The Claude Neal Lynching
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| Author | : James R. McGovern |
| Publisher | : LSU Press |
| Total Pages | : 203 |
| Release | : 2013-10-07 |
| Genre | : History |
| ISBN | : 0807154261 |
"A sensitive and forthright analysis of one of the most gruesome episodes in Florida history... McGovern has produced a richly detailed case study that should enhance our general understanding of mob violence and vigilantism." -- Florida Historical Quarterly "[McGovern] has succeeded in writing more than a narrative account of this bloodcurdling story; he has explored its causes and ramifications." -- American Historical Review "A finely crafted historical case study of one lynching, its antecedents, and its aftermath." -- Contemporary Sociology First published in 1982, James R. McGovern's Anatomy of a Lynching unflinchingly reconstructs the grim events surrounding the death of Claude Neal, one of the estimated three thousand blacks who died at the hands of southern lynch mobs in the six decades between the 1880s and the outbreak of World War II. Neal was accused of the brutal rape and murder of Lola Cannidy, a young white woman he had known since childhood. On October 26, 1934, a well-organized mob took Neal from his jail cell. The following night, the mob tortured Neal and hanged him to the point of strangulation, repeating the process until the victim died. A large crowd of men, women, and children who gathered to witness, celebrate, and assist in the lynching further mutilated Neal's body. Finally, the battered corpse was put on display, suspended as a warning from a tree in front of the Jackson County, Florida, courthouse. Based on extensive research as well as on interviews with both blacks and whites who remember Neal's death, Anatomy of a Lynching sketches the social background of Jackson County, Florida -- deeply religious, crushed by the Depression, accustomed to violence, and proud of its role in the Civil War -- and examines which elements in the county's makeup contributed to the mob violence. McGovern offers a powerful dissection of an extraordinarily violent incident.
| Author | : Dale A. Cox |
| Publisher | : |
| Total Pages | : 211 |
| Release | : 2012 |
| Genre | : Jackson County (Fla.) |
| ISBN | : 9780615559476 |
The 1934 lynching of an African American farm laborer named Claude Neal was part of an unprecedented outbreak of violence. It has been called the "last public spectacle" lynching in U.S. history. In the first new book on the incident in thirty years, writer and historian Dale Cox unveils a wealth of new information including never before published information from men involved in the actual lynching, statements from eyewitnesses, new documentation and much more. Critically acclaimed, this book is a must for any student of Southern history or the 1930s. Claude Neal was a Florida farm laborer accused of murdering a young woman named Lola Cannady. Despite the best efforts of law enforcement to protect him, he was taken from jail by force, tortured and murdered. His body was then hanged from a tree in Marianna, the county seat of Jackson County, Florida. The lynching sparked rioting and forced Florida's governor to order National Guard troops to occupy Marianna. The Claude Neal Lynching has been hailed by critics, including Southern novelist Janis Owens, for breaking new ground on the topic and for adding dramatically to what is known of the brutal events of 1934.
| Author | : Amy Louise Wood |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 366 |
| Release | : 2011-02-01 |
| Genre | : History |
| ISBN | : 0807878111 |
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.
| Author | : Ashraf H. A. Rushdy |
| Publisher | : Yale University Press |
| Total Pages | : 249 |
| Release | : 2012-10-30 |
| Genre | : History |
| ISBN | : 0300184743 |
A history of lynching in America over the course of three centuries, from colonial Virginia to twentieth-century Texas. After observing the varying reactions to the 1998 death of James Byrd Jr. in Texas, called a lynching by some, denied by others, Ashraf Rushdy determined that to comprehend this event he needed to understand the long history of lynching in the United States. In this meticulously researched and accessibly written interpretive history, Rushdy shows how lynching in America has endured, evolved, and changed in meaning over the course of three centuries, from its origins in early Virginia to the present day. “A work of uncommon breadth, written with equally uncommon concision. Excellent.” —N. D. B. Connolly, Johns Hopkins University “Provocative but careful, opinionated but persuasive . . . Beyond synthesizing current scholarship, he offers a cogent discussion of the evolving definition of lynching, the place of lynchers in civil society, and the slow-in-coming end of lynching. This book should be the point of entry for anyone interested in the tragic and sordid history of American lynching.” —W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 1880-1930 “A sophisticated and thought-provoking examination of the historical relationship between the American culture of lynching and the nation’s political traditions. This engaging and wide-ranging meditation on the connection between democracy, lynching, freedom, and slavery will be of interest to those in and outside of the academy.” —William Carrigan, Rowan University “In this sobering account, Rushdy makes clear that the cultural values that authorize racial violence are woven into the very essence of what it means to be American. This book helps us make sense of our past as well as our present.” —Jonathan Holloway, Yale University
| Author | : Stephen J. Whitfield |
| Publisher | : JHU Press |
| Total Pages | : 214 |
| Release | : 1991-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780801843266 |
Here is the full, shocking story of the lynching that exposed the true brutality of the nation's tradition of racism to a confident prosperous post-World War II America and helped ignite the 1960s civil rights movement.
| Author | : Dominic J. CapeciJr. |
| Publisher | : University Press of Kentucky |
| Total Pages | : 292 |
| Release | : 2014-10-17 |
| Genre | : History |
| ISBN | : 0813156467 |
On January 20, 1942, black oil mill worker Cleo Wright assaulted a white woman in her home and nearly killed the first police officer who tried to arrest him. An angry mob then hauled Wright out of jail and dragged him through the streets of Sikeston, Missouri, before burning him alive. Wright's death was, unfortunately, not unique in American history, but what his death meant in the larger context of life in the United States in the twentieth-century is an important and compelling story. After the lynching, the U.S. Justice Department was forced to become involved in civil rights concerns for the first time, provoking a national reaction to violence on the home front at a time when the country was battling for democracy in Europe. Dominic Capeci unravels the tragic story of Wright's life on several stages, showing how these acts of violence were indicative not only of racial tension but the clash of the traditional and the modern brought about by the war. Capeci draws from a wide range of archival sources and personal interviews with the participants and spectators to draw vivid portraits of Wright, his victims, law-enforcement officials, and members of the lynch mob. He places Wright in the larger context of southern racial violence and shows the significance of his death in local, state, and national history during the most important crisis of the twentieth-century.
| Author | : Tameka B. Hobbs |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : HISTORY |
| ISBN | : 9780813062396 |
In this book, Tameka Hobbs investigates the history of racial violence and lynchings in Florida, focusing especially on a string of brutal lynchings that occurred during the 1940s. She argues that these lynchings created difficult diplomatic moments during both World War II and the Cold War period and that they forced the U.S. government to become more active in prosecuting racial violence.--Publisher description.
| Author | : Eric C. Schneider |
| Publisher | : Princeton University Press |
| Total Pages | : 354 |
| Release | : 2021-01-12 |
| Genre | : History |
| ISBN | : 0691223300 |
They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive. Schneider begins by describing how postwar urban renewal, slum clearances, and ethnic migration pitted African-American, Puerto Rican, and Euro-American youths against each other in battles to dominate changing neighborhoods. But he argues that young men ultimately joined gangs less because of ethnicity than because membership and gang violence offered rare opportunities for adolescents alienated from school, work, or the family to win prestige, power, adulation from girls, and a masculine identity. In the course of the book, Schneider paints a rich and detailed portrait of everyday life in gangs, drawing on personal interviews with former members to re-create for us their language, music, clothing, and social mores. We learn what it meant to be a "down bopper" or a "jive stud," to "fish" with a beautiful "deb" to the sounds of the Jesters, and to wear gang sweaters, wildly colored zoot suits, or the "Ivy League look." He outlines the unwritten rules of gang behavior, the paths members followed to adulthood, and the effects of gang intervention programs, while also providing detailed analyses of such notorious gang-related crimes as the murders committed by the "Capeman," Salvador Agron. Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy. Written with a profound understanding of adolescent culture and the street life of New York, this is a powerful work of history and a compelling story for a general audience.
| Author | : Janis Owens |
| Publisher | : Simon and Schuster |
| Total Pages | : 293 |
| Release | : 2013-03-12 |
| Genre | : Fiction |
| ISBN | : 1451674651 |
"A compelling, deeply rewarding novel from a unique southern storyteller, American Ghost is Janis Owens' richly woven story about how unresolved family history and the racial tensions of the past threaten a love affair between two young Floridians"--
| Author | : Melissa N. Stein |
| Publisher | : U of Minnesota Press |
| Total Pages | : 307 |
| Release | : 2015-09-01 |
| Genre | : Social Science |
| ISBN | : 1452944695 |
From the “gay gene” to the “female brain” and African American students’ insufficient “hereditary background” for higher education, arguments about a biological basis for human difference have reemerged in the twenty-first century. Measuring Manhood shows where they got their start. Melissa N. Stein analyzes how race became the purview of science in nineteenth- and early twentieth-century America and how it was constructed as a biological phenomenon with far-reaching social, cultural, and political resonances. She tells of scientific “experts” who advised the nation on its most pressing issues and exposes their use of gender and sex differences to conceptualize or buttress their claims about racial difference. Stein examines the works of scientists and scholars from medicine, biology, ethnology, and other fields to trace how their conclusions about human difference did no less than to legitimize sociopolitical hierarchy in the United States. Covering a wide range of historical actors from Samuel Morton, the infamous collector and measurer of skulls in the 1830s, to NAACP leader and antilynching activist Walter White in the 1930s, this book reveals the role of gender, sex, and sexuality in the scientific making?and unmaking?of race.
