The Complete Index To British Film Since 1895
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Cinema and Society in the British Empire, 1895-1940
Author | : James Burns |
Publisher | : Palgrave Macmillan |
Total Pages | : 243 |
Release | : 2013-01-01 |
Genre | : History |
ISBN | : 9781349455782 |
By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
The Encyclopedia of British Film
Author | : Brian McFarlane |
Publisher | : Methuen Publishing |
Total Pages | : 876 |
Release | : 2005 |
Genre | : Business & Economics |
ISBN | : |
Fully updated edition of a comprehensive history of the British film industry from its inception to the present day, with minute listings of the producers, directors, actors and studios behind a century or so of great British cinema. An invaluable addition to the reference shelf of anyone with an interest in British cinema.Brian McFarlane is professor of film history at Monash University in Australia.
British Film Institute Film and Television Handbook 2000
Author | : Eddie Dyja |
Publisher | : British Film Institute |
Total Pages | : 420 |
Release | : 1999-12-01 |
Genre | : Performing Arts |
ISBN | : 9780851707648 |
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The Art of Adapting Victorian Literature, 1848-1920
Author | : Dr Karen Laird |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 249 |
Release | : 2015-08-28 |
Genre | : Literary Criticism |
ISBN | : 1472424417 |
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
The Art of Adapting Victorian Literature, 1848-1920
Author | : Karen E. Laird |
Publisher | : Routledge |
Total Pages | : 243 |
Release | : 2016-03-03 |
Genre | : Literary Criticism |
ISBN | : 1317044509 |
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
Historical Dictionary of British Cinema
Author | : Alan Burton |
Publisher | : Scarecrow Press |
Total Pages | : 586 |
Release | : 2013-07-11 |
Genre | : Performing Arts |
ISBN | : 0810880261 |
British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter. So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.
The Complete Index to Literary Sources in Film
Author | : Alan Goble |
Publisher | : Walter de Gruyter |
Total Pages | : 1044 |
Release | : 2011-09-08 |
Genre | : Literary Criticism |
ISBN | : 3110951940 |
British Cinema in the Fifties
Author | : Christine Geraghty |
Publisher | : Routledge |
Total Pages | : 248 |
Release | : 2002-01-04 |
Genre | : Performing Arts |
ISBN | : 1134694644 |
In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.