The Cities The Towns The Crowds
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Author | : Brian H. Peterson |
Publisher | : University of Pennsylvania Press |
Total Pages | : 178 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780812238297 |
A complete picture of Robert Spencer, one of the most recognizable of the Pennsylvania impressionist painters. From his beginnings as the son of a minister and early interest in painting, through his volatile home life and battle with depression, to his death by suicide, The Cities, The Towns, The Crowds presents the definitive portrait of a great American artist.
Author | : Charles Mackay |
Publisher | : |
Total Pages | : 144 |
Release | : 1857 |
Genre | : |
ISBN | : |
Author | : Mark Harrison |
Publisher | : Cambridge University Press |
Total Pages | : 382 |
Release | : 2002-06-20 |
Genre | : History |
ISBN | : 9780521520133 |
A fresh look at the crowd in relation to the urbanising process and the civic culture it inspired.
Author | : Marcy Heidish |
Publisher | : WaterBrook |
Total Pages | : 242 |
Release | : 2010-05-05 |
Genre | : Religion |
ISBN | : 0307499022 |
Your City Guide to God Beneath the relentless rhythms of city life beats the heart of God, and award-winning author Marcy Heidish takes you into a more intimate relationship with him in the midst of crowds, chaos, and concrete. Her experiences from a curb in Brooklyn, the bay in San Francisco, a rooftop of Chartres Cathedaral in Paris, and the busy halls of Washington, D.C., help you see the city in a new light. She turns common city distractions, annoyances, and challenges into spiritual invitations or “gateways” to a new kind of contemplation where: •screaming sirens become cues to silent intercession, •skyscrapers, like spires, pull your eyes and thoughts heavenward, •and red traffic lights work as “pause” buttons that call for you to stop and pray. “In the city there is grit,” Marcy writes. And grime and garbage. But her practical tools in every chapter for reflection, discussion, and application help you see–whether you’re visiting, working, or dwelling in Philadelphia or Phoenix, New York or Los Angeles, Seattle or Syracuse–that in the city there is also grace.
Author | : Daniela Daniele |
Publisher | : BRILL |
Total Pages | : 223 |
Release | : 2021-12-28 |
Genre | : Social Science |
ISBN | : 9004483233 |
This book traces the origins of the Postmodern eclectic grammar of linguistic collision back in the Surrealist poetics of ruins. Keeping in mind the images of lost direction in the big city as a central figure in the discussion of both the Modern and Postmodern aesthetics of displacement, Daniele starts comparing the epiphanic encounters of the Baudelairian flâneur in metropolitan Paris - in constant search for the traces of a lost symbolic order - with Breton's enigmatic pursuit of Nadja, the elusive sphinx in the crowd who moves in a mental territory of puzzling condensations and of ineffable objets trouvé. In his visual and written work, Marcel Duchamp was probably the first artist to envision the space of the crowd as a trans-urban, multiple dimension: a cool arena of disjunctive encounters contributing to transform the Surrealist erotic space of desire in a cooler, open field of performance. Deeply influenced by Duchamp's hybrid aesthetics, American Postmodern writers such as Donald Barthelme and Thomas Pynchon, and the performance artist Laurie Anderson, represent metropolis as a “geographical incest”, as a plural, entropic semiosphere which transcends the notion of urban community to become the tolerant receptacle of an ethnic and discoursive multiplicity, an electronic area of linguistic collisions translatable in new fragmented and unfinished narratives. Evoking the assemblages of Abstract Expressionists, the debris of Simon Rodia “junk art”, and the hybrid language of Postmodern architecture, this neo-Surrealist narrative discourse transforms the epiphanic traces envisioned by the Baudelairian and Bretonian heroes in partial parodies, in enigmatic fragments whose ultimate source transcends the narrator's knowledge. The conceptual strategy which is constitutive of these texts implicitly asks the puzzled reader to disentangle the entropic plots, immerging him in the midst of a “linguistic wilderness,” where all opposites - fact and fiction, man and machine, man and female - enigmatically and humorously coexist.
Author | : J. Timothy Cole |
Publisher | : McFarland |
Total Pages | : 208 |
Release | : 2016-04-05 |
Genre | : Social Science |
ISBN | : 9780786480401 |
Politics in Rutherford County were heated a century ago: the developing textile industry, the growing population, an agricultural crisis and race relations inflamed everyone. Mills Higgins Flack, a leader of the Farmers' Alliance and the county's first Populist in the state House, was allegedly murdered on August 28, 1900, by Avery Mills, an African American. This book documents the murder and the lynching of Avery Mills. The author (Flack's great-great-grandson) considers the phenomena of racial lynching, the Populist movement in the county, the white supremacy movement of the state's Democratic party and the county's KKK activities.
Author | : David Clarke |
Publisher | : Routledge |
Total Pages | : 270 |
Release | : 2005-08-19 |
Genre | : Science |
ISBN | : 1134797966 |
The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik
Author | : Gerard Charles Wilson |
Publisher | : Gerard Charles Wilson Publisher |
Total Pages | : 155 |
Release | : 2021-06-12 |
Genre | : |
ISBN | : 1876262192 |
A social history of Australia, not of the famous and heroic, but of the small people, the anonymous people who were the heartbeat of a growing nation What did kids do in the 1950s when there were no smartphones, tablets, and computers? They roamed the neighbourhood on scooters and bikes. They went on bush hikes. They went to Saturday matinees where the theatres were packed to the rafters, and kids yelled at hero-action and booed kissing. Most of their pleasures were self-made. Besides roaming the streets free of risk, kids enjoyed trips to the beach and zoo. They took a double-decker bus town to see the Christmas displays. Christmas in the city was a wonderland of toys and amusements. The decade of the 1950s now seems idyllic to many now in their seventies and eighties. It was so different from the first decades of the 21st century that those years now seem like another world, an impossible world of social and moral values. In today’s atmosphere, it seems hard to imagine it possessed any legitimate social and moral coherence. The author looks back on those years, telling the story as much about the world he grew up in as about himself. He starts from his birth in July 1946 and goes to the end of his second year at primary school, 1953, when he turned six and learnt to read. It was also the year that Princess Elizabeth was crowned Queen of England, a super-nova event for Australia. The author’s story involves his lifelong friend, Pete, a rubella baby, a condition which tragically took his already poor sight in his teenage years. Pete’s story, told as an adult without sight, is fascinating. The year 1946 was the year after the Second World War had ended. Despite an optimistic outlook, Australia was full of talk of the war – of the threat of war, of the suffering, of the shocking cruelty of the Japanese army, and of lost loved ones. The author’s upbeat father, just discharged from the navy with the rank of Chief Petty Officer, put it all behind him and began building the family’s first house in Lane Cove, a suburb on the north side of Sydney Harbour, and the scene of his childhood. Their new three-bedroom, double-brick home was like a palace. For a boy, who according to his mother had ants in his pants, the author remembers much about the social and political events that provoked his father into long and loud comment. He has clear memories of the Korean War, the activities of the communist-controlled unions, Prime Minister Menzies’ measures against them, and so much more. The local convent under the regime of the Mercy Sisters is an unmissable part of his story. He recalls with affection the sisters’ teaching methods and their strict regimentation of their pupils. He thinks some of their disciplinary methods, now condemned by many, are rather amusing to look back on. He regards that class of 1953 as the end of a phase in his development when he learnt to read. The following year, 1954, was rich in social and political events and will start the fourth book in the family history series, COMMUNISTS, BILLYCARTS AND TWO WHEELERS.
Author | : Debbie Lelekis |
Publisher | : Lexington Books |
Total Pages | : 127 |
Release | : 2015-10-08 |
Genre | : Literary Criticism |
ISBN | : 1498506364 |
American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. The spectator functions as a lens through which we view the relationship between violence and social change as depicted in the politically-charged crowds of fictional lynch mob scenes that expose the central tension of American democracy—the struggle for balance between the rights of the individual and the demands of the community. This has played out in American fiction through clashes between crowds and the primarily rural images that have so often been used to describe America. While this pastoral vision of America has dominated the study of American literature, this book argues for a reassessment of fiction that takes into consideration that the way the country defines itself collectively is as significant as the way its people define themselves individually. This study distinguishes itself from others by bringing together journalism, crowds, lynching, spectatorship, and literature in new and innovative ways that uncover how American literature at the turn of the twentieth century confronted and pushed beyond passive observation and static visual performances, which are traditionally associated with the terms "spectator" and "spectacle." The crowds in fictional lynch mob scenes clash with the idea of positive collective action because the crowd's vigilantism defies legitimate legal and democratic processes. Lynch mobs, in contrast to other crowds like strikes or political rallies, do not reclaim the democratic process from the control of the powerful and wealthy, but rather oppose those practices violently without regard to justice. As a figure who is simultaneously within and outside the crowd, the spectator (often in the form of a reporter character) is in a unique position to express the fractures occurring between the individual and the collective in American society. Racial conflicts are a key aspect of the crowd scenes examined. American writers contended with these issues by using the spectator to observe, question, and challenge readers to consider the impact on the structure of American society.
Author | : Joanna Merwood-Salisbury |
Publisher | : University of Chicago Press |
Total Pages | : 309 |
Release | : 2019-10-03 |
Genre | : History |
ISBN | : 022660490X |
Situated on Broadway between Fourteenth and Seventeenth Streets, Union Square occupies a central place in both the geography and the history of New York City. Though this compact space was originally designed in 1830 to beautify a residential neighborhood and boost property values, by the early days of the Civil War, New Yorkers had transformed Union Square into a gathering place for political debate and protest. As public use of the square changed, so, too, did its design. When Frederick Law Olmsted and Calvert Vaux redesigned the park in the late nineteenth century, they sought to enhance its potential as a space for the orderly expression of public sentiment. A few decades later, anarchists and Communist activists, including Emma Goldman, turned Union Square into a regular gathering place where they would advocate for radical change. In response, a series of city administrations and business groups sought to quash this unruly form of dissidence by remaking the square into a new kind of patriotic space. As Joanna Merwood-Salisbury shows us in Design for the Crowd, the history of Union Square illustrates ongoing debates over the proper organization of urban space—and competing images of the public that uses it. In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design. Published with the support of Furthermore: a program of the J. M. Kaplan Fund.