The Complete Guide To The Music Of The Police Sting
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Author | : Christopher R. Gabel |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 170 |
Release | : 2008-12-30 |
Genre | : Social Science |
ISBN | : 1573567299 |
Sting has successfully established himself as one of the most important singer-songwriters in Western popular music over the past twenty years. His affinity for collaborative work and disparate musical styles has pushed his music into an astonishing array of contexts, but no matter what the style or who the collaborator, Sting's voice always remains distinct, and this fact has earned him success amongst a correspondingly broad audience. The Words and Music of Sting subdivides Sting's life and works into rough periods of creative activity and offers a fantastic opportunity to view Sting's many stylistic changes within a coherent general framework. After analyzing Sting's musical output album by album and song by song, author Christopher Gable sums up Sting's accomplishments and places him on the continuum of influential singer-songwriters, showing how he differs and relates to other artists of the same period. Aside from his commercial success, Sting is also interesting for the use of recurring themes in his lyrics (such as family relationships, love, war, spirituality, and work) and for his use of jazz and world music to illustrate or work against the meaning of a song. Sting's life also sheds light on his music, as his working-class roots in Newcastle, England are never far removed from his international superstardom. Throughout his life, he has been musically open-minded and inquisitive, always seeking out new styles and often incorporating them into his compositions.
Author | : Paul Carr |
Publisher | : Reaktion Books |
Total Pages | : 377 |
Release | : 2017-09-15 |
Genre | : Music |
ISBN | : 1780238894 |
Gordon Sumner was born in a mainly working-class area of North Tyneside, England, in 1951. Decades later, we would come to know him as Sting, one of the world’s best-selling music artists. Sting was the lead singer of the Police from 1977 to 1984 before launching a hugely successful solo career. In Sting:From Northern Skies to Fields of Gold, popular music scholar Paul Carr argues that the foundations of Sting’s creativity and drive for success were established by his birthplace, with vestiges of his “Northern Englishness” continuing to emerge in his music long after he left his hometown. Carr frames Sting’s creative impetus and output against the real, imagined, and idealized places he has occupied. Focusing on the sometimes-blurry borderlines between nostalgia, facts, imagination, and memories—as told by Sting, the people who knew (and know) him, and those who have written about him—Carr investigates the often complex resonance between local boy Gordon Sumner and the star the world knows as Sting. Published to coincide with the fortieth anniversary of the formation of the definitive line-up of the Police, this is the first book to examine the relationship between Sting’s working class background in Newcastle, the life he has consequently lived, and the creativity and inspiration behind his music.
Author | : Aaron J West |
Publisher | : Rowman & Littlefield |
Total Pages | : 205 |
Release | : 2023-06-14 |
Genre | : Music |
ISBN | : 0810884917 |
“An excellent look at how the Police accomplished success . . . West is especially good at examining how the band used the nascent MTV to define themselves.” ―Publishers Weekly During the 1980s, The Police were one of the biggest bands in the world. Yet after only five albums—and at the peak of their popularity—they disbanded, and Sting began a solo career that made him a global pop star. Today, artists from Puff Daddy to Gwen Stefani credit The Police and Sting as major influences on their own work. In this book, Aaron J. West explores the cultural and musical impact of Stewart Copeland, Andy Summers, and Sting. West details the distinctive hybrid character of The Police’s musical output, which would also characterize Sting’s post-Police career. Sting’s long-lived solo career embodies the power of the artful appropriation of musical styles, while capitalizing on the modern realities of pop music consumption. The Police—and Sting in particular—were pioneers in music video, modern label marketing, global activism, and the internationalization of pop music. Sting and The Police: Walking in Their Footsteps is a feast for fans—and by placing the band within its various musical, cultural, commercial, and historic contexts, it’s also fascinating reading for anyone interested in global popular music culture.
Author | : Colin Larkin |
Publisher | : Omnibus Press |
Total Pages | : 4183 |
Release | : 2011-05-27 |
Genre | : Music |
ISBN | : 0857125958 |
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
Author | : Nathan Hesselink |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 200 |
Release | : 2022-09-08 |
Genre | : Music |
ISBN | : 1501392980 |
Finding the Beat explores humankind's ability, propensity, and enjoyment in finding the beat in live and recorded experiences of music-making through the lens of entrainment, the human capacity to perceive a beat and to synchronize to it. Anyone who has attended a concert, gone to a club, or watched a sporting event has witnessed and/or participated in tapping, clapping, or dancing along with a piece, song, or chant. It doesn't matter who or where you are in the world-as humans we spend a lot of time taking pleasure in matching our bodily movements with a perceived beat. Drawing upon diverse examples from the North American and British rock repertoire, Nathan Hesselink demonstrates that listeners are gripped in deep, compelling, and socially meaningful ways when musicians play with or against expectations set up by entrainment. Via musicology, music theory, popular music studies, ethnomusicology, and cognitive neuroscience, he illustrates the creative, aesthetic, and participatory pleasure and wonder afforded by our collective ability to find the beat.
Author | : Stanford Felix |
Publisher | : Penguin |
Total Pages | : 203 |
Release | : 2010-07-06 |
Genre | : Music |
ISBN | : 1101198095 |
A musician's vocabulary needs more than Do, Re, Mi... Written in clear, concise, easy-to-understand language, The Complete Idiot's Guide® Music Dictionary covers a multitude of musical aspects indispensable to any musician. Author and music professor Stanford Felix has compiled the most commonly found terms and explains them in a way that even the most novice musician can comprehend. • The only dictionary geared toward the beginner musician • Gives clear, concise definitions of terms, theories, and instruments, as well as important works, musicians, and composers
Author | : Christopher Sandford |
Publisher | : Da Capo Press |
Total Pages | : 388 |
Release | : 2007-05-29 |
Genre | : Biography & Autobiography |
ISBN | : 9780786720903 |
Touted by fans for his charisma and scorned by critics for his egomania, Sting is one of the most commercially successful and most controversial rock artists performing today. A schoolteacher from Newcastle, Sting soared to international fame and the top of the seventies rock charts with The Police, one of the most popular bands on the planet. After the band folded, he emerged as a solo start with hit singles, critically acclaimed albums, worldwide sell-out tours, and a host of Grammys. Yet Sting's career has been turbulent — an accomplished jazz bassist and vastly talented musician, he has been charged with playing punk and reggae for careerist convenience. He has been accused of single-handedly breaking up The Police at the peak of its rock band powers. In this updated edition of the first full-length biography of Sting, Christopher Sandford examines the substance behind the cliché: the creative disagreements — and physical violence — among The Police; the musical intelligence that produced such albums as Nothing Like the Sun and Ten Summoner's Tales; Sting's ecological campaigning and financial dealings; and his numerous sexual entanglements. Here is Sting, the legend, the man, the political activist, the performer who continues to fascinate the world.
Author | : Steve Winogradsky |
Publisher | : Alfred Music |
Total Pages | : 479 |
Release | : 2014-05-13 |
Genre | : Music |
ISBN | : 1470614278 |
Written by an attorney with over 30 years of experience in the music industry, Music Publishing: The Complete Guide is the definitive manual on music copyright. Whereas many books on the subject are aimed at artists and songwriters, this book will serve as a thorough guide for industry pros, lawyers, and music business and law students. Subjects covered include copyright; performing rights organizations; mechanical, synchronization, and print licensing; songwriter and composer agreements; publishing administration and foreign sub-publishing; production music libraries; pitching and placement companies; sampling; and much more. The discussion also delves into historical perspective and current trends and revenue opportunities in the evolving digital marketplace. Easy-to-read narratives explain the key points for all of these types of deals. There are many sample agreements included in the book, all annotated in simple terms that explain the often complex contract language. There are also links to copyright and publishing resources, listings of foreign performance and mechanical societies, and anecdotes and case studies from real world incidents. If you're looking for a thorough grounding and go-to reference book on music copyright, not just a quick crash course, your search is over.
Author | : Sting |
Publisher | : Dial Press |
Total Pages | : 359 |
Release | : 2009-10-14 |
Genre | : Biography & Autobiography |
ISBN | : 030741843X |
“Sting’s gift for prose and reverence for language, nearly the equal of his musical gifts, shine on every page. Even when Broken Music addresses the quixotic life of an aspiring rock & roller, it reads like literature from a more rarified time when adults didn’t condescend to the vulgarities of pop culture.” —Rolling Stone Having been a songwriter most of my life, condensing my ideas and emotions into short rhyming couplets and setting them to music, I had never really considered writing a book. But upon arriving at the reflective age of fifty, I found myself drawn, for the first time, to write long passages that were as stimulating and intriguing to me as any songwriting I had ever done. And so Broken Music began to take shape. It is a book about the early part of my life, from childhood through adolescence, right up to the eve of my success with the Police. It is a story very few people know. I had no interest in writing a traditional autobiographical recitation of everything that’s ever happened to me. Instead I found myself drawn to exploring specific moments, certain people and relationships, and particular events which still resonate powerfully for me as I try to understand the child I was, and the man I became.
Author | : Sting |
Publisher | : Dial Press |
Total Pages | : 306 |
Release | : 2009-07-16 |
Genre | : Music |
ISBN | : 0307421996 |
From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction