The Coffee Table Book In The Post War Anglophone World
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Author | : Christine Elliott |
Publisher | : Springer Nature |
Total Pages | : 261 |
Release | : 2023-09-30 |
Genre | : Literary Criticism |
ISBN | : 3031389026 |
The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the “golden age” era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.
Author | : David Crystal |
Publisher | : Cambridge University Press |
Total Pages | : 227 |
Release | : 2012-03-29 |
Genre | : Foreign Language Study |
ISBN | : 1107611806 |
Written in a detailed and fascinating manner, this book is ideal for general readers interested in the English language.
Author | : Peter Millar |
Publisher | : Arcadia Books |
Total Pages | : 455 |
Release | : 2020-12-10 |
Genre | : Biography & Autobiography |
ISBN | : 1911350447 |
Based on a lifetime living in and reporting on Germany and Central Europe, award-winning journalist and author Peter Millar tackles the fascinating and complex story of the people at the heart of our continent. Focussing on nine cities (only six of which are in the Germany of today) he takes us on a zigzag ride back through time via the fall of the Berlin Wall through the horrors of two world wars, the patchwork states of the Middle Ages, to the splendour of Charlemagne and the fall of Rome, with side swipes at everything on the way, from Henry VIII to the Spanish Empire. Included are mini portraits of aspects of German culture from sex and money to food and drink. Not just a book about Germany but about Europe as a whole and how we got where we are today, and where we might be tomorrow.
Author | : Johnnie Gratton |
Publisher | : Berghahn Books |
Total Pages | : 240 |
Release | : 2005-10-01 |
Genre | : Social Science |
ISBN | : 1789204054 |
The idea of the ‘project’ crosses generic, disciplinary and cultural frontiers. At a time when writers and artists are increasingly describing their practices as ‘projects’, remarkably little critical attention has been paid to the actual idea of the ‘project’. This collection of essays responds to an urgent need by suggesting a framework for evaluating the notion of the project in the light of various modernist and postmodernist cultural practices, drawn mainly but not exclusively from the French-speaking domain. The overview offered by this volume promises to makes an original and thought-provoking contribution to contemporary literary, artistic and cultural criticism.
Author | : Christine Elliott |
Publisher | : Images Publishing |
Total Pages | : 243 |
Release | : 2009 |
Genre | : Design |
ISBN | : 186470313X |
A unique study of the names and bikes of the world's most famous, innovative and legendary makers of contemporary bespoke bicycles.
Author | : Daniel Ryan Morse |
Publisher | : Columbia University Press |
Total Pages | : 196 |
Release | : 2020-11-10 |
Genre | : Literary Criticism |
ISBN | : 0231552599 |
Initially created to counteract broadcasts from Nazi Germany, the BBC’s Eastern Service became a cauldron of global modernism and an unlikely nexus of artistic exchange. Directed at an educated Indian audience, its programming provided remarkable moments: Listeners in India heard James Joyce reading from Finnegans Wake on the eve of independence, as well as the literary criticism of E. M. Forster and the works of Indian writers living in London. In Radio Empire, Daniel Ryan Morse demonstrates the significance of the Eastern Service for global Anglophone literature and literary broadcasting. He traces how modernist writers used radio to experiment with form and introduce postcolonial literature to global audiences. While innovative authors consciously sought to incorporate radio’s formal features into the novel, literature also exerted a reciprocal and profound influence on twentieth-century broadcasting. Reading Joyce and Forster alongside Attia Hosain, Mulk Raj Anand, and Venu Chitale, Morse demonstrates how the need to appeal to listeners at the edges of the empire pushed the boundaries of literary work in London, inspired high-cultural broadcasting in England, and formed an invisible but influential global network. Adding a transnational perspective to scholarship on radio modernism, Radio Empire demonstrates how the history of broadcasting outside of Western Europe offers a new understanding of the relationship between colonial center and periphery.
Author | : Serhiy Zhadan |
Publisher | : Yale University Press |
Total Pages | : 158 |
Release | : 2019-04-16 |
Genre | : Literary Criticism |
ISBN | : 0300223366 |
An introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation "Everyone can find something, if they only look carefully," reads one of the memorable lines from this first collection of poems in English by the world-renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where "every year there's less and less air." Yet despite the grimness of these portraits, Zhadan's poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people "will never let it be / like it was before."
Author | : Stephanie Barron |
Publisher | : Prestel |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art and society |
ISBN | : 9783791354316 |
Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
Author | : Jim Hudgens |
Publisher | : |
Total Pages | : 1242 |
Release | : 1990 |
Genre | : Africa, West |
ISBN | : |
Author | : Boualem Sansal |
Publisher | : Europa Editions |
Total Pages | : 202 |
Release | : 2017-01-31 |
Genre | : Fiction |
ISBN | : 1609453697 |
A “sharply satirical” novel about an oppressive religious dictatorship and one man’s discovery of an underground resistance (Library Journal). 2015 Winner of the Le Grand Prix du Roman de l’Académie française A tribute to George Orwell’s dystopian classic 1984 and a cry of protest against totalitarianism of all kinds, Boualem Sansal’s 2084 tells the story of a near future in which religious extremists have established a caliphate that forbids autonomous thought. In the year 2084, in the kingdom of Abistan—named after the prophet Abi, earthly messenger of the god Yölah—citizens submit to a single god, demonstrating their devotion by kneeling in prayer nine times a day. Remembering the past is forbidden, and an omnipresent surveillance system instantly informs the authorities of every deviant act, thought, or idea. The kingdom is blessed and its citizens are happy, filled with purpose and piety. Those who are not—the heretics—are put to death by stoning or beheading in city squares. But Ati has met people who think differently: In ghettos and caves, hidden from the authorities, exist the last living heretics and free-thinkers of Abistan. Under their influence, Ati begins to doubt. He begins to think. Now, he will have to defend his thoughts with his life. 2084 is “a rare, powerful book, at the intersection of fable and lampoon, of satire and science fiction,” a cry of freedom, a gripping novel of ideas, and an indictment of the kind of closed-minded fundamentalism that threatens our democracies and the ideals on which they are founded (Lire). “Alison Anderson’s deft and intelligent translation [conveys] Sansal’s abhorrence of a system that controls people’s minds, while explaining that the religion was not originally evil but has been corrupted. A moving and cautionary story.” —The Times Literary Supplement “A powerful novel that celebrates resistance.” —The Guardian