then, to a certain extent, Negritude remains relevant in the twenty-first century.
| Author | : Janet G. Vaillant |
| Publisher | : |
| Total Pages | : 412 |
| Release | : 2013-10-01 |
| Genre | : |
| ISBN | : 9780674864511 |
| Author | : Mariama Bâ |
| Publisher | : Waveland Press |
| Total Pages | : 113 |
| Release | : 2012-05-06 |
| Genre | : Fiction |
| ISBN | : 1478611235 |
Written by award-winning African novelist Mariama Bâ and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences —some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined. Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country. Winner of the prestigious Noma Award for Publishing in Africa.
| Author | : Adekeye Adebajo |
| Publisher | : Manchester University Press |
| Total Pages | : 893 |
| Release | : 2021-03-29 |
| Genre | : History |
| ISBN | : 1526156806 |
With forty accessible essays on the key intellectual contributions to Pan-Africanism, this volume offers readers a fascinating insight into the intellectual thinking and contributions to Pan-Africanism. The book explores the history of Pan-Africanism and quest for reparations, early pioneers of Pan-Africanism as well as key activists and politicians, and Pan-African philosophy and literati. Diverse and key figures of Pan-Africanism from Africa, the Caribbean, and America are covered by these chapters, including: Edward Blyden, W.E.B. Du Bois, Marcus Garvey, Amy Ashwood Garvey, George Padmore, Kwame Nkrumah, Franz Fanon, Amilcar Cabral, Arthur Lewis, Maya Angelou, C.L.R. James, Ruth First, Ali Mazrui, Wangari Maathai, Thabo Mbeki, Wole Soyinka, Derek Walcott, and Chimamanda Adichie. While acknowledging the contributions of these figures to Pan-Africanism, these essays are not just celebratory, offering valuable criticism in areas where their subjects may have fallen short of their ideals.
| Author | : T. Denean Sharpley-Whiting |
| Publisher | : U of Minnesota Press |
| Total Pages | : 186 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9780816636808 |
The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.
| Author | : Jean Baptiste Popeau |
| Publisher | : |
| Total Pages | : 270 |
| Release | : 2003 |
| Genre | : African Americans |
| ISBN | : |
In this new offering, Popeau demonstrates that Negritude, a literary and philosophical movement inaugurated in the 1930s by a group of Blacks studying in Paris, is the manifestation of a dialogue between Blacks and Western culture and an internal dialogue amongst Blacks themselves. This movement had a profound influence on the Black movements which followed in the 1960s and '70s. When the Black Panthers shouted "Black is beautiful" they were echoing the "It is good and beautiful to be Black" statement of the 1930s Negritude movement. The first two chapters of the book examine the basic structure and content of the discourse about Blacks in Euro-American culture including Hegel's ideological pronouncements about Africa and the Western concept of the Black in literature. The second part of the book examines Negritude as a counter-discourse to the discourse on the Negro in Western culture by focusing on the works of Aimé Césaire and Léopold Sédar Senghor, the two principal founders of Negritude. The study aims to discuss the manifestation of Negritude post-1930s through an examination of some works of James Baldwin and Richard Wright. The ideas of Wilson Harris, the West Indian writer, are discussed as a counter to the ideology of Negritude. This study aims to provide the student of Black literature with the knowledge necessary to place one of the most important formative movements of Black literature within its cultural perspective.
| Author | : Jean-Paul Sartre |
| Publisher | : |
| Total Pages | : 65 |
| Release | : 1973 |
| Genre | : |
| ISBN | : |
| Author | : Joanne V. Gabbin |
| Publisher | : University of Virginia Press |
| Total Pages | : 268 |
| Release | : 1994 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780813915319 |
Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.
