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| Author | : Jimmy Liao |
| Publisher | : Little, Brown Books for Young Readers |
| Total Pages | : 80 |
| Release | : 2006-03-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780316939928 |
A young woman losing her vision rides the subway with her dog in search of emotional healing.
| Author | : Kathleen Forde |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Art and music |
| ISBN | : 9780916365714 |
Explores the subject of synesthesia in contemporary electronic art, where sound and visual stimuli seemingly fuse together in immersive sensory environments. Connecting recent developments in digital audiovisual art to their predigital roots, this exhibition provokes a renewed awareness of human cognition and perception through a selection of compelling works by an international group of artists.
| Author | : Wayne Slawson |
| Publisher | : Yank Gulch Music |
| Total Pages | : 300 |
| Release | : 1985 |
| Genre | : Music |
| ISBN | : 9780520051850 |
| Author | : Leon Gunther |
| Publisher | : Springer Nature |
| Total Pages | : 482 |
| Release | : 2019-10-14 |
| Genre | : Science |
| ISBN | : 3030192199 |
This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject.
| Author | : John Burdick |
| Publisher | : NYU Press |
| Total Pages | : 241 |
| Release | : 2013-01-07 |
| Genre | : Social Science |
| ISBN | : 0814709249 |
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil’s Protestants,provoking us to think in new ways about their role in their country’s struggle to combat racism.
| Author | : David Love |
| Publisher | : Lulu.com |
| Total Pages | : 124 |
| Release | : 2011-04-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 125738080X |
In 1979, Dave Love lost his sight. This book presents his methods of using sounds and color memory to recognize people and discern moods and personalities. Citing well-documented sources, he explains how individuals perceive visual and auditory information, presenting a rare glimpse into the mental workings of a visually-challenged person, revealing that everyone owns a voice of its own color.
| Author | : Isabel W?nsche |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351541781 |
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
| Author | : Dr. Bara H. Loveland |
| Publisher | : Xlibris Corporation |
| Total Pages | : 640 |
| Release | : 2011-01-19 |
| Genre | : Reference |
| ISBN | : 1456844229 |
The Book of Consciousness by Dr. Bara H. Loveland Have you ever wondered what Consciousness is, or the mind, the unconscious or Archetypes and Symbols – how they work and how to define these? Without arriving at the reach of Consciousness, there are numerous books on "consciousness;" there are conferences held, and groups searching for "consciousness," with dictionaries attempting to define it. Why have they not found the ultimate definition of Consciousness, to this day of the publication of The Book of Consciousness, in January 2011? Could Bara’s new book, The Book of Consciousness, hold the answer? Can it deliver the ultimate in Consciousness? There are many other questions, which science has not positively answered yet. Why is it that our “brain” (cerebrum), seat of the mind, has to be calmed from 40+ Hertz to 8 Hertz or less (literally put to sleep), in order to reach highest states of awareness, although the cerebrum is supposed to be the seat of the world ́s highest intelligence? Why is this "seat of highest intelligence" polluting the earth to the brink of dying of life? Why is the unconscious called unconscious, when it is able to construct meaningful dreams; and is there a difference between an Archetype and a Symbol, appearing in dreams and myths? Could a neurosis not be a disease? And what is it the mind really knows? Profound contemplation of Consciousness must lead to further questions about the origins of Archetypes and Symbols, about wisdom and similarities of ancient Stone Age Symbols, East Indian and Egyptian scriptures, Runes, Mayan glyphs and biblical Symbols, or world religions in general. One may wonder, why an Egyptian god is frequently named in Christian churches, and is mentioned in both, the Old and the New Testaments. Is God “He,” and could “He” exist? Could there be a different world behind our visible one, and could we have “Bio*Modulators” to sense the other world? What can we learn form a Germanic “king?” Is it possible that we have more than five senses and how many diseases could naturally exist? Can the DNA communicate, and how many laws exist in the universe? What is the meaning of certain Bible verses, and what could have been the message, Jesus gave the world on the cross? Is New Age wisdom contained in the Bible, and could it be that common science limits itself, when excluding miracles it could perform with ease, protecting the animals from harm? Are there more levels of logic than one? How could we realize or activate them? What is the role, our belief plays in our life and in science? The Book of Consciousness begins where common science ends. Be surprised by the innovative answers, with some published about 30 years ago by this author! Be captivated by the author’s authentic, new style; by the insights, humor and vivid experiences, enjoy the 40 figures and tables, as well as exercises, to reach altered states of awareness—naturally and at will. May The Book of Consciousness raise into Oneness the conscious of all those who read its 640 pages; may they be the "igniters," inspiring divine Oneness and Love in the perception of all! Genre: Specialty Books
