The Complete Book of Light Opera
Author | : Mark Lubbock |
Publisher | : New York : Appleton-Century-Crofts, c1962 [i.e. 1963] |
Total Pages | : 1002 |
Release | : 1963 |
Genre | : Musicals |
ISBN | : |
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Author | : Mark Lubbock |
Publisher | : New York : Appleton-Century-Crofts, c1962 [i.e. 1963] |
Total Pages | : 1002 |
Release | : 1963 |
Genre | : Musicals |
ISBN | : |
Author | : Mark Hugh Lubbock |
Publisher | : |
Total Pages | : 953 |
Release | : 2003-01-01 |
Genre | : |
ISBN | : 9780758152879 |
Author | : Mark Lubbock |
Publisher | : Forgotten Books |
Total Pages | : 992 |
Release | : 2017-11-21 |
Genre | : Drama |
ISBN | : 9780331617832 |
Excerpt from The Complete Book of Light Opera Lord Harewood's comments in his preface to The Complete Opera Boo/r on selectivity apply equally to The Complete Boo/c of Light Opera. It is obviously impossible, if the book is to be kept within manageable proportions, to include all opere-ttas that people might see or hear, indeed might have seen or heard, for some of the appeal of the present volume, to the older generation of theatre goers at any rate, will be bound up with nostalgia. My selection is limited to the lightest genre of Light Opera. I have deliberately excluded Ope'ra Comique (delibes, Adam, Auber), Singspiel (mozart, Lortzing, Nicolai) and such light Operas as Vaughan Williams' The Poisoned Kiss, Arthur Benjamin's The Prima Donna, Ethel Smyth's The Boatswain's Mate, and Ballad Opera. Nor does my American colleague, David Ewen, include such operas as Menotti's The Telephone and Amelia Goes to the Ball, or earlier operas by composers like Walter Damrosch, Charles Wakefield, Cadman and Deems Taylor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Thomas Bauman |
Publisher | : Cambridge University Press |
Total Pages | : 464 |
Release | : 1985 |
Genre | : Music |
ISBN | : 9780521260275 |
This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the end of the century. Intellectually and historically, the period witnessed the flowering of the German stage and German letters. German opera was an inseparable part of the new aspirations of the German stage during the Enlightenment. Thomas Bauman stresses the vital role of the mixed repertories of German companies in effecting changes in the genre. North German opera began as a basically literary genre. It then changed dramatically in response to two major trends: first, the contact with the serious elements and styles of tragedy and secondly, the triumph on German stages of Italian, French, and Viennese comic operas. The book is generously illustrated with music examples. There is also a complete catalogue of texts of North German opera: those composed for performance and unset published librettos both cross-indexed under the librettists' names.
Author | : Robert Levine |
Publisher | : Harper Collins |
Total Pages | : 258 |
Release | : 2011-06-21 |
Genre | : Music |
ISBN | : 006209226X |
"Icouldn't imagine a finer or livelier guide through the world of opera. . . . [Levine] distills a lifetime of passion and insight into this immenselyenjoyable survey, and with the right comic touch to make you wonder how operaever seemed intimidating." —Thomas May, author of Decoding Wagner Despitethe popular success of the Metropolitan Opera’s “Live in HD” series, opera’s grandworld of soaring sopranos and breathtaking baritones—of tragic Rigoletto, triumphal Sigmund, and desperate Orfeo, of faithful Figaro, heartbroken Pagliacci,and lusty Don Giovanni—remains wrapped in an aura of impenetrable esotericism.Piercing this veil of opera’s perceived inaccessibility, acclaimed classicalmusic critic Robert Levine extends a witty and insightfulinvitation to enjoy opera in Weep, Shudder, Die, offering a newgeneration of aficionados a priceless way to access to music’s greatest achievement.
Author | : Ann Fiery |
Publisher | : Chronicle Books |
Total Pages | : 318 |
Release | : 2003-08 |
Genre | : Music |
ISBN | : 9780811827744 |
A tribute to thirty renowned operas shares the plots and theatrical backgrounds of each, in a volume that covers such productions as Figaro and Turandot.
Author | : Catherynne M. Valente |
Publisher | : Simon and Schuster |
Total Pages | : 304 |
Release | : 2018-04-10 |
Genre | : Fiction |
ISBN | : 1481497510 |
2019 HUGO AWARD FINALIST, BEST NOVEL The Hitchhiker's Guide to the Galaxy meets the joy and glamour of Eurovision in bestselling author Catherynne M. Valente's science fiction spectacle, where sentient races compete for glory in a galactic musical contest…and the stakes are as high as the fate of planet Earth. A century ago, the Sentience Wars tore the galaxy apart and nearly ended the entire concept of intelligent space-faring life. In the aftermath, a curious tradition was invented—something to cheer up everyone who was left and bring the shattered worlds together in the spirit of peace, unity, and understanding. Once every cycle, the great galactic civilizations gather for the Metagalactic Grand Prix—part gladiatorial contest, part beauty pageant, part concert extravaganza, and part continuation of the wars of the past. Species far and wide compete in feats of song, dance and/or whatever facsimile of these can be performed by various creatures who may or may not possess, in the traditional sense, feet, mouths, larynxes, or faces. And if a new species should wish to be counted among the high and the mighty, if a new planet has produced some savage group of animals, machines, or algae that claim to be, against all odds, sentient? Well, then they will have to compete. And if they fail? Sudden extermination for their entire species. This year, though, humankind has discovered the enormous universe. And while they expected to discover a grand drama of diplomacy, gunships, wormholes, and stoic councils of aliens, they have instead found glitter, lipstick, and electric guitars. Mankind will not get to fight for its destiny—they must sing. Decibel Jones and the Absolute Zeroes have been chosen to represent their planet on the greatest stage in the galaxy. And the fate of Earth lies in their ability to rock.