The Collected Works Of Wb Yeats Vol Xii John Sherman And Dhoya
Download The Collected Works Of Wb Yeats Vol Xii John Sherman And Dhoya full books in PDF, epub, and Kindle. Read online free The Collected Works Of Wb Yeats Vol Xii John Sherman And Dhoya ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 151 |
| Release | : 2008-06-30 |
| Genre | : Fiction |
| ISBN | : 1439106444 |
First published in 1891, John Sherman and Dhoya was Yeats's third separate publication. The stories were revised and reprinted in the 1908 Collected Works in Verse and Prose but not published again in Yeats's lifetime. John Sherman, Yeats's only completed attempt at realistic fiction, details the title character's dilemma: He must choose between life in London and marriage to Margaret Leland, an English girl, and life in Ireland and marriage to a childhood sweetheart, Mary Carton. In addition to containing numerous autobiographical elements (for instance, the town of Ballah is modeled on Yeats's Sligo), the novelette treats many of Yeats's persistent themes, such as the debate between nationality and cosmopolitanism and the conflict between what he would later call the Self and the Anti-Self. In the end, Sherman reaffirms his Irish roots, and Margaret Leland's affections are transferred to Sherman's friend, the Reverend William Howard. Dhoya, a mythological tale set in the remote past, depicts a liasion between a mortal and a fairy, a motif that Yeats used in many other works. Describing the inevitable conflict between a world of perfection and the mortal world, the short story suggests that "only the changing, and moody, and angry, and weary can love." Well received by most contemporary reviewers, John Sherman and Dhoya are important both as works of fiction and as indications of the fundamental continuity of subject and theme in Yeats's career. This edition offers an accurate text, an introduction, and explanatory notes.
| Author | : W. Yeats |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 104 |
| Release | : 2002-11-21 |
| Genre | : Literary Criticism |
| ISBN | : 9780333563489 |
John Sherman is the only work of realistic fiction Yeats ever completed. The novelette contains many biographical elements and is of interest for its treatment of Yeats's recurring themes. It examines the debate between nationality and cosmopolitan and looks at the conflict between the self and the Anti-self. Dhoya depicts a liaison between a mortal and a fairy, a motif that recurs in Yeats's poetry and other works. The texts are supplemented by an introduction and detailed explanatory notes by the editor, Richard Finneran.
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 450 |
| Release | : 2008-04 |
| Genre | : Literary Criticism |
| ISBN | : 0684807335 |
The Collected Works of W. B. Yeats, Volume XIII: A Vision is part of a fourteen-volume series under the general editorship of eminent Yeats scholar George Bornstein and formerly the late Richard J. Finneran and George Mills Harper. One of the strangest works of literary modernism, A Vision is Yeats's greatest occult work. Edited by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the volume presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife George (née Hyde Lees) received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the book, and the revised 1937 version is much more widely available than its predecessor. The original 1925 version of A Vision, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural origin, is presented here in a scholarly edition for the first time. The text, minimally corrected to retain the sense of the original, is extensively annotated, with particular attention paid to the relationship between the published book and its complex genetic materials. Indispensable to an understanding of the poet's late work and entrancing on its own merit, A Vision aims to be, all at once, a work of theoretical history, an esoteric philosophy, an aesthetic symbology, a psychological schema, and a sacred book. It is as difficult as it is essential reading for any student of Yeats.
| Author | : Wit Pietrzak |
| Publisher | : Springer |
| Total Pages | : 264 |
| Release | : 2017-08-29 |
| Genre | : Literary Criticism |
| ISBN | : 3319600893 |
This book focuses on W. B. Yeats’s critical writings, an aspect of his oeuvre which has been given limited treatment so far. It traces his critical work from his earliest articles, through to his occult treatises, and all the way to his last pamphlets, in which he sought to delineate the idea of a literary culture: a community of people willing to credit poetry with the central role in imagining and organising social praxis throughout society. The chapters of this study investigate the contexts in which Yeats’s thought developed, his many disputes over the shape of Irish cultural politics, the future of poetry and the place literature occupies in the world. What transpires is an image of Yeats who is strung between the impulses of faith in the existence of a supernatural order and ironic scepticism as to the possibility of ever capturing that order in language. This study is distinguished by its grounding of Yeats's critical agenda in a broader context through textual analysis. In addition, it organises and systematises his conceptions of poetry and its social role through its approach to his criticism as a fully-fledged area of his artistic practice. The monograph has been written within the framework of the project financed by The National Science Centre, Cracow, Poland, pursuant to the decision number DEC-2013/09/D/HS2/02782.
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 967 |
| Release | : 2010-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 1439105766 |
The Collected Works of W. B. Yeats, Volume II: The Plays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes. The Plays, edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations. Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist. In The Plays, David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from The Countess Cathleen to The Death of Cuchulain. The Plays enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 564 |
| Release | : 2010-07-06 |
| Genre | : Poetry |
| ISBN | : 1451603215 |
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 440 |
| Release | : 1989 |
| Genre | : Autobiography |
| ISBN | : 0684807270 |
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 674 |
| Release | : 2010-06-15 |
| Genre | : Fiction |
| ISBN | : 1451603045 |
The Collected Works of W. B. Yeats, Volume IX: Early Articles and Reviews is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This first complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes. Coedited by John P. Frayne and Madeleine Marchaterre, Early Articles and Reviews assembles the earliest examples of Yeats's critical prose, from 1886 to the end of the century -- articles and reviews that were not collected into book form by the poet himself. Gathered together now, they show the earliest development of Yeats's ideas on poetry, the role of literature, Irish literature, the formation of an Irish national theater, and the occult, as well as Yeats's interaction with his contemporary writers. As seen here, Yeats's vigorous activity as magazine critic and propagandist for the Irish literary cause belies the popular picture created by his poetry of the "Celtic Twilight" period, that of an idealistic dreamer in flight from the harsh realities of the practical world. This new volume adds four years' worth of Yeats's writings not included in a previous (1970) edition of his early articles and reviews. It also greatly expands the background notes and textual notes, bringing this compilation up to date with the busy world of Yeats scholarship over the last three decades. Early Articles and Reviews is an essential sourcebook illuminating Yeat's reading, his influences, and his literary opinions about other poets and writers.
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 561 |
| Release | : 2007-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 1416556877 |
The Collected Works of W. B. Yeats, Volume IV: Early Essays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars George Bornstein and George Mills Harper. These volumes include virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes. Early Essays, edited by the internationally esteemed Yeats scholars George Bornstein and the late Richard J. Finneran, includes the contents of the two most important collections of Yeats's critical prose, Ideas of Good and Evil(1903) and The Cutting of an Agate(1912, 1919). Among the seminal essays are considerations of Blake, Shakespeare, Shelley, Spenser, and Synge, as well as an extended discussion of the Japanese Noh theatre. The first scholarly edition of these materials, Early Essays offers a corrected text and detailed annotation of all allusions. Several appendices gather materials from early printings which were later excluded, as well as illuminating black-and-white illustrations. Early Essays is an essential sourcebook for understanding Yeats's career as both writer and literary critic, and for the development of modern poetry and criticism. Here, Yeats works out many of his key ideas on poetry, politics, and the theater. He gives interpretations of writers critical to his development and presents a compelling vision of Ireland and the modern world during the last decade of the nineteenth century and first two decades of the twentieth. As T. S. Eliot remarked, Yeats "was one of those few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." This volume displays a crucial part of that history.
| Author | : William Butler Yeats |
| Publisher | : Simon and Schuster |
| Total Pages | : 354 |
| Release | : 2008-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1439106126 |
The Collected Works of W. B. Yeats, Volume VIII: The Irish Dramatic Movement is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes. Edited by the distinguished Yeats scholars Mary FitzGerald and Richard J. Finneran, The Irish Dramatic Movement gathers together -- for the first time -- all of the poet's time-honored essays on drama and the groundbreaking movement that led to the enduring Irish theater of today. Although the reputation of W. B. Yeats as one of the preeminent writers of the twentieth century rests primarily on his poetry, drama and the theatre were among his abiding concerns. Indeed, in 1917 he wrote, "I need a theatre; I believe myself to be a dramatist." Here in this volume is the collection of all his major dramatic criticism for the years 1899-1919, including previously uncollected material. A practicing dramatist himself, Yeats had strong convictions about the goals of the Irish theater and the appropriate plays to be produced. The essays in this collection address many topics, from the turbulent early years of what became the Abbey Theatre to the controversies over the plays of John Millington Synge and the relationship between drama and nationalism. Also evident are Yeats's judgments on numerous plays, playwrights, and productions, both in Irish and in English. FitzGerald and Finneran's volume includes an Introduction and a History of the Text, as well as copious but unobtrusive annotation. The Irish Dramatic Movement is an essential volume for both readers of Yeats and students of the early years of twentieth-century theater.
