The Complete Works Of Walter Savage Landor Vol2
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The Collected Works of W.B. Yeats Vol II: The Plays
Author | : William Butler Yeats |
Publisher | : Simon and Schuster |
Total Pages | : 967 |
Release | : 2010-05-11 |
Genre | : Literary Criticism |
ISBN | : 1439105766 |
The Collected Works of W. B. Yeats, Volume II: The Plays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes. The Plays, edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations. Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist. In The Plays, David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from The Countess Cathleen to The Death of Cuchulain. The Plays enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.
Age of Bronze Vol. 2: Sacrifice
Author | : Eric Shanower |
Publisher | : Image Comics |
Total Pages | : 228 |
Release | : 2020-02-19 |
Genre | : Comics & Graphic Novels |
ISBN | : 1534316841 |
Publishers Weekly's Best Books of 2004 Now in full color for the first time! Multiple Eisner Award winner ERIC SHANOWER's epic retelling of the Trojan War continues in brilliant tones from colorist JOHN DALLAIRE. High King Agamemnon faces an impossible choice. If he wants victory over Troy, he must sacrifice the life of his eldest daughter. Collects AGE OF BRONZE #10-19
Robert Southey: Later Poetical Works, 1811-1838 Vol 2
Author | : Tim Fulford |
Publisher | : Taylor & Francis |
Total Pages | : 424 |
Release | : 2024-10-28 |
Genre | : Literary Criticism |
ISBN | : 1040250661 |
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
The Island
Author | : Nicholas Jenkins |
Publisher | : Harvard University Press |
Total Pages | : 466 |
Release | : 2024-06-11 |
Genre | : Literary Criticism |
ISBN | : 0674296818 |
A groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals. The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one. Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.