The Collected Novels Of Charles Wright
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Author | : Charles Wright |
Publisher | : HarperCollins |
Total Pages | : 471 |
Release | : 2019-08-27 |
Genre | : Fiction |
ISBN | : 0062966421 |
“Reading Wright is a steep, stinging pleasure.”—Dwight Garner, New York Times In this incisive, satirical collection of three classic American novels by Charles Wright—hailed by the New York Times as “malevolent, bitter, glittering”—a young, black intellectual from the South struggles to make it in New York City. This special compilation includes a foreword by acclaimed poet and novelist Ishmael Reed, who calls Wright, “Richard Pryor on paper.” As fresh and poignant as when originally published in the sixties and seventies, The Messenger, The Wig, and Absolutely Nothing to get Alarmed About form Charles Wright’s remarkable New York City trilogy. By turns brutally funny and starkly real, these three autobiographical novels create a memorable portrait of a young, working-class, black intellectual—a man caught between the bohemian elite of Greenwich Village and the dregs of male prostitution and drug abuse. Wright’s fiction is searingly original in bringing to life a special time, a special place, and the remarkable story of a man living in two worlds. This updated edition shines a spotlight once again on this important writer—a writer whose work is so crucial to our times.
Author | : Charles Wright |
Publisher | : |
Total Pages | : 232 |
Release | : 1973 |
Genre | : African Americans |
ISBN | : |
Author | : Charles Wright |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 98 |
Release | : 2014-07-15 |
Genre | : Poetry |
ISBN | : 1466877413 |
Winner of the Pulitzer Prize and the National Book Critics Circle Award Black Zodiac offers poems suffused with spiritual longing—lyrical meditations on faith, religion, heritage, and morality. The poems also explore aging and mortality with restless grace. Approaching his vast subjects by way of small moments, Wright magnifies details to reveal truths much larger than the quotidian happenings that engendered them. His is an astonishing, flexible, domestic-yet-universal verse. As the critic Helen Vendler has observed, Wright is a poet who "sounds like nobody else."
Author | : Richard Wright |
Publisher | : Pickle Partners Publishing |
Total Pages | : 255 |
Release | : 2019-11-01 |
Genre | : Fiction |
ISBN | : 1789129885 |
Savage Holiday, first published in 1954 by noted American author Richard Wright, is a tense, well-written psychological thriller about Erskine Fowler, an insurance executive forced into early retirement, who, over the course of a bizarre weekend, is responsible for the accidental death of his neighbor’s young son. Tragic consequences follow as Fowler attempts to redeem himself and is forced to question his own life, as events spiral out-of-control to their inevitable conclusion.
Author | : Charles Wright |
Publisher | : Macmillan |
Total Pages | : 96 |
Release | : 2014-03-18 |
Genre | : Poetry |
ISBN | : 0374119023 |
A collection of poems that meditates on life and nature while exploring the author's restless pursuit of a divine reality.
Author | : Charles Wright |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 222 |
Release | : 2014-07-29 |
Genre | : Poetry |
ISBN | : 1466877502 |
Negative Blue is the culmination of the cycle that won Wright the Pulitzer Prize and National Book Critics Circle Award. Time will append us like suit coats left out overnight On a deck chair, loose change dead weight in the right pocket, Silk handkerchief limp with dew, sleeves in a slow dance with the wind. And love will kill us-- Love, and the winds from under the earth that grind us to grain-out. --from "Still Life with Spring and Time to Burn" When Charles Wright published Appalachia in 1998, it marked the completion of a nine-volume project, of which James Longenbach wrote in the Boston Review, "Charles Wright's trilogy of trilogies--call it 'The Appalachian Book of the Dead'--is sure to be counted among the great long poems of the century." The first two of those trilogies were collected in Country Music (1982) and The World of the Ten Thousand Things (1990). Here Wright adds to his third trilogy (Chickamauga [1995], Black Zodiac [1997], and Appalachia [1998]) a section of new poems that suggest new directions in the work of this sensuous, spirit-haunted poet.
Author | : Stephen Wright |
Publisher | : Little, Brown |
Total Pages | : 368 |
Release | : 2020-01-21 |
Genre | : Fiction |
ISBN | : 0316126276 |
From an "astonishing" writer (Toni Morrison), the savagely funny story of a couple who unexpectedly come into some money in a wealth-obsessed America deranged by Mammon. A bag of money drops out of the sky, literally, into the path of a cash-starved citizen named Graveyard. He carries it home to his wife, Ambience, and they embark on the adventure of their lives, finally able to have everything they've always thought they deserved: cars, guns, games, jewels, clothes—and of course sex, travel, and time with friends and family. There is no limit except their imagination and the hours in the day, and even those seem to be subject to their control. Of course, the owner of the bag is searching for it, and will do whatever is necessary to get it back. And, of course, these new riches change everything—and nothing at all. Darkly hilarious, Processed Cheese is both satire and serious as death. It's a road novel, a family story, and a last-girl-standing thriller of once-in-a-generation vitality and inventiveness. With the clarity of a Swift or a Melville, Wright has created a funhouse-mirror drama that puts all the chips on the table and every bullet in the clip, down to the last breathtaking moment.
Author | : Charles Wright |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 692 |
Release | : 2019-11-05 |
Genre | : Poetry |
ISBN | : 0374719829 |
The selected works of one of our finest American poets The thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don’t touch it here, and don’t touch it there. Don’t touch it, in fact, anywhere— Let it dangle and hold us hard, let it flash and swing. —from “Scar Tissue” Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality. The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.
Author | : David Kirby |
Publisher | : University of Georgia Press |
Total Pages | : 242 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 9780820324784 |
In What Is a Book? David Kirby addresses the making and consuming of literature by redefining the four components of the act of reading: writer, reader, critic, and book. He discusses his students, his work, and his practice as a teacher, writer, critic, and reader, and positions his theories and opinions as products of "real" life as much as academic exercise. Among the ideas animating the book are Kirby's beliefs that "devotion is more important than dissection" and "practice is more important than theory." Covering an impressive range of writers--from Emerson, Poe, and Melville to James Dickey, Charles Wright, Richard Howard, Susan Montez, and others--Kirby considers the evolution of critical theory from the nineteenth century to the late twentieth and explores the role of criticism in contemporary culture. Drawing from his experience writing poetry and reading to children at a local housing project, he answers two of his four central questions: "What is a reader?" and "What is a writer?" In the largest section of the book, "What Is a Critic?," Kirby demonstrates his passionate engagement with the function of the critic in literary culture and offers both overviews and close examinations of literary theory, book reviewing, and the historical background of criticism from its earliest beginnings. In the final section of the book, he addresses the question "What is a book?" with an examination of the reading preferences of older readers. Kirby's analysis of those responses, along with his own notions of the literary canon, is an insightful excursion into how books are valued. Deeply learned and wonderfully entertaining, What Is a Book? is a lucid look at the whole of literary culture. Kirby makes us think about the books we love and why we love them.
Author | : George Cain |
Publisher | : HarperCollins |
Total Pages | : 230 |
Release | : 2019-03-12 |
Genre | : Fiction |
ISBN | : 0062913182 |
A searing chronicle of the life of a young ex-convict and heroin addict in 1960’s Harlem, an unsparing portrait of a man who couldn’t free himself from the horrors of addiction Blueschild Baby takes place during the summer of 1967—the summer of race riots all across the nation; the Summer of Love in the Haight Ashbury; the summer of Marines dying near Con Thien, across the world in Vietnam—but the novel illuminates the contours of a more private hell: the angry desperation of a heroin addict who returns to his home in Harlem after being in prison. First published in 1970, this frankly autobiographical novel was a revelation, a stunning depiction of a marginal figure, marked literally and figuratively by his drug addiction and navigating a predatory underground of junkies and hustlers—and named George Cain, like his author. Now with a new preface by acclaimed writer Leslie Jamison, this is an unvarnished conjuring of the tyranny of dependence: its desperation, its degradation, its rage and rebellion; the fragile, unsettled, occasional shards of hope it permits; the strange joys of being alive and young and lost and hooked and full of feverish determination anyway.