The Collection Of Rare Prints Illustrated Works Removed From Strawberry Hill As Originally Collected By Horace Walpole Which Will Be Sold By Auction By G Robins 13th June 1842 And 9 Following Days With Aedes Strawberrianae Names Of Purchasers And The Prices To The Catalogue Of The Collection Of Early Drawings C
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Author | : Mark Westgarth |
Publisher | : Routledge |
Total Pages | : 171 |
Release | : 2020-04-07 |
Genre | : Art |
ISBN | : 1000050629 |
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
Author | : John Tallis |
Publisher | : |
Total Pages | : 328 |
Release | : 2002 |
Genre | : London (England) |
ISBN | : |
Author | : Charles Roach Smith |
Publisher | : |
Total Pages | : 282 |
Release | : 1859 |
Genre | : Classical antiquities |
ISBN | : |
Author | : Charles Roach Smith |
Publisher | : |
Total Pages | : 256 |
Release | : 1854 |
Genre | : Art |
ISBN | : |
Author | : Peter J. Atkins |
Publisher | : London ; New York : Mansell |
Total Pages | : 760 |
Release | : 1990 |
Genre | : History |
ISBN | : |
Author | : St. John's College (University of Cambridge) |
Publisher | : |
Total Pages | : 740 |
Release | : 1903 |
Genre | : |
ISBN | : |
Author | : Frederick Litchfield |
Publisher | : |
Total Pages | : 468 |
Release | : 1892 |
Genre | : Furniture |
ISBN | : |
Author | : Samuel Denne |
Publisher | : |
Total Pages | : 406 |
Release | : 1772 |
Genre | : Deal (England) |
ISBN | : |
Author | : Douglas Groothuis |
Publisher | : InterVarsity Press |
Total Pages | : 725 |
Release | : 2022-02-08 |
Genre | : Religion |
ISBN | : 1514002760 |
The Christian faith offers people hope. But how can we know that Christianity is true? How can Christians confidently present their beliefs in the face of doubts and competing views? In this second edition of a landmark apologetics text, Douglas Groothuis makes a clear and rigorous case for Christian theism, addressing the most common questions and objections raised regarding Christianity.
Author | : Jonathan Edwards |
Publisher | : Yale University Press |
Total Pages | : 507 |
Release | : 2008-01-01 |
Genre | : Literary Collections |
ISBN | : 0300133944 |
This final volume in The Works of Jonathan Edwards publishes for the first time Edwards’ “Catalogue,” a notebook he kept of books of interest, especially titles he hoped to acquire, and entries from his “Account Book,” a ledger in which he noted books loaned to family, parishioners, and fellow clergy. These two records, along with several shorter documents presented in the volume, illuminate Edwards’ own mental universe while also providing a remarkable window into the wider intellectual and print cultures of the eighteenth-century British Atlantic. An extensive critical introduction places Edwards’ book lists in the contexts that shaped his reading agenda, and the result is the most comprehensive treatment yet of his reading and of the fascinating peculiarities of his time and place.