The City And The Parish Drama In York And Beyond
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| Author | : Alexandra F. Johnston |
| Publisher | : Taylor & Francis |
| Total Pages | : 292 |
| Release | : 2023-04-14 |
| Genre | : History |
| ISBN | : 1000947629 |
Collected Studies CS1062 This volume brings together a selection of the major articles of Alexandra F. Johnston, which along with similar volumes by the late David Mills, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Alexandra Johnston, the founding director of the research project, Records of Early English Drama, is one of these four key scholars whose work has had a profound influence on the study of medieval and early modern English drama. This collection of essays focuses especially on the York plays: on the Mercers’ documents that initiated the project itself; on the theology and christology of the plays; on the relationship between the plays and contemporary administrative bodies, both civic and national; and on the performance of the York plays in modern times. A further group of articles considers documentary evidence for the wide range of drama and mimetic ceremony in the Midlands and the West Country, reinforcing our understanding that these events took place predominately on a local parish level. The collection is rounded out with a survey of the immense changes that our reading of early English drama have undergone over the past half century.
| Author | : Philip Butterworth |
| Publisher | : Taylor & Francis |
| Total Pages | : 421 |
| Release | : 2022-07-29 |
| Genre | : Performing Arts |
| ISBN | : 1000610691 |
When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance. More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work. The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.
| Author | : Meg Twycross |
| Publisher | : Routledge |
| Total Pages | : 444 |
| Release | : 2017-12-06 |
| Genre | : History |
| ISBN | : 135134532X |
Collected Studies CS 1068 The essays selected for this volume are chosen to reflect the important and intersecting ways in which over the last forty years Meg Twycross has shifted paradigms for people reading early English religious drama. The focus of Meg Twycross’s research has been on performance in its many aspects, and this volume chooses four of the most important strands of her work - the York plays; new ways of understanding acting and performance in late medieval theatre, particularly in Britain and across Europe; why scenes are staged in the ways they are, verbally and by extrapolation visually, by close reading of texts against the background of medieval theology; and the attention paid to wider contexts of medieval theatre - concentrating especially on essays that are not easily available today. These thematic strands are reflective of Meg Twycross’s major contribution to the field. They also represent those areas from her wider work which will have most utility and value for those, whether students or senior specialists in areas beyond early drama, who are looking for ways into understanding English medieval plays. The crucial work that has been done here has opened new perspectives on late medieval theatre, and will allow new generations to begin their study and research from further along the road.
| Author | : Peter Meredith |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2018-01-02 |
| Genre | : History |
| ISBN | : 1351266020 |
Collected Studies CS1069 The essays selected for this volume reflect Peter Meredith’s major contribution to the revival and revision of academic and public interest in medieval English drama and theatre. A number of coinciding factors in the last quarter of the twentieth century brought together a group of scholars, represented here in the Shifting Paradigms series, determined to place the study of medieval drama in a broader context than that of solely reading texts. The publication of Records of Early English Drama, the University of Leeds facsimiles of medieval drama manuscripts, the establishment of the journal and annual meetings of Medieval English Theatre, brought a wider perspective to the discipline. And, by no means least, the bringing to bear of all these ground-breaking developments to the mammoth tasks of recreating in the public domain the original-staging of medieval plays. Peter Meredith had a hand in the formation and lasting influence of all these crucial innovations. The variety and depth of his comprehensive approach to the study of medieval drama and theatre is clearly evinced in each of the essays chosen for this volume.
| Author | : Jacques van der Vliet |
| Publisher | : Routledge |
| Total Pages | : 452 |
| Release | : 2018-04-20 |
| Genre | : History |
| ISBN | : 1351133454 |
Collected Studies CS1070 The present book collects 31 articles that Jacques van der Vliet, a leading scholar in the field of Coptic Studies (Leiden University / Radboud University, Nijmegen), has published since 1999 on Christian inscriptions from Egypt and Nubia. These inscriptions are dated between the third/fourth and the fourteenth centuries, and are often written in Coptic and/or Greek, once in Latin, and sometimes (partly) in Arabic, Syriac or Old Nubian. They include inscriptions on tomb stones, walls of religious buildings, tools, vessels, furniture, amulets and even texts on luxury garments. Whereas earlier scholars in the field of Coptic Studies often focused on either Coptic or Greek, Van der Vliet argues that inscriptions in different languages that appear in the same space or on the same kind of objects should be examined together. In addition, he aims to combine the information from documentary texts, archaeological remains and inscriptions, in order to reconstruct the economic, social and religious life of monastic or civil communities. He practiced this methodology in his studies on the Fayum, Wadi al-Natrun, Sohag, Western Thebes and the region of Aswan and Northern Nubia, which are all included in this book.
| Author | : Stephan Kuttner |
| Publisher | : Routledge |
| Total Pages | : 416 |
| Release | : 2018-10-30 |
| Genre | : History |
| ISBN | : 1351058932 |
Collected Studies CS1071 The central figure in this volume is that of Gratian, whose monumental compilation of canon law sparked off the revival of legal studies in the medieval West. In other collections of essays, Stephan Kuttner dealt with the development of canon law in the two centuries that followed the publication of Gratian's Decretum, and the ideas that this engendered; here he is concerned with the foundations upon which all these later efforts were based. The work of Gratian is, of course, the principal focus, but the studies then follow the spread of the teaching of law, from its inception at Bologna in the 1140s to its appearance soon after in other centres of learning in the West especially in France, in the Anglo-Norman schools and in Germany. With a quarter of the volume consisting of additional notes and extensive indexes, it makes a contribution of the greatest importance to the historical study of canon law. For this second edition, a new section of additional notes has been supplied, and the volume is introduced with an essay by Peter Landau; these take account of the important recent work on Gratian and the Decretum and chart the significance of Stephan Kuttner's work.
| Author | : Philip Butterworth |
| Publisher | : Routledge |
| Total Pages | : 328 |
| Release | : 2022-02-07 |
| Genre | : History |
| ISBN | : 1000531783 |
In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre. The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas. The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre. Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).
| Author | : John Marshall |
| Publisher | : Routledge |
| Total Pages | : 383 |
| Release | : 2019-10-08 |
| Genre | : Drama |
| ISBN | : 0429765010 |
Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).
| Author | : David Luscombe |
| Publisher | : Routledge |
| Total Pages | : 317 |
| Release | : 2018-12-20 |
| Genre | : History |
| ISBN | : 1351111892 |
These essays provide original reflections and new evidence for the lives and work of an outstanding medieval couple, Peter Abelard and Heloise. The main themes of the author's studies are the careers and the thought of Peter Abelard, his philosophy, theology and monastic teaching, his relationship in marriage and in religious life with Heloise and their correspondence. The essays, now brought together in a single volume, show how much is still to be learned from the presentation of new evidence and the opening of new enquiries about the lives and calamities of Peter Abelard and Heloise.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 160 |
| Release | : 2023-12-18 |
| Genre | : Art |
| ISBN | : 9004652779 |
This collection of essays presents the multiplicity of dramatic and paradramatic activity that flourished in medieval and early modern England at the parish level. The evidence here adduced is largely from churchwardens' accounts and from the records of the ecclesiastical courts. The book contains ten articles that consider the various money making ventures undertaken by English parishes for the support of the church. The authors study subjects ranging from paradramatic activities such as rushbearing, dancing and bull and bear baiting through more hybrid and problematical events such as the king games and Robin Hood gatherings and plays, to what can be considered 'true' drama with sets, props, texts and actors. All the contributors are editors in the Records of Early English Drama project and bring to their material the insights of scholars working with original material in what are still only partially charted waters. »Ludus« intends to introduce those interested in literature, in the performing arts, or in history to the various aspects of theatre and drama from the Middle Ages and the Early Renaissance. It publishes books on closely defined topics, mostly seen from a comparative point of view.
