The Civil Rights Movement Revisited
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| Author | : Patrick B. Miller |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 234 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9783825844868 |
" The crusade for civil rights was a defining episode of 20th century U.S. history, reshaping the constitutional, political, social, and economic life of the nation. This collection of original essays by both European and American scholars includes close analyses of literature and film, historical studies of significant themes and events from the turn-of-the century to the movement years, and assessments of the movement's legacies. Ultimately, the articles help examine the ways civil rights activism, often grounded in the political work of women, has shaped American consciousness and culture until the outset of the 21st century. Patrick Miller is Professor of History at North Eastern Illinois University, Chicago, Ill., USA. Elisabeth Schaefer-Wuensche teaches American Studies at the University of Duesseldorf, Germany. Therese Steffen is Professor of English at the University of Basel, Switzerland. "
| Author | : M. Susan Orr Klopfer |
| Publisher | : Lulu.com |
| Total Pages | : 680 |
| Release | : 2005-08-02 |
| Genre | : Political Science |
| ISBN | : 9781411641020 |
A new look at the Mississippi Civil Rights Movement from the time that enslaved Africans arrived in Mississippi through 2005 as criminal cases and trials continue.. Whether a Rebel represents someone supporting the Confederacy's Lost Cause or someone opposing the caste system it represents, either way Mississippi has always been full of Rebels. Authors M. Susan Orr-Klopfer, Fred J. Klopfer, Barry C. Klopfer, Esq. Foreword by Benjamin T. Greenberg... "Understand Mississippi and you understand all of Democracy." Anonymous
| Author | : Jeanne Theoharis |
| Publisher | : Beacon Press |
| Total Pages | : 282 |
| Release | : 2018-01-30 |
| Genre | : Political Science |
| ISBN | : 0807075876 |
Praised by The New York Times; O, The Oprah Magazine; Bitch Magazine; Slate; Publishers Weekly; and more, this is “a bracing corrective to a national mythology” (New York Times) around the civil rights movement. The civil rights movement has become national legend, lauded by presidents from Reagan to Obama to Trump, as proof of the power of American democracy. This fable, featuring dreamy heroes and accidental heroines, has shuttered the movement firmly in the past, whitewashed the forces that stood in its way, and diminished its scope. And it is used perniciously in our own times to chastise present-day movements and obscure contemporary injustice. In A More Beautiful and Terrible History award-winning historian Jeanne Theoharis dissects this national myth-making, teasing apart the accepted stories to show them in a strikingly different light. We see Rosa Parks not simply as a bus lady but a lifelong criminal justice activist and radical; Martin Luther King, Jr. as not only challenging Southern sheriffs but Northern liberals, too; and Coretta Scott King not only as a “helpmate” but a lifelong economic justice and peace activist who pushed her husband’s activism in these directions. Moving from “the histories we get” to “the histories we need,” Theoharis challenges nine key aspects of the fable to reveal the diversity of people, especially women and young people, who led the movement; the work and disruption it took; the role of the media and “polite racism” in maintaining injustice; and the immense barriers and repression activists faced. Theoharis makes us reckon with the fact that far from being acceptable, passive or unified, the civil rights movement was unpopular, disruptive, and courageously persevering. Activists embraced an expansive vision of justice—which a majority of Americans opposed and which the federal government feared. By showing us the complex reality of the movement, the power of its organizing, and the beauty and scope of the vision, Theoharis proves that there was nothing natural or inevitable about the progress that occurred. A More Beautiful and Terrible History will change our historical frame, revealing the richness of our civil rights legacy, the uncomfortable mirror it holds to the nation, and the crucial work that remains to be done. Winner of the 2018 Brooklyn Public Library Literary Prize in Nonfiction
| Author | : Stephen Drury Smith |
| Publisher | : New Press, The |
| Total Pages | : 217 |
| Release | : 2019-01-15 |
| Genre | : Political Science |
| ISBN | : 1595589821 |
Featured in the New Yorker's "Page-Turner" One of Mashable's "17 books every activist should read in 2019" "This is an expression not of people who are suddenly freed of something, but people who have been free all along." —Ralph Ellison, speaking with Robert Penn Warren A stunning collection of previously unpublished interviews with key figures of the black freedom struggle by the Pulitzer Prize–winning author In 1964, in the height of the civil rights movement of the 1960s, Pulitzer Prize–winning author and poet Robert Penn Warren set out with a tape recorder to interview leaders of the black freedom struggle. He spoke at length with luminaries such as James Baldwin, Martin Luther King Jr., Stokely Carmichael, Ralph Ellison, and Roy Wilkins, eliciting reflections and frank assessments of race in America and the possibilities for meaningful change. In Harlem, a fifteen-minute appointment with Malcolm X unwound into several hours of vivid conversation. A year later, Penn Warren would publish Who Speaks for the Negro?, a probing narrative account of these conversations that blended his own reflections with brief excerpts and quotations from his interviews. Astonishingly, the full extent of the interviews remained in the background and were never published. The audiotapes stayed largely unknown until recent years. Free All Along brings to life the vital historic voices of America's civil rights generation, including writers, political activists, religious leaders, and intellectuals. A major contribution to our understanding of the struggle for justice and equality, these remarkable long-form interviews are presented here as original documents that have pressing relevance today.
| Author | : James Farmer |
| Publisher | : Texas A&M University Press |
| Total Pages | : 659 |
| Release | : 2013-05-31 |
| Genre | : History |
| ISBN | : 0875655203 |
Texas native James Farmer is one of the “Big Four” of the turbulent 1960s civil rights movement, along with Martin Luther King Jr., Roy Wilkins, and Whitney Young. Farmer might be called the forgotten man of the movement, overshadowed by Martin Luther King Jr., who was deeply influenced by Farmer’s interpretation of Gandhi’s concept of nonviolent protest. Born in Marshall, Texas, in 1920, the son of a preacher, Farmer grew up with segregated movie theaters and “White Only” drinking fountains. This background impelled him to found the Congress of Racial Equality in 1942. That same year he mobilized the first sit-in in an all-white restaurant near the University of Chicago. Under Farmer’s direction, CORE set the pattern for the civil rights movement by peaceful protests which eventually led to the dramatic “Freedom Rides” of the 1960s. In Lay Bare the Heart Farmer tells the story of the heroic civil rights struggle of the 1950s and 1960s. This moving and unsparing personal account captures both the inspiring strengths and human weaknesses of a movement beset by rivalries, conflicts and betrayals. Farmer recalls meetings with Franklin and Eleanor Roosevelt, Jack and Bobby Kennedy, Adlai Stevenson (for whom he had great respect), and Lyndon Johnson (who, according to Farmer, used Adam Clayton Powell Jr., to thwart a major phase of the movement). James Farmer has courageously worked for dignity for all people in the United States. In this book, he tells his story with forthright honesty. First published in 1985 by Arbor House, this edition contains a new foreword by Don Carleton, director of the Dolph Briscoe Center for American History at the University of Texas at Austin, and a new preface.
| Author | : Howell Raines |
| Publisher | : Penguin |
| Total Pages | : 497 |
| Release | : 1983-09-29 |
| Genre | : Political Science |
| ISBN | : 0140067531 |
"A superb oral history." —The Washington Post Book World "So touching, so exhilarating...no book for a long time has left me so moved or so happy." —The New York Times Book Review The almost unfathomable courage and the undying faith that propelled the Civil Rights Movement are brilliantly captured in these moving personal recollections. Here are the voices of leaders and followers, of ordinary people who became extraordinary in the face of turmoil and violence. From the Montgomery Bus Boycott in 1956 to the death of Martin Luther King, Jr., in 1968, these are the people who fought the epic battle: Rosa Parks, Andrew Young, Ralph Abernathy, Hosea Williams, Fannie Lou Hamer, and others, both black and white, who participated in sit-ins, Freedom Rides, voter drives, and campaigns for school and university integration. Here, too, are voices from the “Down-Home Resistance” that supported George Wallace, Bull Connor, and the “traditions” of the Old South—voices that conjure up the frightening terrain on which the battle was fought. My Soul Is Rested is a powerful document of social and political history, as well as a magnificent tribute to those who made history happen.
| Author | : Colleen Josephine Sheehy |
| Publisher | : U of Minnesota Press |
| Total Pages | : 304 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0816660999 |
The young man from Hibbing released Highway 61 Revisited in 1965, and the rest, as they say, is history. Or is it? From his roots in Hibbing, to his rise as a cultural icon in New York, to his prominence on the worldwide stage, Colleen J. Sheehy and Thomas Swiss bring together the most eminent Dylan scholars at work today--as well as people from such farreaching fields as labor history, African American studies, and Japanese studies--to assess Dylan's career, influences, and his global impact on music and culture.
| Author | : P. Nicole King |
| Publisher | : Rutgers University Press |
| Total Pages | : 379 |
| Release | : 2019-08-09 |
| Genre | : History |
| ISBN | : 0813594014 |
Nicknamed both “Mobtown” and “Charm City” and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated—and more fascinating. To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of neoliberal policies, a place where inequality has increased as corporate interests have eagerly privatized public goods and services to maximize profits. But they also uncover how community members resist and reveal a long tradition of Baltimoreans who have fought for social justice. The essays in this collection take readers on a tour through the city’s diverse neighborhoods, from the Lumbee Indian community in East Baltimore to the crusade for environmental justice in South Baltimore. Baltimore Revisited examines the city’s past, reflects upon the city’s present, and envisions the city’s future.
| Author | : Abigail Cloud |
| Publisher | : LSU Press |
| Total Pages | : 344 |
| Release | : 2014-04-07 |
| Genre | : Political Science |
| ISBN | : 080715766X |
In her first collection of poems, Abigail Cloud draws inspiration from nineteenth-century European Romantic ballets, which often portrayed scorned females as mystical spirits such as sylphs, shades, and wilis. Some of these creatures seduced men into dancing until they died -- punishment for inconstancy or lured them into love. For Cloud, the dark gravity that holds these enchanters to the earth is the same as our own and thus these demons are as everyday as air. Sylph filters our world through the lenses of dance, folklore, and history, revealing our contemporary lives to be dreamlike and prismatic. "In the blink the mouse spent to disappear, I loved you," avows the sylph. The cost of her ascension -- and ours -- is steep: "our price speech, our forgetting breath." Such are the stakes in this complex, seductive, and stunning debut.
| Author | : Keith Hatschek |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 221 |
| Release | : 2022-02-04 |
| Genre | : Music |
| ISBN | : 1496837789 |
Recipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical’s journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America’s greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called “free society.” Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors’s stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members’ bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical’s place as an integral part of America’s jazz history and served as an important reminder of how artists’ voices are a powerful force for social change.
