The Collected Works Of Samuel Taylor Coleridge Vol 12 Part 4
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Author | : Samuel Taylor Coleridge |
Publisher | : Princeton University Press |
Total Pages | : 693 |
Release | : 2015-12-08 |
Genre | : Literary Criticism |
ISBN | : 1400874963 |
Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor’s footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Samuel Taylor Coleridge |
Publisher | : Princeton University Press |
Total Pages | : 703 |
Release | : 2016-03-15 |
Genre | : Literary Criticism |
ISBN | : 1400882788 |
Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor’s footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Samuel Taylor Coleridge |
Publisher | : Princeton University Press |
Total Pages | : 745 |
Release | : 2019-08-06 |
Genre | : Literary Criticism |
ISBN | : 0691200696 |
Volume 1 of 2. Coleridge's nephew, son-in-law, and first editor, Henry Nelson Coleridge, began at the end of 1822 a record of Coleridge's remarks as a way of preparing an anthology of the interests and thought of the great poet and critic. His manuscripts, gathered to form the major text of his new edition, include passages on relatives, friends, and various censorable topics omitted from the Table Talk of 1835 and unpublished until now. These two volumes also contain talk recorded by other listeners from 1798 until Coleridge's death in 1834. Some of these records have not been previously published; some are published from manuscripts that differ from versions previously known. Also included are previously unpublished remarks by Wordsworth. Along with a bibliography of earlier editions of Table Talk and other useful appendixes, Carl Woodring's edition reprints the second edition (1836), which differs from the manuscripts more extensively than the edition of 1835. THis is the first fully annotated edition of a work that long remained more popular in the United Kingdom than any of the works in prose published by Coleridge himself. The two volumes make a convenient encyclopedia of his ideas and interests. Carl Woodring is George Edward Woodberry Professor of Literature Emeritus at Columbia University. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Theodore Leinwand |
Publisher | : University of Chicago Press |
Total Pages | : 240 |
Release | : 2017-11-16 |
Genre | : Literary Criticism |
ISBN | : 022652762X |
The Great William is the first book to explore how seven renowned writers—Samuel Taylor Coleridge, John Keats, Virginia Woolf, Charles Olson, John Berryman, Allen Ginsberg, and Ted Hughes—wrestled with Shakespeare in the very moments when they were reading his work. What emerges is a constellation of remarkable intellectual and emotional encounters. Theodore Leinwand builds impressively detailed accounts of these writers’ experiences through their marginalia, lectures, letters, journals, and reading notes. We learn why Woolf associated reading Shakespeare with her brother Thoby, and what Ginsberg meant when referring to the mouth feel of Shakespeare’s verse. From Hughes’s attempts to find a “skeleton key” to all of Shakespeare’s plays to Berryman’s tormented efforts to edit King Lear, Leinwand reveals the palpable energy and conviction with which these seven writers engaged with Shakespeare, their moments of utter self-confidence and profound vexation. In uncovering these intense public and private reactions, The Great William connects major writers’ hitherto unremarked scenes of reading Shakespeare with our own.
Author | : Samuel Taylor Coleridge |
Publisher | : Princeton University Press |
Total Pages | : 839 |
Release | : 2017-03-14 |
Genre | : Literary Criticism |
ISBN | : 1400887208 |
Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : J. Carson |
Publisher | : Springer |
Total Pages | : 255 |
Release | : 2010-04-26 |
Genre | : Fiction |
ISBN | : 0230106579 |
Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. James P. Carson argues that the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.
Author | : John Donne |
Publisher | : Indiana University Press |
Total Pages | : 1105 |
Release | : 2021-11-02 |
Genre | : Literary Criticism |
ISBN | : 0253058384 |
This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3.
Author | : Olga Beloborodova |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 566 |
Release | : 2024-11-15 |
Genre | : Literary Criticism |
ISBN | : 9027246580 |
Literary drafts are a constant in literatures of all ages and linguistic areas, and yet their role in writing processes in various traditions has seldom been the subject of systematic comparative scrutiny. In 38 chapters written by leading experts in many different fields, this book charts a comparative history of the literary draft in Europe and beyond. It is organised according to eight categories of comparison distributed over the volume’s two parts, devoted respectively to ‘Text’ (i.e. the textual aspects of creative processes) and ‘Beyond Text’ (i.e. aspects of creative processes that are not necessarily textual). Across geographical, temporal, linguistic, generic and media boundaries, to name but a few, this book uncovers idiosyncrasies and parallels in the surviving traces of human creativity while drawing the reader’s attention to the materiality of literary drafts and the ephemerality of the writing process they capture.
Author | : Dahlia Porter |
Publisher | : Cambridge Studies in Romantici |
Total Pages | : 317 |
Release | : 2018-06-07 |
Genre | : Literary Criticism |
ISBN | : 1108418945 |
Traces the practice of induction - manipulating textual evidence by selective quotation - and its uses by Romantic-period writers.
Author | : Monika B. Hilder |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 411 |
Release | : 2020-11-24 |
Genre | : Literary Criticism |
ISBN | : 1527562654 |
How did five twentieth-century British authors, C. S. Lewis, J. R. R. Tolkien, Charles Williams, Owen Barfield, and Dorothy L. Sayers, along with their mentors George MacDonald and G. K. Chesterton, come to contribute more to the intellect and imagination of millions than many of their literary contemporaries put together? How do their achievements continue to inform and potentially transform us in the twenty-first century? In this first collection of its kind, addressing the entire famous group of seven authors, the twenty-seven chapters in The Inklings and Culture explore the legacy of their diverse literary art—inspired by the Christian faith—art that continues to speak hope into a hurting and deeply divided world.