The Collected Works Of Langston Hughes Gospel Plays Operas And Later Dramatic Works
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Author | : Langston Hughes |
Publisher | : University of Missouri Press |
Total Pages | : 734 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9780826214775 |
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
Author | : Chad Bennett |
Publisher | : JHU Press |
Total Pages | : 343 |
Release | : 2018-05-15 |
Genre | : Literary Criticism |
ISBN | : 1421425386 |
The first study of modern and contemporary poetry’s vibrant exchange with gossip. Can the art of gossip help us to better understand modern and contemporary poetry? Gossip’s ostensible frivolity may seem at odds with common conceptions of poetry as serious, solitary expression. But in Word of Mouth, Chad Bennett explores the dynamic relationship between gossip and American poetry, uncovering the unexpected ways that the history of the modern lyric intertwines with histories of sexuality in the twentieth century. Through nuanced readings of Gertrude Stein, Langston Hughes, Frank O’Hara, and James Merrill—poets who famously absorbed and adapted the loose talk that swirled about them and their work—Bennett demonstrates how gossip became a vehicle for alternative modes of poetic practice. By attending to gossip’s key role in modern and contemporary poetry, he recognizes the unpredictable ways that conventional understandings of the modern lyric poem have been shaped by, and afforded a uniquely suitable space for, the expression of queer sensibilities. Evincing an ear for good gossip, Bennett presents new and illuminating queer contexts for the influential poetry of these four culturally diverse poets. Word of Mouth establishes poetry as a neglected archive for our thinking about gossip and contributes a crucial queer perspective to current lyric studies and its renewed scholarly debate over the status and uses of the lyric genre.
Author | : Nicole A. Waligora-Davis |
Publisher | : Oxford University Press |
Total Pages | : |
Release | : 2011-03-01 |
Genre | : Literary Criticism |
ISBN | : 0199708568 |
In 2005, hurricane Katrina and its aftermath starkly revealed the continued racial polarization of America. Disproportionately impacted by the ravages of the storm, displaced black victims were often characterized by the media as "refugees." The characterization was wrong-headed, and yet deeply revealing. Sanctuary: African Americans and Empire traces the long history of this and related terms, like alien and foreign, a rhetorical shorthand that has shortchanged black America for over 250 years. In tracing the language and politics that have informed debates about African American citizenship, Sanctuary in effect illustrates the historical paradox of African American subjecthood: while frequently the target of legislation (slave law, the Black Codes, and Jim Crow), blacks seldom benefited from the actions of the state. Blackness helped to define social, cultural, and legal aspects of American citizenship in a manner that excluded black people themselves. They have been treated, rather, as foreigners in their home country. African American civil rights efforts worked to change this. Activists and intellectuals demanded equality, but they were often fighting for something even more fundamental: the recognition that blacks were in fact human beings. As citizenship forced acknowledgement of the humanity of African Americans, it thus became a gateway to both civil and human rights. Waligora-Davis shows how artists like Langston Hughes underscored the power of language to define political realities, how critics like W.E.B. Du Bois imagined democratic political strategies, and how they and other public figures have used their writing as a forum to challenge the bankruptcy of a social economy in which the value of human life is predicated on race and civil identity.
Author | : Jackson R. Bryer |
Publisher | : Infobase Learning |
Total Pages | : 2466 |
Release | : 2015-04-22 |
Genre | : American drama |
ISBN | : 1438140762 |
Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers.
Author | : Langston Hughes |
Publisher | : University of Missouri Press |
Total Pages | : 322 |
Release | : 2001 |
Genre | : Literary Collections |
ISBN | : 9780826213402 |
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
Author | : Harvey Young |
Publisher | : Cambridge University Press |
Total Pages | : 359 |
Release | : 2023-05-31 |
Genre | : Drama |
ISBN | : 1009359584 |
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
Author | : Henry Bial |
Publisher | : Bloomsbury Publishing |
Total Pages | : 241 |
Release | : 2024-01-25 |
Genre | : Performing Arts |
ISBN | : 1350202355 |
George Abbott, Vinnette Carroll, and Harold (Hal) Prince were trailblazing figures who helped shape and define the Broadway musical over the course of the 20th century. Their careers expanded the boundaries of the genre, highlighting the critical role of the director in the creation of a new musical. As theatre history, the essays in this volume help to complicate and deepen the reader's understanding of the musical genre of Broadway and of the enduring legacies of these three pioneers. As lessons in theatrical direction, they illustrate the particular issues involved in directing musicals, as well as the stakes of working commercially at the highest levels of the industry. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Author | : Graley Herren |
Publisher | : McFarland |
Total Pages | : 245 |
Release | : 2014-02-14 |
Genre | : Performing Arts |
ISBN | : 0786478934 |
Text & Presentation, 2013 gathers some of the best work presented at the 2013 Comparative Drama Conference in Baltimore. Subjects ranging from Ancient Greece to 21st century America are covered with a variety of approaches and formats. Celebrated playwright Edward Albee's presentation is the lead piece, followed by 12 research papers, one review essay, and seven book reviews. This volume represents the latest research in the fields of comparative drama, performance, and dramatic textual analysis.
Author | : Wallace D. Best |
Publisher | : NYU Press |
Total Pages | : 309 |
Release | : 2019-02-01 |
Genre | : Religion |
ISBN | : 1479847399 |
Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time. Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters. He demonstrates that Hughes’ religious writing helps to situate him and other black writers as important participants in a broader national discussion about race and religion in America. Through a rigorous analysis that includes attention to Hughes’s unpublished religious poems, Langston’s Salvation reveals new insights into Hughes’s body of work, and demonstrates that while Hughes is seen as one of the most important voices of the Harlem Renaissance, his writing also needs to be understood within the context of twentieth-century American religious liberalism and of the larger modernist movement. Combining historical and literary analyses with biographical explorations of Langston Hughes as a writer and individual, Langston’s Salvation opens a space to read Langston Hughes’ writing religiously, in order to fully understand the writer and the world he inhabited.
Author | : Celucien L. Joseph |
Publisher | : University Press of America |
Total Pages | : 195 |
Release | : 2013-12-20 |
Genre | : History |
ISBN | : 0761862579 |
Haitian Modernity and Liberative Interruptions investigates the intersections of history, literature, race, religion, decolonization, and freedom that led to the founding of the postcolonial state of Haiti in 1804. Particular attention is given to the place of religion in the Haitian Revolution, as well as to the interpretation and representation of this singular event in the work of Frederick Douglass and Langston Hughes. This book not only examines the multiple legacies and the problems of Enlightenment modernity, imperial colonialism, Western racism, and hegemony, but also studies their complex relationships with the institutions of slavery, religion, and Black freedom. Topics range from Makandal’s postcolonial religious imagination to Boukman’s liberation theology to Langston Hughes’ discussion of the role of prophetic religion in the Haitian Revolution. Haitian Modernity and Liberative Interruptions also compares Du Bois’s theory of double consciousness with Fanon’s theory of decolonization and revolutionary humanism.