The Collected Works Of Jane Cavendish
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| Author | : Alexandra G. Bennett |
| Publisher | : Routledge |
| Total Pages | : 337 |
| Release | : 2017-08-23 |
| Genre | : Literary Criticism |
| ISBN | : 1317037863 |
The first scholarly edition of the complete works of Jane Cavendish, this volume presents as complete a collection as possible of works and historical documents pertaining to a particularly compelling figure from the English Civil War. These include two manuscript poem and play collections, family letters to and from Jane, dating from after the Civil War years, and important estate papers. Jane Cavendish and her nearest sister, Elizabeth Brackley, are the only known collaborative female dramatists of the early modern period, and the co-composers of the first extant stage comedy by women in English. Most of Jane's extant verse and dramatic works were composed when the fighting of the English Civil War was at its most intense. Her works are, therefore, particularly valuable to both literary and historical researchers of the period because they simultaneously play with established literary conventions and convey much first-hand information about the conditions of aristocratic life during and immediately after the seventeenth-century national meltdown. The introduction offers as comprehensive a biography of Jane Cavendish as possible, focusing primarily on Jane's childhood, education, and conduct during the Civil War, as well as her married life after the war years. Of particular interest among the documents that follow is an account-book including entries from Jane's teenage years as well as her early married life; it portrays vividly what a young lady of her status owned in terms of clothes and jewels, as well as what a newly married woman had to acquire upon setting up a new household.
| Author | : Margaret Cavendish Duchess of Newcastle |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1999-06-18 |
| Genre | : Drama |
| ISBN | : |
Margaret Cavendish, Duchess of Newcastle (1623-1673), until recently remembered more as a flamboyant eccentric than as a serious writer, was in fact the most prolific, thought-provoking, and original woman writer of the Restoration. Cavendish is the author of many poems, short stories, biographies, memoirs, letters, philosophical and scientific works (including The Description of a New World, Called The Blazing World, the first work of science fiction by a woman), and nineteen plays. "The Convent of Pleasure" and Other Plays collects four of Cavendish's dramatic works that are among the most revealing of her attitudes toward marriage and her desire for fame. Loves Adventures (1662) centers on a woman succeeding in war and diplomacy by passing as a man. Similarly, the heroine of Bell in Campo (1662) rescues her husband at the head of an army of women in this tale of a marriage of near equals. The Convent of Pleasure (1668) proposes a separatist community of women and has received attention for its suggestion of lesbian sexuality. The Bridals (1662), a more typical restoration comedy satirizing marriage, rounds out the collection. Edited with notes and annotation by Anne Shaver, "The Convent of Pleasure" and Other Plays also contains a timeline, biography and bibliography of the Duchess, an appreciation of Cavendish's life and work, and a bibliography of critical essays. Also included are all of Cavendish's epistles To the Reader as well as Other Preliminary Matter from Playes (1662), and Cavendish's original preface to Plays Never Before Printed (1668). A valuable collection from an extraordinary writer, "The Convent of Pleasure" and Other Plays raises important issues about women and gender.
| Author | : Janet Todd |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2021-07-09 |
| Genre | : |
| ISBN | : 9781909572270 |
Eccentric Fran wants a second chance. Thanks to her intimacy with Jane Austen, and the poet Shelley, she finds one. Jane Austen is such a presence in Fran's life that she seems to share her cottage and garden, becoming an imaginary friend. Fran's conversations with Jane Austen guide and chide her - but Fran is ready for change after years of teaching, reading and gardening. An encounter with a long-standing English friend, and an American writer, leads to new possibilities. Adrift, the three women bond through a love of books and a quest for the idealist poet Shelley at two pivotal moments of his life: in Wales and Venice. His otherworldly longing and yearning for utopian communities lead the women to interrogate their own past as well as motherhood, feminism, the resurgence of childhood memory in old age, the tensions and attractions between generations. Despite the appeal of solitude, the women open themselves social to ways of living - outside partnership and family. Jane Austen, as always, has plenty of comments to offer. The novel is a (light) meditation on age, mortality, friendship, hope, and the excitement of change.
| Author | : Margaret Cavendish |
| Publisher | : Penguin UK |
| Total Pages | : 320 |
| Release | : 1994-03-31 |
| Genre | : Fiction |
| ISBN | : 0141904828 |
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
| Author | : Danielle Dutton |
| Publisher | : Catapult |
| Total Pages | : 176 |
| Release | : 2016-03-15 |
| Genre | : Fiction |
| ISBN | : 1936787369 |
A Lit Hub Best Book of 2016 • One of Electric Literature's Best Novels of 2016 • An Entropy Best Book of 2016 “The duchess herself would be delighted at her resurrection in Margaret the First...Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” —Katharine Grant, The New York Times Book Review Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th–century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when "being a writer" was not an option open to women. As one of the Queen's attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was "Mad Madge," an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years. Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman. "In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhapsalways already been: provoking and serious fantasies,convincing reconstructions, true fictions.”—Lucy Ives, The New Yorker “Danielle Dutton engagingly embellishes the life of Margaret the First, the infamousDuchess of Newcastle–upon–Tyne.” —Vanity Fair
| Author | : Katie Whitaker |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 2002-08-21 |
| Genre | : Biography & Autobiography |
| ISBN | : |
The engrossing life story of Margaret, Duchess of Newcastle--the seventeenth-century Englishwoman who was famous, and infamous, for daring to pursue a career as a published writer
| Author | : Margaret Cavendish |
| Publisher | : Broadview Press |
| Total Pages | : 340 |
| Release | : 2000-01-20 |
| Genre | : Fiction |
| ISBN | : 9781551111735 |
Margaret Cavendish was one of the most subversive and entertaining writers of the seventeenth century. She invented new genres, challenged gender roles, and critiqued the new science as well as the mores of society. “Paper Bodies” was the wonderful phrase she used to described her manuscripts, which she hoped would continue to make “a great Blazing Light” after her death. There are connections here to Cavendish’s most famous work, The Description of a New World, Called the Blazing World (1666), a unique tale of a woman travelling through the north pole to a strange new world. In addition to The Blazing World, this volume includes Cavendish’s brief autobiography, A True Relation of My Birth, Breeding and Life (1667), her play The Convent of Pleasure, and selections from her Sociable Letters, her poetry, and her critical writings. A variety of background documents by other seventeenth-century writers helps to set her work in context for the modern reader.
| Author | : Sarah C. E. Ross |
| Publisher | : |
| Total Pages | : 273 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0198724209 |
Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as the first in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, Jane Cavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge out of social and religious poetic modes and out of manuscript-based authorial practices. Situating each writer in her political and intellectual contexts, from early covenanting Scotland to Restoration England, this volume explores women's political articulation in the devotional lyric, biblical verse paraphrase, occasional verse, elegy, and emblem. For women, excluded from the public-political sphere, these rhetorically-modest genres and the figural language of poetry offered vital modes of political expression; and women of diverse affiliations use religious and social poetics, the tropes of family and household, and the genres of occasionality that proliferated in manuscript culture to imagine the state. Attending also to the transmission and reception of women's poetry in networks of varying reach, Sarah C. E. Ross reveals continuities and evolutions in women's relationship to politics and poetry, and identifies a female tradition of politicised poetry in manuscript spanning the decades before, during, and after the Civil Wars.
| Author | : Jane Dunn |
| Publisher | : Knopf |
| Total Pages | : 434 |
| Release | : 2008-10-14 |
| Genre | : History |
| ISBN | : 0307270335 |
When Sir William Temple (1628–99) and Dorothy Osborne (1627–95) began their passionate love affair, civil war was raging in Britain, and their families—parliamentarians and royalists, respectively—did everything to keep them apart. Yet the couple went on to enjoy a marriage and a sophisticated partnership unique in its times. Surviving the political chaos of the era, the Black Plague, the Great Fire of London, and the deaths of all their nine children, William and Dorothy made a life together for more than forty years. Drawing upon extensive research and the Temples’ own extraordinary writings—including Dorothy’s dazzling letters, hailed by Virginia Woolf as one of the glories of English literature—Jane Dunn gives us an utterly captivating dual biography, the first to examine Dorothy’s life as an intellectual equal to her diplomat husband. While she has been known to posterity as the very symbol of upper-class seventeenth-century domestic English life, Dunn makes clear that Dorothy was a woman of great complexity, of passion and brilliance, noteworthy far beyond her role as a wife and mother. The remarkable story of William and Dorothy’s life together—illuminated here by the author’s insight and her vivid sense of place and time—offers a rare glimpse into the heart and spirit of one of the most turbulent and intriguing eras in British history.
| Author | : Margaret Cavendish |
| Publisher | : Broadview Press |
| Total Pages | : 266 |
| Release | : 2020-02-28 |
| Genre | : Philosophy |
| ISBN | : 177048731X |
This edition aims to make Margaret Cavendish’s most mature philosophical work more accessible to students and scholars of the period. Grounds of Natural Philosophy is important not only because it is Cavendish’s final articulation of her metaphysics but also because it succinctly outlines her fundamental views on “the nature of nature”—or the base substance and mechanics of all natural matter—and vividly demonstrates her probabilistic approach to philosophical enquiry. Moreover, Grounds spends considerable time discussing the human body, including the functions of the mind, a topic of growing interest to both historians of philosophy and literary scholars. This Broadview Edition opens to modern readers a vibrant, unique, and provocative voice of the past that challenges our standard view of seventeenth-century English philosophy.
