Lost in the Funhouse

Lost in the Funhouse
Author: John Barth
Publisher: Anchor
Total Pages: 225
Release: 2014-06-25
Genre: Fiction
ISBN: 0804152500

NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence. "[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York Times From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.

The Sot-Weed Factor

The Sot-Weed Factor
Author: John Barth
Publisher: Deep Vellum Publishing
Total Pages: 737
Release: 2016-01-12
Genre: Fiction
ISBN: 1628972009

This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting...to roam the world since Candide." "A feast. Dense, funny, endlessly inventive (and, OK, yes, long-winded) this satire of the 18th-century picaresque novel-think Fielding's Tom Jones or Sterne's Tristram Shandy -is also an earnest picture of the pitfalls awaiting innocence as it makes its unsteady way in the world. It's the late 17th century and Ebenezer Cooke is a poet, dutiful son and determined virgin who travels from England to Maryland to take possession of his father's tobacco (or "sot weed") plantation. He is also eventually given to believe that he has been commissioned by the third Lord Baltimore to write an epic poem, The Marylandiad. But things are not always what they seem. Actually, things are almost never what they seem. Not since Candide has a steadfast soul witnessed so many strange scenes or faced so many perils. Pirates, Indians, shrewd prostitutes, armed insurrectionists - Cooke endures them all, plus assaults on his virginity from both women and men. Barth's language is impossibly rich, a wickedly funny take on old English rhetoric and American self-appraisals. For good measure he throws in stories within stories, including the funniest retelling of the Pocahontas tale -revealed to us in the "secret" journals of Capt. John Smith - that anyone has ever dared to tell." —Time Magazine

The Concept of Language in John Barth's "Lost in the Funhouse"

The Concept of Language in John Barth's
Author: Mahi Nazari
Publisher: GRIN Verlag
Total Pages: 16
Release: 2021-02-25
Genre: Literary Criticism
ISBN: 3346353176

Essay from the year 2020 in the subject English Language and Literature Studies - Literature, grade: A, Islamic Azad University, language: English, abstract: This essay examines the concept of language used in John Barth's short story "Lost in the Funhouse". It starts off by giving a quick introductory overview over the author before proceeding to the analysis of the language used itself. A specific focus is therein put on the topic of how the language reflects postmodern self-reflexivity.

Chimera

Chimera
Author: John Barth
Publisher: Houghton Mifflin Harcourt
Total Pages: 324
Release: 2001
Genre: Fiction
ISBN: 9780618131709

In CHIMERAJohn Barth injects his signature wit into the tales of Scheherezade of the Thousand and One Nights, Perseus, the slayer of Medusa, and Bellerophon, who tamed the winged horse Pegasus. In a book that the Washington Post called "stylishly maned, tragically songful, and serpentinely elegant,” Barth retells these tales from varying perspectives, examining the myths’ relationship to reality and their resonance with the contemporary world. A winner of the National Book Award, this feisty, witty, sometimes bawdy book provoked Playboy to comment, "There’s every chance in the world that John Barth is a genius.”

John Barth

John Barth
Author: David Morrell
Publisher: David Morrell
Total Pages: 234
Release: 2015-12-16
Genre: Biography & Autobiography
ISBN: 1937760286

In 1969, while David Morrell was writing First Blood, the novel in which Rambo was created, he also wrote his doctoral dissertation about acclaimed author, John Barth. In it, Morrell analyses Barth’s early fiction, using interviews with Barth, his agent, and his editors as well as several of Barth’s unpublished essays and letters to tell what Morrell calls “the story behind the stories, a biography of Barth’s fiction.” Over the years, scholars have found John Barth: An Introduction invaluable for its lengthy biographical sections, which Barth himself approved. Fans of Morrell’s fiction will find this book enlightening in terms of what Barth taught him about writing. CRITICAL REACTION “David Morrell’s not just a fine writer; he’s also a great and generous teacher.” —New York Times bestselling author Lawrence Block “Morrell has written an interesting and informative book which reads occasionally like a biography. His prose is eminently clear and straightforward. His book has something for everyone. There is no doubt that it will become a necessity for serious students of Barth, and that, coincidentally, it is a genuinely interesting book.” —Journal of Modern Literature “Morrell’s study tells the story of Barth’s storytelling, how he got his ideas, and then how the publishers and reviewers dealt with them. He includes detailed biographical information [and] writes with great economy and clarity.” —Modern Fiction Studies “Morrell gives the reader the benefit of his familiarity with Barth and his manuscripts to plot the career of each work, from plans and, in some cases, research through revision, publisher-agent reactions, sales, and post-publication revisions. The whole enterprise is carried off with appealing confidence and informality that add up to an eminently readable book.” —World Literature Today

Letters

Letters
Author: John Barth
Publisher: Putnam Publishing Group
Total Pages: 796
Release: 1979
Genre: Fiction
ISBN:

A landmark of postmodern American fiction, Letters is (as the subtitle genially informs us) "an old time epistolary novel by seven fictitious drolls and dreamers each of which imagines himself factual". Seven characters (including the Author himself) exchange a novel's worth of letters during a 7-month period in 1969, a time of revolution that recalls the U.S.'s first revolution in the 18th century - the heyday of the epistolary novel. Recapitulating American history as well as the plots of his first six novels, Barth's seventh novel is a witty and profound exploration of the nature of revolution and renewal, rebellion and reenactment, at both the private and public levels. It is also an ingenious meditation on the genre of the novel itself, recycling an older form to explore new directions, new possibilities for the novel.

Passionate Virtuosity

Passionate Virtuosity
Author: Charles B. Harris
Publisher: University of Illinois Press
Total Pages: 240
Release: 1983
Genre: Literary Criticism
ISBN: 9780252010378

An Impenetrable Screen of Purest Sky

An Impenetrable Screen of Purest Sky
Author: Dan Beachy-Quick
Publisher: Coffee House Press
Total Pages: 260
Release: 2013-08-12
Genre: Fiction
ISBN: 1566893437

Tree of Life meets In Search of Lost Time in this contemporary tale of loss and the power of story.

The Friday Book

The Friday Book
Author: John Barth
Publisher:
Total Pages: 316
Release: 1997
Genre: Architecture
ISBN:

"...The Friday Book was the first work of nonfiction by novelist John Barth, author of The Sot-Weed Factor, Giles Goat-Boy, and Chimera. Taking its title from the day of the week Barth would devote to nonfiction, the three dozen essays discuss a wide range of topics from the blue crabs of Barth's beloved Chesapeake Bay to weighty literary subjects such as Borges, Homer, and semiotics..."--www.amazon.com.