The Colours Of Heroines
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Author | : Lydia Kwa |
Publisher | : Women's Press Literary |
Total Pages | : 128 |
Release | : 1994 |
Genre | : Poetry |
ISBN | : |
"Lydia Kwa's voice is drenched in memory. Speaking at several junctures, both Singapore-born and Vancouver-habituated, her poetry carries the pain and historic wealth of her passage. It murmurs stories, laconic, profound, stories that tell whole shapes of lives in a few lines. Family anecdotes, fragments of intimacy, life stories of friends - these poems open windows onto the compulsions that form inner landscapes. Equally at hom ein a finely cadenced erotic lyric or candid and multi-layered prose, her writing resonates well beyond the edge of the page."- Daphne Marlatt
Author | : Jill Canon |
Publisher | : |
Total Pages | : 52 |
Release | : 1993-10 |
Genre | : History |
ISBN | : 9780883881736 |
Short biographies of women who contributed to the American Revolutionary War effort.
Author | : Kate Zambreno |
Publisher | : MIT Press |
Total Pages | : 321 |
Release | : 2024-03-05 |
Genre | : Literary Criticism |
ISBN | : 1635902096 |
A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after more than a decade. I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order—pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature. On the last day of December 2009, Kate Zambreno, then an unpublished writer, began a blog called "Frances Farmer Is My Sister," arising from her obsession with literary modernism and her recent transplantation to Akron, Ohio, where her partner held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist “wives and mistresses," reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community of writers and devised a new feminist discourse of writing in the margins and developing an alternative canon. In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it—she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the “minor,” and diagnoses women for transgressing social bounds. “ANXIETY: When she experiences it, it's pathological,” writes Zambreno. “When he does, it's existential.” With Heroines, Zambreno provided a model for a newly subjectivized criticism, prefiguring many group biographies and forms of autotheory and hybrid memoirs that were to come in the years to follow. A book that has become its own canon, Heroines was named one of the "50 Books that define the past 5 Years in Literature" by Flavorwire, an "Essential Feminist Manifesto" by Dazed, and one of the "50 Greatest Books by Women" in Buzzfeed.
Author | : Elizabeth Lorayne |
Publisher | : |
Total Pages | : 80 |
Release | : 2017-10-02 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780997909876 |
How will you color these 31 portraits of women, from the 18th and 19th centuries, who passionately pursued their talents in the fields of science, technology, engineering, and mathematics? Included are illustrations by Kendra Shedenhelm and short biographies written by award-winning author Elizabeth Lorayne.
Author | : 3dtotal Publishing |
Publisher | : Character Design Collection |
Total Pages | : 224 |
Release | : 2021-05-04 |
Genre | : |
ISBN | : 9781912843268 |
New series Character Design Collection features 50 expert artists using professional techniques and approaches to create a library of inspiring sketches.
Author | : Stephanie Drimmer |
Publisher | : National Geographic Books |
Total Pages | : 180 |
Release | : 2016 |
Genre | : Juvenile Nonfiction |
ISBN | : 1426325576 |
Everybody needs a role model! Discover true stories of superstars, war heroes, world leaders, gusty gals, and everyday women who changed the world. From Sacagawea to Mother Teresa, Annie Oakley to Malala Yousafzai, these famous women hiked up their pants and petticoats and charged full-speed ahead to prove girls are just as tough as boys...maybe even tougher. Complete with amazing images and a fun design, this is the book that every kid with a goal, hope, or dream will want to own.
Author | : William Wells Brown |
Publisher | : Good Press |
Total Pages | : 138 |
Release | : 2019-12-05 |
Genre | : Fiction |
ISBN | : |
'Clotelle; Or, The Colored Heroine, a tale of the Southern States; Or, The President's Daughter' is a novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery at the age of 20, published the book in London. The narrative of Clotel plays with history by relating the "perilous antebellum adventures" of a young mixed-race slave Currer and her two light-skinned daughters fathered by Thomas Jefferson. Because the mother is a slave, according to partus sequitur ventrem, which Virginia adopted into law, her daughters are born into slavery. The book includes "several subplots" related to other slaves, religion and anti-slavery. Currer, described as "a bright mulatto" (meaning light-skinned) gives birth to two "near white" daughters: Clotel and Althesa.
Author | : Lyndon J. Dominique |
Publisher | : Broadview Press |
Total Pages | : 271 |
Release | : 2007-10-24 |
Genre | : Fiction |
ISBN | : 1460406133 |
The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.
Author | : Emily M. Danforth |
Publisher | : HarperCollins |
Total Pages | : 656 |
Release | : 2020-10-20 |
Genre | : Fiction |
ISBN | : 0062942875 |
NATIONAL BESTSELLER “A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST "A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLY Named a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture • Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more! The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read. “Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake.” –O, THE OPRAH MAGAZINE
Author | : Alison Cooper-Mullin |
Publisher | : McGraw Hill Professional |
Total Pages | : 372 |
Release | : 1998 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780809230204 |
Contains over 450 entries that describe books that have female heroines; includes publishing information, a short overview of the plot, and recollections from famous women about what their favorite book was as a child.