Sylvie and Bruno, first published in 1889, and its second volume Sylvie and Bruno Concluded published in 1893, form the last novel by Lewis Carroll published during his lifetime. Both volumes were illustrated by Harry Furniss. The novel has two main plots: one set in the real world at the time the book was published (the Victorian era), the other in the fantasy world of Fairyland. While the latter plot is a fairy tale with many nonsense elements and poems, similar to Carroll's Alice books, the story set in Victorian Britain is a social novel, with its characters discussing various concepts and aspects of religion, society, philosophy and morality.Two short pieces, "Fairy Sylvie" and "Bruno's Revenge," originally appeared in Aunt Judy's Magazine in 1867. Some years later, in 1873 or 1874, Carroll had the idea to use these as the core for a longer story.[1] Much of the rest of the novel he compiled from notes of ideas and dialogue which he had collected over the years (and which he called "litterature" in the introduction to the first volume). Carroll initially intended for the novel to be published in one volume. However, due to its length, it was divided into two volumes, published in 1889 and 1893.[2] The novel is not nearly as well known as the Alice books. It was very poorly received and did not have many reprintings; modern commentators note that it lacks much of Carroll's characteristic humour. The poem The Mad Gardener's Song, widely reprinted elsewhere, is the best-known part of the book.The introductory poem contains a double acrostic on the name "Isa Bowman," one of Carroll's child friends.............. Charles Lutwidge Dodgson ( 27 January 1832 - 14 January 1898), better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon, and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky," and the poem The Hunting of the Snark - all examples of the genre of literary nonsense. He is noted for his facility at word play, logic and fantasy. There are societies in many parts of the world dedicated to the enjoyment and promotion of his works and the investigation of his life. From a young age, Dodgson wrote poetry and short stories, contributing heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success. Between 1854 and 1856, his work appeared in the national publications The Comic Times and The Train, as well as smaller magazines such as the Whitby Gazette and the Oxford Critic. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. "I do not think I have yet written anything worthy of real publication (in which I do not include the Whitby Gazette or the Oxonian Advertiser), but I do not despair of doing so some day," he wrote in July 1855. Sometime after 1850, he did write puppet plays for his siblings' entertainment, of which one has survived: La Guida di Bragia. In 1856, he published his first piece of work under the name that would make him famous. A romantic poem called "Solitude" appeared in The Train under the authorship of "Lewis Carroll." This pseudonym was a play on his real name: Lewis was the anglicised form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which comes the name Charles. The transition went as follows: "Charles Lutwidge" translated into Latin as "Carolus Ludovicus." This was then translated back into English as "Carroll Lewis" and then reversed to make "Lewis Carroll.."... Henry Furniss (March 26, 1854 - January 14, 1925) was an artist and illustrator, born in Wexford, Ireland. His father was English and his mother Scottish, Furniss identifying himself as English. He was educated in Wesley College....