The Collected Writings Of The German Musicologist Max Chop On The Composer Frederick Delius
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The Collected Writings of the German Musicologist Max Chop on the Composer Frederick Delius
Author | : Max Chop |
Publisher | : |
Total Pages | : 360 |
Release | : 2002 |
Genre | : Music |
ISBN | : |
Chop's main claim to fame is his 1904 study of Delius, the first on the composer to be published; it laid the foundations for future Delius biographers. Chop also produced several scholarly articles on Delius in 1907, and played a crucial role in ensuring his opera A Village Romeo and Juliet reached the stage of Berlin's Komische Oper that year. This volume brings together Chop's collected criticism of Delius in translation for the first time, and includes the original texts, a commentary and note on the author plus several previously unpublished letters. In his day he was widely respected as a musicologist, music journalist and newspaper editor. He published a number of compositions.
The Music of Frederick Delius
Author | : Jeremy Dibble |
Publisher | : Boydell & Brewer |
Total Pages | : 565 |
Release | : 2021 |
Genre | : Music |
ISBN | : 1783275774 |
This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.
Frederick Delius
Author | : Mary Christison Huismann |
Publisher | : Routledge |
Total Pages | : 398 |
Release | : 2012-07-26 |
Genre | : Music |
ISBN | : 1135848971 |
Frederick Delius is among the most celebrated English composers of the 20th century. Widely studied and performed, his works are considered models of the British impressionist school and continue to fascinate students and scholars centuries later. This research guide serves as a ready reference for students and scholars, but will also be interesting to read and useful for anyone who wants to know where to begin to learn more about this important composer.
Delius and the Sound of Place
Author | : Daniel M. Grimley |
Publisher | : Cambridge University Press |
Total Pages | : 337 |
Release | : 2018-12-06 |
Genre | : Music |
ISBN | : 1108470394 |
Offers a radical and interdisciplinary analysis that will transform readers' understanding of this deeply compelling early twentieth-century composer.
Historical Dictionary of Modern and Contemporary Classical Music
Author | : Nicole V. Gagné |
Publisher | : Rowman & Littlefield |
Total Pages | : 545 |
Release | : 2019-07-17 |
Genre | : Music |
ISBN | : 1538122987 |
The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
Theory and Composition of Percussion Music
Author | : Geary Larrick |
Publisher | : Edwin Mellen Press |
Total Pages | : 176 |
Release | : 2004 |
Genre | : Music |
ISBN | : |
Larrick shares his knowledge of the theory and composition of percussion music. In the first section, more than a dozen brief entries address such topics as music education's treatment of drummers and the notation of Western music. In the second section, Larrick presents an annotated bibliography of music theory books found in the University Library at the U. of Wisconsin-Stevens Point. The third section contains bibliographical references for a wide range of materials relating to percussion. A life-long performer, Larrick is the author of a number of scholarly books on percussion. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
An Historical Introduction and Translation of Ferdinando Giorgetti's Viola Method, 1854 : Metodo Per Esercitarsi a Ben Suonare L'alto-viola
Author | : Ferdinando Giorgetti |
Publisher | : Edwin Mellen Press |
Total Pages | : 150 |
Release | : 2003 |
Genre | : Music |
ISBN | : |
Ferdinando Giorgetti's Metodo per Esercitarsi a Ben Suonare L'Alto Viola (A Self-Training Method for Playing the Viola Well) was first published in Florence in 1854. In this translation, Sciannameo (multidisciplinary studies, music, Carnegie Mellon University) gives background on Giorgetti's life an
The Solo Vocal Music of American Composer John La Montaine
Author | : Pearl Yeadon McGinnis |
Publisher | : Edwin Mellen Press |
Total Pages | : 588 |
Release | : 2004 |
Genre | : Music |
ISBN | : |
John La Montaine is known primarily for his Concerto for Piano and Orchestra, Opus 9, which was awarded the Pulitzer Prize for Music in 1959. In addition, he has won countless awards for composition. However, his compositions for voice and piano are not yet an established part of the vocal solo repertoire. This work illustrates La Montaine's music for voice and piano through an analysis of musical and dramatic elements that support the text and drama. A biographical study provides details about the composer's life such as musical training, personal influences, awards and goals. In addition, the issues of philosophy, creativity, methods, musical styles, and textual considerations are discussed and are the basis for the following analysis.
The Themes of the German Lied from Mozart to Strauss
Author | : Peter Russell |
Publisher | : |
Total Pages | : 488 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : |
Systematically maps and classifies the major German lieder according to the themes of their text. The author traces the extent to which each theme has evolved from German folk-song, or derives from elsewhere.