The Companion To Our Mutual Friend Rle Dickens
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Author | : Michael Cotsell |
Publisher | : Routledge |
Total Pages | : 337 |
Release | : 2013-05-13 |
Genre | : Literary Collections |
ISBN | : 1135027668 |
Our Mutual Friend (1864-5) Dickens’ last completed novel, has been critically praised as a profound and troubled masterpiece, and yet is has received far less scholarly attention than his other major works. This volume is the first book-length study of the novel. It explores every aspect of Dickens’ sustained imaginative involvement with his age. In particular its original research into hitherto neglected sources reveals not only Dickens’ reactions to the important developments during the 1860s in education, finance and the administration of poverty, but also his interest in phenomena as diverse as waste collection and the Shakespeare tercentenary. The Companion to Our Mutual Friend demonstrates the varied resources of artistry that inform the novel, and it provides the reader with a fundamental source of information about one of Dickens’ most complex works.
Author | : Jamieson Ridenhour |
Publisher | : Rowman & Littlefield |
Total Pages | : 171 |
Release | : 2013 |
Genre | : History |
ISBN | : 0810887770 |
During the 19th century, London was a complex, vibrant, and multi-faceted city, the first true metropolis. As such, it contained within it a widely disparate array of worlds and cultures. Representations of London in literature varied just as widely. In the late 1830s, London began appearing as a site of literary terror, and by the end of the century a large proportion of the important Victorian "Gothic revival" novels were set in the city: The Strange Case of Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, The Three Impostors, The Beetle, Dracula, and many others. In Darkest London is a full-length study of the Victorian Urban Gothic, a pervasive mode that appears not only in straightforward novels of terror like those mentioned above but also in the works of mainstream authors such as Charles Dickens and in the journalism and travel literature of the time. In this volume, author Jamieson Ridenhour looks beyond broad considerations of the Gothic as a historical mode to explore the development of London and the concurrent rise of the Urban Gothic. He also considers very specific aspects of London's representation in these works and draws upon recent and then-contemporary theories, close readings of relevant texts, and cartography to support and expand these ideas. This book examines the work of both canonical and non-canonical authors, including Dickens, Bram Stoker, Robert Louis Stevenson, G.W.M. Reynolds, Richard Marsh, Arthur Machen, Marie Belloc Lowndes, and Oscar Wilde. Placing the conventions of the Gothic form in their proper historical context, In Darkest London will appeal to scholars and students interested in an in-depth survey of the Urban Gothic.
Author | : Charles Dickens |
Publisher | : |
Total Pages | : 558 |
Release | : 1911 |
Genre | : English fiction |
ISBN | : |
Author | : Charles Dickens |
Publisher | : |
Total Pages | : 1286 |
Release | : 1879 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 632 |
Release | : 1985 |
Genre | : American literature |
ISBN | : |
Author | : Laurel Meredith Erickson |
Publisher | : |
Total Pages | : 490 |
Release | : 1996 |
Genre | : Desire in literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 544 |
Release | : 1894 |
Genre | : |
ISBN | : |
Author | : Charles Dickens |
Publisher | : University of Chicago Press |
Total Pages | : 229 |
Release | : 2018-10-18 |
Genre | : Literary Collections |
ISBN | : 022656374X |
A charming memento of the Victorian era’s literary colossus, The Daily Charles Dickens is a literary almanac for the ages. Tenderly and irreverently anthologized by Dickens scholar James R. Kincaid, this collection mines the British author’s beloved novels and Christmas stories as well as his lesser-known sketches and letters for “an around-the-calendar set of jolts, soothings, blandishments, and soarings.” A bedside companion to dip into year round, this book introduces each month with a longer seasonal quote, while concise bits of wisdom and whimsy mark each day. Hopping gleefully from Esther Summerson’s abandonment by her mother in Bleak House to a meditation on the difficult posture of letter-writing in The Pickwick Papers, this anthology displays the wide range of Dickens’s stylistic virtuosity—his humor and his deep tragic sense, his ear for repetition, and his genius at all sorts of voices. Even the devotee will find between these pages a mix of old friends and strangers—from Oliver Twist and Ebenezer Scrooge to the likes of Lord Coodle, Sir Thomas Doodle, Mrs. Todgers, and Edwin Drood—as well as a delightful assortment of the some of the novelist’s most famous, peculiar, witty, and incisive passages, tailored to fit the season. To give one particularly apt example: David Copperfield blunders, in a letter of apology to Agnes Wickfield, “I began one note, in a six-syllable line, ‘Oh, do not remember’—but that associated itself with the fifth of November, and became an absurdity.” Never Pecksniffian or Gradgrindish, this daily dose of Dickens crystallizes the novelist’s agile humor and his reformist zeal alike. This is a book to accompany you through the best of times and the worst of times.
Author | : Laurie Lanzen Harris |
Publisher | : |
Total Pages | : 520 |
Release | : 1981 |
Genre | : Literature, Modern |
ISBN | : |
Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.
Author | : |
Publisher | : |
Total Pages | : 846 |
Release | : 1891 |
Genre | : Education |
ISBN | : |