The Comics Of Julie Doucet And Gabrielle Bell
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Author | : Tahneer Oksman |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 306 |
Release | : 2018-12-05 |
Genre | : Literary Criticism |
ISBN | : 1496820584 |
Winner of the 2020 Comics Studies Society Edited Book Prize Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Køhlert, Tahneer Oksman, Seamus O’Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet’s and Gabrielle Bell’s comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O’Malley regard Doucet’s and Bell’s art as actively feminist, not only because they offer women’s perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet’s and Bell’s comics together in this volume housed in a series devoted to single-creator studies, the book shows how, despite the importance of finding “a place inside yourself” to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.
Author | : Tahneer Oksman |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 299 |
Release | : 2018-12-05 |
Genre | : Literary Criticism |
ISBN | : 1496820606 |
Winner of the 2020 Comics Studies Society Edited Book Prize Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Køhlert, Tahneer Oksman, Seamus O’Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet’s and Gabrielle Bell’s comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O’Malley regard Doucet’s and Bell’s art as actively feminist, not only because they offer women’s perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet’s and Bell’s comics together in this volume housed in a series devoted to single-creator studies, the book shows how, despite the importance of finding “a place inside yourself” to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.
Author | : Gabrielle Bell |
Publisher | : Drawn and Quarterly |
Total Pages | : 0 |
Release | : 2009-03-17 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781897299579 |
Short stories, including the adapted-to-film original Cecil and Jordan in New York Gabrielle Bell splits her cartooning time between creating wry sketchbook autobiographical comics, such as those included in her 2006 graphic novel, Lucky, and working on more detailed fictional short stories. This collection represents her short comics work that has been published in various anthologies over the past five years, including Kramer's Ergot, Mome, and The D+Q Showcase Book Four. The surrealist title story, in which a young woman turns herself into a chair so as not to be too much of a bother to those around her, is being adapted into a short film, Interior Design, by director Michel Gondry (Eternal Sunshine of the Spotless Mind and The Science of Sleep) as part of the forthcoming Tôkyô! trilogy set for fall 2008 release.
Author | : Anne Elizabeth Moore |
Publisher | : Critical Cartoons |
Total Pages | : 120 |
Release | : 2018-10 |
Genre | : Cartoonists |
ISBN | : 9781941250280 |
Julie Doucet, one of the most influential women in comics finally receives a full-length critical overview.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2019-04-14 |
Genre | : |
ISBN | : 9780988351356 |
Author | : Jan Baetens |
Publisher | : Cambridge University Press |
Total Pages | : 329 |
Release | : 2023-08-31 |
Genre | : Literary Criticism |
ISBN | : 1009379348 |
This book explores the important role of the graphic novel in reflecting American society and in the shaping of the American imagination. It guides readers through the theoretical text-image scholarship to explain the meaning of the complex borderlines between graphic novels, comics, newspaper strips, caricature, literature, and art.
Author | : Julie Doucet |
Publisher | : Drawn & Quarterly |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Artists |
ISBN | : 9781896597249 |
Doucet's third book, her longest and most,ambitious story collected for the first time in,one beautifully produced softcover edition.,Details the events in Doucet's life during a six,month period in 1991 when she packed her bags and,moved to New York to join her new boyfriend in his,upper west side apartment. Doucet effectively,portrays how the initial excitement of their,new beginning gives way to his over bearing,jealousy. Includes 'My First Time' and 'Julie in,Junior College'.
Author | : Jill Dolan |
Publisher | : University of Michigan Press |
Total Pages | : 170 |
Release | : 1991 |
Genre | : Literary Criticism |
ISBN | : 9780472081608 |
Extends the feminist analysis of representation to the realm of performance
Author | : Gabrielle Bell |
Publisher | : |
Total Pages | : 156 |
Release | : 2017 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781941250181 |
The first full-length Graphic Memoir from one of the masters of the form.
Author | : Justin Hall |
Publisher | : Fantagraphics Books |
Total Pages | : 329 |
Release | : 2013-08-03 |
Genre | : Comics & Graphic Novels |
ISBN | : 1606997181 |
No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention. Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all. Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades. These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines has been heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.